A bumps race is a form of rowing race in which a number of boats chase each other in single file, each crew attempting to catch and "bump" the boat in front without being caught by the boat behind.
The form is mainly used intramurally at the University of Cambridge, since 1827, and at the University of Oxford since 1815. Bumps racing in fours is also the format of intramural rowing at Eton College and at Shrewsbury School. It is particularly suitable where the stretch of water available is long but narrow, precluding side-by-side racing. Bumps racing gives a sharper feel of immediate competition than a head race, where boats are simply timed over a fixed course. Few rowers worldwide use rivers as narrow as the Cam or the Isis, but bumps races are also contested elsewhere (see below).
Racing practice and procedures
Bumps races are typically raced in a series over several days. The starting order of each day's race is based on the previous day's results; the first day's starting order each year is determined by the results on the last day of the previous year. Each day the boats line up bow-to-stern, usually along the bank of the river, with a set distance between each boat and the next (usually about one and a half boat-lengths of clear water). The starting positions are usually marked by a rope or chain attached to the bank, the other end of which is held by each boat's cox. Boats wait along the bank, and may be poled out just in time for the start, to avoid drifting. At the start signal the cox lets go of the rope and the crew starts to row, attempting to catch and bump the boat in front while simultaneously being chased by the one behind.
The bump was a primarily 1970s fad dance introduced by Johnny Spruce in which the main move is to lightly "bump" hips on every other beat of the music. As the dance (and the evening) progressed, the bumping could become more intimate, bumping hip to backside, low bending, etc. There were several songs that were inspired by the bump, such as "The Bump" by Kenny and "Lady Bump" by Penny McLean, but the song that is most remembered is "Give Up the Funk (Tear the Roof off the Sucker)" by George Clinton and Parliament, which was released in 1976. The lyric in the song is "we want the funk", but has been mistaken for "we want the bump". In the UK, possibly the most popular and evocative song used for this dance was "Nutbush City Limits" by "Ike & Tina Turner".
Sheriff Lundy is called into action to solve the mystery of the unexplained forces at work on the Dill Farm. A supernatural tale of extreme horror, where even the confines of the grave aren’t able to contain the brutal spirit of serial killer Edgar Dill, and his legion of monstrous Treehuggers.
A smile is a facial expression formed primarily by flexing the muscles at the sides of the mouth. Some smiles include a contraction of the muscles at the corner of the eyes, an action known as a "Duchenne smile". Smiles performed without the eye contraction can be perceived as "fake".
Among humans, smiling is an expression denoting pleasure, sociability, happiness, or amusement. It is distinct from a similar but usually involuntary expression of anxiety known as a grimace. Although cross-cultural studies have shown that smiling is a means of communication throughout the world, there are large differences between different cultures, with some using smiles to convey confusion or embarrassment.
Historical background
Primatologist Signe Preuschoft traces the smile back over 30 million years of evolution to a "fear grin" stemming from monkeys and apes who often used barely clenched teeth to portray to predators that they were harmless. The smile may have evolved differently among species and especially among humans. Apart from Biology as an academic discipline that interprets the smile, those who study kinesics and psychology such as Freitas-Magalhaes view the smile as an affect display that can communicate feelings such as love, happiness, pride, contempt, and embarrassment.
Smile! (Улыбнись!, Ulybnis!) is a Russian album by Vitas (Витас), released in 2002. Several songs from this album featured in his Philosophy of Miracle concert programme, whose performance at the Kremlin earned Vitas a record as the youngest artist to perform a solo concert at the State Kremlin Palace; a DVD of this concert was later released.
The title track won the Russian Golden Gramophone and People's Hit awards.
Good-bye was released as a single, which included 5 different mixes of the song, the tracks Ave Maria and Byelorussia, and the music video for Opera #1 from his previous album Philosophy of Miracle.Good-bye is notable for Vitas' extreme bass vocals, in contrast to his more usual high-pitched vocals.Blessed Guru (sometimes translated Blissful Guru) also exercises his seldom-used bass range. The song titles Good-bye and Do Svidaniya (Russian: До свидания, usually listed in English as See You Later, as in the tracklisting here) can cause some confusion because the latter is often translated as Goodbye
In music theory, the bass note of a chord or sonority is the lowest note played or notated. If there are multiple voices it is the note played or notated in the lowest voice. (the note furthest in the bass) While the bass note is often the root or fundamental of the chord, it does not have to be, and sometimes one of the other pitches of the chord will be found in the bass. See: inversion (music).
In pre-tonal theory (Early music), root notes were not considered and thus the bass was the most defining note of a sonority. See: thoroughbass. In pandiatonic chords the bass often does not determine the chord, as is always the case with a nonharmonic bass.
David Lee Roth / Billy Sheehan : "Bump and Grind" bass cover [Eat 'em & Smile 8 of 8]
In this video I recreate Billy Sheehan's bass line to the David Lee Roth song "Bump and Grind", from the 1986 album "Eat 'em and Smile."
I do not own this music. This video is for educational purposes only.
EQUIPMENT USED
===============
1992 Peavey Palaedium (Tone Monster volume/blend PTE harness installed)
PTE Setting #0 (true bypass)
MarkBass Combo II amp (EQ flat)
EBS Billy Sheehan Signature Drive Pedal (Drive 11:30, Tone 10:00, Level 11:30, Clean 2:00)
DR Lowrider Nickel strings (40-60-80-100)
iPhone 8
published: 08 Feb 2021
this edit though 🔥|| the incredibles 2 #shorts
#aftereffects #trending #viral #edit
Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.
I believe all content used falls under the remits of Fair Use, but if any content owners would like to dispute this I will not hesitate to immediately remove said content. It is not my intent to in any way infringe on their content ownership. If you happen to find your art or images in the video please let me know and I will be glad to credit you. Contact me here: [email protected]
published: 04 Mar 2023
dj smile UK GARAGE M Dubs - Bump n Grind V DJ Smile ( BUMP N SMILE )
uk garage Dj smile, Mash Up , Dj Smile
published: 07 Feb 2019
Funky Town
published: 25 Dec 2022
BUMP OF CHICKEN SNOW SMILE ベースカバー
published: 11 Aug 2020
Bump of chicken - Snow smile// bass//
published: 17 Dec 2023
Bump Up The Bass
Provided to YouTube by DistroKid
Bump Up The Bass · ØTJE · A B P
Bump Up The Bass
℗ ØTJE and A B P
Released on: 2023-02-16
Auto-generated by YouTube.
published: 16 Feb 2023
BUMP/Smile 間奏 藤原コード(CD耳コピ版)
BUMP OF CHICKENの新曲「smile」
2カポで耳コピのし直しなのじゃ;;
3番と4番の間に入る短い間奏の部分じゃよ。
こんな感じかな。
参考程度にどうぞ。
詳細はブログで: http://jii3.no-blog.jp/
published: 15 May 2011
Eve - Let Me Blow Ya Mind (Official Music Video) ft. Gwen Stefani
REMASTERED IN HD! UP TO 4K!!
Music video by Eve performing Let Me Blow Ya Mind. (C) 2001 Ruff Ryders/Interscope Records
#Eve #LetMeBlowYaMind #Remastered
published: 17 Jun 2009
Eminem Forgot He Was In The Still Dre Music Video🤣 #shorts
In this video I recreate Billy Sheehan's bass line to the David Lee Roth song "Bump and Grind", from the 1986 album "Eat 'em and Smile."
I do not own this musi...
In this video I recreate Billy Sheehan's bass line to the David Lee Roth song "Bump and Grind", from the 1986 album "Eat 'em and Smile."
I do not own this music. This video is for educational purposes only.
EQUIPMENT USED
===============
1992 Peavey Palaedium (Tone Monster volume/blend PTE harness installed)
PTE Setting #0 (true bypass)
MarkBass Combo II amp (EQ flat)
EBS Billy Sheehan Signature Drive Pedal (Drive 11:30, Tone 10:00, Level 11:30, Clean 2:00)
DR Lowrider Nickel strings (40-60-80-100)
iPhone 8
In this video I recreate Billy Sheehan's bass line to the David Lee Roth song "Bump and Grind", from the 1986 album "Eat 'em and Smile."
I do not own this music. This video is for educational purposes only.
EQUIPMENT USED
===============
1992 Peavey Palaedium (Tone Monster volume/blend PTE harness installed)
PTE Setting #0 (true bypass)
MarkBass Combo II amp (EQ flat)
EBS Billy Sheehan Signature Drive Pedal (Drive 11:30, Tone 10:00, Level 11:30, Clean 2:00)
DR Lowrider Nickel strings (40-60-80-100)
iPhone 8
#aftereffects #trending #viral #edit
Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as c...
#aftereffects #trending #viral #edit
Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.
I believe all content used falls under the remits of Fair Use, but if any content owners would like to dispute this I will not hesitate to immediately remove said content. It is not my intent to in any way infringe on their content ownership. If you happen to find your art or images in the video please let me know and I will be glad to credit you. Contact me here: [email protected]
#aftereffects #trending #viral #edit
Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.
I believe all content used falls under the remits of Fair Use, but if any content owners would like to dispute this I will not hesitate to immediately remove said content. It is not my intent to in any way infringe on their content ownership. If you happen to find your art or images in the video please let me know and I will be glad to credit you. Contact me here: [email protected]
REMASTERED IN HD! UP TO 4K!!
Music video by Eve performing Let Me Blow Ya Mind. (C) 2001 Ruff Ryders/Interscope Records
#Eve #LetMeBlowYaMind #Remastered
REMASTERED IN HD! UP TO 4K!!
Music video by Eve performing Let Me Blow Ya Mind. (C) 2001 Ruff Ryders/Interscope Records
#Eve #LetMeBlowYaMind #Remastered
REMASTERED IN HD! UP TO 4K!!
Music video by Eve performing Let Me Blow Ya Mind. (C) 2001 Ruff Ryders/Interscope Records
#Eve #LetMeBlowYaMind #Remastered
In this video I recreate Billy Sheehan's bass line to the David Lee Roth song "Bump and Grind", from the 1986 album "Eat 'em and Smile."
I do not own this music. This video is for educational purposes only.
EQUIPMENT USED
===============
1992 Peavey Palaedium (Tone Monster volume/blend PTE harness installed)
PTE Setting #0 (true bypass)
MarkBass Combo II amp (EQ flat)
EBS Billy Sheehan Signature Drive Pedal (Drive 11:30, Tone 10:00, Level 11:30, Clean 2:00)
DR Lowrider Nickel strings (40-60-80-100)
iPhone 8
#aftereffects #trending #viral #edit
Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.
I believe all content used falls under the remits of Fair Use, but if any content owners would like to dispute this I will not hesitate to immediately remove said content. It is not my intent to in any way infringe on their content ownership. If you happen to find your art or images in the video please let me know and I will be glad to credit you. Contact me here: [email protected]
REMASTERED IN HD! UP TO 4K!!
Music video by Eve performing Let Me Blow Ya Mind. (C) 2001 Ruff Ryders/Interscope Records
#Eve #LetMeBlowYaMind #Remastered
A bumps race is a form of rowing race in which a number of boats chase each other in single file, each crew attempting to catch and "bump" the boat in front without being caught by the boat behind.
The form is mainly used intramurally at the University of Cambridge, since 1827, and at the University of Oxford since 1815. Bumps racing in fours is also the format of intramural rowing at Eton College and at Shrewsbury School. It is particularly suitable where the stretch of water available is long but narrow, precluding side-by-side racing. Bumps racing gives a sharper feel of immediate competition than a head race, where boats are simply timed over a fixed course. Few rowers worldwide use rivers as narrow as the Cam or the Isis, but bumps races are also contested elsewhere (see below).
Racing practice and procedures
Bumps races are typically raced in a series over several days. The starting order of each day's race is based on the previous day's results; the first day's starting order each year is determined by the results on the last day of the previous year. Each day the boats line up bow-to-stern, usually along the bank of the river, with a set distance between each boat and the next (usually about one and a half boat-lengths of clear water). The starting positions are usually marked by a rope or chain attached to the bank, the other end of which is held by each boat's cox. Boats wait along the bank, and may be poled out just in time for the start, to avoid drifting. At the start signal the cox lets go of the rope and the crew starts to row, attempting to catch and bump the boat in front while simultaneously being chased by the one behind.
(feat. Sarah Brightman) There is a smile A smile upon your face I wonder why Why you´re full of grace There is a time My feeling was replaced I wanna hide