- published: 12 Dec 2017
- views: 255323
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British Film Institute
The British Film Institute (BFI) is a charitable organisation which promotes and preserves filmmaking and television in the United Kingdom.
It was established by Royal Charter to:
BFI activities
Archive
The BFI maintains the world's largest film archive, the BFI National Archive, previously called National Film Library (1935–1955), National Film Archive (1955–1992) and National Film and Television Archive (1993–2006). The archive contains more than 50,000 fiction films, over 100,000 non-fiction titles and around 625,000 television programmes. The majority of the collection is British material but it also features internationally significant holdings from around the world. The Archive also collects films which feature key British actors and the work of British directors.
Cinemas
The BFI runs the BFI Southbank (formerly the National Film Theatre (NFT)) and London IMAX cinema, both located on the south bank of the River Thames in London. The IMAX has the largest cinema screen in the UK, and shows popular recent releases and short films showcasing its technology, which includes 3D screenings and 11,600 watts of digital surround sound. BFI Southbank (the National Film Theatre screens and the Studio) shows films from all over the world particularly critically acclaimed historical & specialised films that may not otherwise get a cinema showing. The BFI also distributes archival and cultural cinema to other venues – each year to more than 800 venues all across the UK, as well as to a substantial number of overseas venues.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/British_Film_Institute
Cinema of the United Kingdom
The United Kingdom has had a significant film industry for over a century. While film production reached an all-time high in 1936, the "golden age" of British cinema is usually thought to have occurred in the 1940s, during which the directors David Lean,Michael Powell, (with Emeric Pressburger) and Carol Reed produced their most highly acclaimed work. Many British actors have achieved international fame and critical success, including Maggie Smith, Michael Caine,Sean Connery and Kate Winslet. Some of the films with the largest ever box office returns have been made in the United Kingdom, including the second and third highest-grossing film series (Harry Potter and James Bond). The identity of the British industry, and its relationship with Hollywood, has been the subject of debate. The history of film production in Britain has often been affected by attempts to compete with the American industry. The career of the producer Alexander Korda was marked by this objective, the Rank Organisation attempted to do so in the 1940s, and Goldcrest in the 1980s. Numerous British-born directors, including Alfred Hitchcock and Ridley Scott, and performers, such as Charlie Chaplin and Cary Grant, have achieved success primarily through their work in the United States.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Cinema_of_the_United_Kingdom
British Film (magazine)
British Film was a publication covering British film industry, which was read by hundreds of people weekly. The magazine began as a print publication in 2005 before the launch of the online version in 2007. Both the print and online editions closed following the departure of founder Terence Doyle.
History
The magazine was conceived in autumn 2002 but the idea received little support at Cannes 2003.
British Film Magazine launched in London and Cannes 2005. Following three years of difficult development, it was a 108 page glossy Premiere Issue in March 2005, with 10,000 copies printed. That issue was sold in independent shops, specialist film outlets and Borders bookshops in the main cities throughout the UK. Some problems were encountered as the issue bore the cover date of June 2005 instead of Summer 2005, so shops that sold out waited for the next issue to arrive rather than order more copies of the premiere issue.
Two years later, at the Cannes Film Festival in May 2007, the online version was launched. It is read by hundreds of people in up to 50 countries weekly.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/British_Film_(magazine)
Podcasts:
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Another World (1948) | BFI National Archive
Take a tour through St Ives’ labyrinthine cobbled streets, with names like 'Love Lane', 'Fish St' or 'Teetotal St', and encounter an array of colourful characters along the way. From well-weathered fishermen to artists, including Leonard Fuller, who appears with a group of students in tow from his St. Ives School of Painting, to George Bradshaw who founded the St Ives' Society of Artists. And, as the narrator points out, "there are cats everywhere" - no doubt due to the endless scraps of fish at their disposal. This video is part of the Orphan Works collection. When the rights-holder for a film cannot be found, that film is classified as an Orphan Work. Find out more about Orphan Works: http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm. This is in line with the EU O...
published: 12 Dec 2017 -
Broad Acres (1946) | BFI National Archive
Is that Stonegate in York, without a tourist in sight? Designed to show off the 'old world' qualities of Yorkshire, this educational film might itself seem pleasantly antiquated to a modern viewer. Among the scenic highlights of the tour are a bustling view of Leeds, with its long-closed tram network, and Britain's oldest chemist's shop in Knaresborough, which sadly also no longer trades. Postwar travelogues like these aimed to cheer Britain up again, not to mention generate traffic in its key holiday spots. Here, the narration looks to demonstrate how turbulent events help to shape a place. Showing the viewer Barnard Castle, the film seems to suggest that some great monuments came about by violence and conflict - but that this country is now all the richer for that history. This video i...
published: 12 Dec 2017 -
Public wash-house Liverpool (1959) | BFI National Archive
Admire the industriousness of the Liverpool women who transport huge bundles of laundry to and from the local wash-house every week, crammed into old prams or balanced skilfully on their heads. The wash-house doubles as a social hub for the women, with a cafe and creche facilities. At the time of filming, this one in the Pontack Lane area was one of 13 remaining original public wash-houses in the city, although new more modernised buildings were under construction.Liverpool's last working wash-house closed in 1995. The peppy documentary not only looks at the modern wash-house, but introduces the story of Kitty Wilkinson, 'the Saint of the Slums', who pioneered the public wash-house movement in Liverpool during the 1832 cholera epidemic. John Abbot Productions, who made the film, specialis...
published: 12 Dec 2017 -
In conversation with Maggie Smith: "I led a perfectly normal life until Downton Abbey" | BFI
Dame Maggie Smith, who plays the Dowager Countess of Grantham in ITV's costume drama, talks to Mark Lawson about why her character should be killed off, forgetting which film she's shooting on and why she was considered "too common" to appear in plays at school. This event, which was called Dame Maggie Smith in Conversation, was held as part of the BFI + Radio Times TV festival, which took place in April. Subscribe: http://bit.ly/subscribetotheBFI. Watch more on the BFI Player: http://player.bfi.org.uk/ Follow us on Twitter: https://twitter.com/BFI Like us on Facebook: https://www.facebook.com/BritishFilmInstitute Follow us on Google+: https://plus.google.com/+britishfilminstitute/
published: 19 May 2017 -
Newspaper Train (1942) | Railways on Film
The story of how newspapers were distributed during the Blitz, stressing the importance of an accurate and objective press on the home front. Digitised from the collection of the Imperial War Museum. Narrated by American journalist Merrill Mueller, this film tribute follows the daily newspaper chain of delivery, kept alive through the dedication of those responsible for its circulation. Even under the strain of relentless bombing, readers are kept informed about wartime developments, helping to keep a check on hearsay and the spread of negative propaganda. The IWM Film Archive is the oldest film archive in the UK, holding over 20,000 hours of film, video and digital material and covering the two World Wars and all conflicts involving British or Commonwealth Forces since the start of the ...
published: 14 Apr 2016 -
Just One Kid (1974) | BFI National Archive
Jewish tailor-turned-actor Alfred Maron, once a resident of London’s East End, reminisces about his childhood in this affecting drama-documentary. We follow young Alfred growing up in poverty in the interwar years, and witness the excitement of a school trip to Kent. For all the hardship, there are moments of happiness, such as his excitement at seeing the sea for the first time. As an adult, Alfred rues the loss of the old Jewish communities, and the film reflects his complex emotions surrounding the East End’s changing cultural mix in the 1970s. The evocative, unsentimental dramatised sequences from Maron’s youth (featuring children from London's Jewish Free School) have a lot in common with the early films of Terence Davies, which they pre-date. Just One Kid emphasises the need for cha...
published: 12 Dec 2017 -
Christmas Under Fire (1941) | BFI National Archive
Christmas Under Fire (1941) | BFI National Archive. Subscribe: http://bit.ly/subscribetotheBFI Despite the Blitz, it's 'business as usual' as England prepares for Christmas in this propaganda film intended for US audiences. It's a Christmas of holly and barbed wire, guns and tinsel, yet the British, we are told, are determined to make it as cheerful as possible. "England is fighting for her life", asserts the American narrator, but it is admiration rather than pity that the film seeks to evoke. The filmmakers achieve this with emotions bigger than most 10-minute films could contain, as we watch plucky Londoners creating a subterranean Christmas on Underground platforms and the choristers of King's College sing their hearts out. While no doubt intended to encourage US support in the War, ...
published: 05 Dec 2008 -
How Do They Do That - British Film Institute National Archive
Film restoration & preservation at the British Film Institute National Archive. HQ- http://www.youtube.com/watch?v=FiCB6BWbd2k&fmt=18 Fun Fact - This video was ripped from a Terapin VCD recorder via directv because my liteon dvd recorder died, Was surprised it looks as good as it does after upload.
published: 30 Oct 2009 -
A Native Street in India (1906)
Part of India on Film: 1899 – 1947 This collection of newly digitised films is part of the BFI's contribution to the UK-India Year of Culture 2017, in partnership with the British Council. View more films on BFI Player http://player.bfi.org.uk/collections/india-on-film-1899-1947/ (UK only) Early film of a crowded street scene in an unidentified Indian city. Can you identify it? A busy street in India is filmed from a static camera position. Unfortunately, given the lack of clearly recognisable features, it seems to be impossible to identify the city, but if you recognise it please let us know. This film was produced by the Walturdaw Company. Subscribe: http://bit.ly/subscribetotheBFI Watch more on the BFI Player: http://player.bfi.org.uk/ Follow us on Twitter: https://twitter.com/BF...
published: 10 Aug 2017 -
British Film Institute - Film Is Fragile
Mill+ collaborated with BFI to create ‘Film is Fragile’, a thought-provoking new film supporting the organization and its mission to protect the national film archive. Find out more about the creation of the film directed by Mill+'s Carl Addy: http://j.mp/BFIfif Help protect our nation's film collection. Donate to BFI: https://www.bfi.org.uk/filmisfragile/ Follow @Millchannel on Twitter, Facebook & Instagram for more updates: Website: http://themill.com Blog:http://www.themill.com/millchannel Facebook: http://facebook.com/MillChannel Twitter: http://twitter.com/millchannel Instagram: http://instagram.com/millchannel
published: 16 Oct 2015
developed with YouTube
34:38
Another World (1948) | BFI National Archive
- Order: Reorder
- Duration: 34:38
- Uploaded Date: 12 Dec 2017
- views: 255323
Take a tour through St Ives’ labyrinthine cobbled streets, with names like 'Love Lane', 'Fish St' or 'Teetotal St', and encounter an array of colourful characte...
Take a tour through St Ives’ labyrinthine cobbled streets, with names like 'Love Lane', 'Fish St' or 'Teetotal St', and encounter an array of colourful characters along the way. From well-weathered fishermen to artists, including Leonard Fuller, who appears with a group of students in tow from his St. Ives School of Painting, to George Bradshaw who founded the St Ives' Society of Artists. And, as the narrator points out, "there are cats everywhere" - no doubt due to the endless scraps of fish at their disposal.
This video is part of the Orphan Works collection. When the rights-holder for a film cannot be found, that film is classified as an Orphan Work. Find out more about Orphan Works: http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm. This is in line with the EU Orphan Works Directive of 2012. The results of our search for the rights holder of this film can be found in the EU Orphan Works Database: https://euipo.europa.eu/ohimportal/en/web/observatory/orphan-works-database
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
https://wn.com/Another_World_(1948)_|_Bfi_National_Archive
Take a tour through St Ives’ labyrinthine cobbled streets, with names like 'Love Lane', 'Fish St' or 'Teetotal St', and encounter an array of colourful characters along the way. From well-weathered fishermen to artists, including Leonard Fuller, who appears with a group of students in tow from his St. Ives School of Painting, to George Bradshaw who founded the St Ives' Society of Artists. And, as the narrator points out, "there are cats everywhere" - no doubt due to the endless scraps of fish at their disposal.
This video is part of the Orphan Works collection. When the rights-holder for a film cannot be found, that film is classified as an Orphan Work. Find out more about Orphan Works: http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm. This is in line with the EU Orphan Works Directive of 2012. The results of our search for the rights holder of this film can be found in the EU Orphan Works Database: https://euipo.europa.eu/ohimportal/en/web/observatory/orphan-works-database
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
16:53
Broad Acres (1946) | BFI National Archive
- Order: Reorder
- Duration: 16:53
- Uploaded Date: 12 Dec 2017
- views: 20079
Is that Stonegate in York, without a tourist in sight? Designed to show off the 'old world' qualities of Yorkshire, this educational film might itself seem plea...
Is that Stonegate in York, without a tourist in sight? Designed to show off the 'old world' qualities of Yorkshire, this educational film might itself seem pleasantly antiquated to a modern viewer. Among the scenic highlights of the tour are a bustling view of Leeds, with its long-closed tram network, and Britain's oldest chemist's shop in Knaresborough, which sadly also no longer trades.
Postwar travelogues like these aimed to cheer Britain up again, not to mention generate traffic in its key holiday spots. Here, the narration looks to demonstrate how turbulent events help to shape a place. Showing the viewer Barnard Castle, the film seems to suggest that some great monuments came about by violence and conflict - but that this country is now all the richer for that history.
This video is part of the Orphan Works collection. When the rights-holder for a film cannot be found, that film is classified as an Orphan Work. Find out more about Orphan Works: http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm. This is in line with the EU Orphan Works Directive of 2012. The results of our search for the rights holder of this film can be found in the EU Orphan Works Database: https://euipo.europa.eu/ohimportal/en/web/observatory/orphan-works-database
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
https://wn.com/Broad_Acres_(1946)_|_Bfi_National_Archive
Is that Stonegate in York, without a tourist in sight? Designed to show off the 'old world' qualities of Yorkshire, this educational film might itself seem pleasantly antiquated to a modern viewer. Among the scenic highlights of the tour are a bustling view of Leeds, with its long-closed tram network, and Britain's oldest chemist's shop in Knaresborough, which sadly also no longer trades.
Postwar travelogues like these aimed to cheer Britain up again, not to mention generate traffic in its key holiday spots. Here, the narration looks to demonstrate how turbulent events help to shape a place. Showing the viewer Barnard Castle, the film seems to suggest that some great monuments came about by violence and conflict - but that this country is now all the richer for that history.
This video is part of the Orphan Works collection. When the rights-holder for a film cannot be found, that film is classified as an Orphan Work. Find out more about Orphan Works: http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm. This is in line with the EU Orphan Works Directive of 2012. The results of our search for the rights holder of this film can be found in the EU Orphan Works Database: https://euipo.europa.eu/ohimportal/en/web/observatory/orphan-works-database
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
- published: 12 Dec 2017
- views: 20079
4:29
Public wash-house Liverpool (1959) | BFI National Archive
- Order: Reorder
- Duration: 4:29
- Uploaded Date: 12 Dec 2017
- views: 937452
Admire the industriousness of the Liverpool women who transport huge bundles of laundry to and from the local wash-house every week, crammed into old prams or b...
Admire the industriousness of the Liverpool women who transport huge bundles of laundry to and from the local wash-house every week, crammed into old prams or balanced skilfully on their heads. The wash-house doubles as a social hub for the women, with a cafe and creche facilities. At the time of filming, this one in the Pontack Lane area was one of 13 remaining original public wash-houses in the city, although new more modernised buildings were under construction.Liverpool's last working wash-house closed in 1995.
The peppy documentary not only looks at the modern wash-house, but introduces the story of Kitty Wilkinson, 'the Saint of the Slums', who pioneered the public wash-house movement in Liverpool during the 1832 cholera epidemic. John Abbot Productions, who made the film, specialised in sponsored non-fiction films from the late 1950s to the late 1970s.
This video is part of the Orphan Works collection. When the rights-holder for a film cannot be found, that film is classified as an Orphan Work. Find out more about Orphan Works: http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm. This is in line with the EU Orphan Works Directive of 2012. The results of our search for the rights holder of this film can be found in the EU Orphan Works Database: https://euipo.europa.eu/ohimportal/en/web/observatory/orphan-works-database
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
https://wn.com/Public_Wash_House_Liverpool_(1959)_|_Bfi_National_Archive
Admire the industriousness of the Liverpool women who transport huge bundles of laundry to and from the local wash-house every week, crammed into old prams or balanced skilfully on their heads. The wash-house doubles as a social hub for the women, with a cafe and creche facilities. At the time of filming, this one in the Pontack Lane area was one of 13 remaining original public wash-houses in the city, although new more modernised buildings were under construction.Liverpool's last working wash-house closed in 1995.
The peppy documentary not only looks at the modern wash-house, but introduces the story of Kitty Wilkinson, 'the Saint of the Slums', who pioneered the public wash-house movement in Liverpool during the 1832 cholera epidemic. John Abbot Productions, who made the film, specialised in sponsored non-fiction films from the late 1950s to the late 1970s.
This video is part of the Orphan Works collection. When the rights-holder for a film cannot be found, that film is classified as an Orphan Work. Find out more about Orphan Works: http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm. This is in line with the EU Orphan Works Directive of 2012. The results of our search for the rights holder of this film can be found in the EU Orphan Works Database: https://euipo.europa.eu/ohimportal/en/web/observatory/orphan-works-database
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
- published: 12 Dec 2017
- views: 937452
15:51
In conversation with Maggie Smith: "I led a perfectly normal life until Downton Abbey" | BFI
- Order: Reorder
- Duration: 15:51
- Uploaded Date: 19 May 2017
- views: 5358664
Dame Maggie Smith, who plays the Dowager Countess of Grantham in ITV's costume drama, talks to Mark Lawson about why her character should be killed off, forgett...
Dame Maggie Smith, who plays the Dowager Countess of Grantham in ITV's costume drama, talks to Mark Lawson about why her character should be killed off, forgetting which film she's shooting on and why she was considered "too common" to appear in plays at school. This event, which was called Dame Maggie Smith in Conversation, was held as part of the BFI + Radio Times TV festival, which took place in April.
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
https://wn.com/In_Conversation_With_Maggie_Smith_I_Led_A_Perfectly_Normal_Life_Until_Downton_Abbey_|_Bfi
Dame Maggie Smith, who plays the Dowager Countess of Grantham in ITV's costume drama, talks to Mark Lawson about why her character should be killed off, forgetting which film she's shooting on and why she was considered "too common" to appear in plays at school. This event, which was called Dame Maggie Smith in Conversation, was held as part of the BFI + Radio Times TV festival, which took place in April.
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
- published: 19 May 2017
- views: 5358664
6:01
Newspaper Train (1942) | Railways on Film
- Order: Reorder
- Duration: 6:01
- Uploaded Date: 14 Apr 2016
- views: 42102
The story of how newspapers were distributed during the Blitz, stressing the importance of an accurate and objective press on the home front. Digitised from the...
The story of how newspapers were distributed during the Blitz, stressing the importance of an accurate and objective press on the home front. Digitised from the collection of the Imperial War Museum.
Narrated by American journalist Merrill Mueller, this film tribute follows the daily newspaper chain of delivery, kept alive through the dedication of those responsible for its circulation. Even under the strain of relentless bombing, readers are kept informed about wartime developments, helping to keep a check on hearsay and the spread of negative propaganda.
The IWM Film Archive is the oldest film archive in the UK, holding over 20,000 hours of film, video and digital material and covering the two World Wars and all conflicts involving British or Commonwealth Forces since the start of the Twentieth Century to the present. Our collection also reflects aspects of civilian life in wartime, military life in peacetime, military exercises and operations.
https://wn.com/Newspaper_Train_(1942)_|_Railways_On_Film
The story of how newspapers were distributed during the Blitz, stressing the importance of an accurate and objective press on the home front. Digitised from the collection of the Imperial War Museum.
Narrated by American journalist Merrill Mueller, this film tribute follows the daily newspaper chain of delivery, kept alive through the dedication of those responsible for its circulation. Even under the strain of relentless bombing, readers are kept informed about wartime developments, helping to keep a check on hearsay and the spread of negative propaganda.
The IWM Film Archive is the oldest film archive in the UK, holding over 20,000 hours of film, video and digital material and covering the two World Wars and all conflicts involving British or Commonwealth Forces since the start of the Twentieth Century to the present. Our collection also reflects aspects of civilian life in wartime, military life in peacetime, military exercises and operations.
- published: 14 Apr 2016
- views: 42102
54:13
Just One Kid (1974) | BFI National Archive
- Order: Reorder
- Duration: 54:13
- Uploaded Date: 12 Dec 2017
- views: 291372
Jewish tailor-turned-actor Alfred Maron, once a resident of London’s East End, reminisces about his childhood in this affecting drama-documentary. We follow you...
Jewish tailor-turned-actor Alfred Maron, once a resident of London’s East End, reminisces about his childhood in this affecting drama-documentary. We follow young Alfred growing up in poverty in the interwar years, and witness the excitement of a school trip to Kent. For all the hardship, there are moments of happiness, such as his excitement at seeing the sea for the first time. As an adult, Alfred rues the loss of the old Jewish communities, and the film reflects his complex emotions surrounding the East End’s changing cultural mix in the 1970s.
The evocative, unsentimental dramatised sequences from Maron’s youth (featuring children from London's Jewish Free School) have a lot in common with the early films of Terence Davies, which they pre-date. Just One Kid emphasises the need for charity, with Alfred’s trip funded by the Country Holiday Fund and his clothes provided by the Jewish Board of Guardians. The screenplay was written by Jewish dramatist Bernard Kops, who also grew up in the East End.
This video is part of the Orphan Works collection. When the rights-holder for a film cannot be found, that film is classified as an Orphan Work. Find out more about Orphan Works: http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm. This is in line with the EU Orphan Works Directive of 2012. The results of our search for the rights holder of this film can be found in the EU Orphan Works Database: https://euipo.europa.eu/ohimportal/en/web/observatory/orphan-works-database
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
https://wn.com/Just_One_Kid_(1974)_|_Bfi_National_Archive
Jewish tailor-turned-actor Alfred Maron, once a resident of London’s East End, reminisces about his childhood in this affecting drama-documentary. We follow young Alfred growing up in poverty in the interwar years, and witness the excitement of a school trip to Kent. For all the hardship, there are moments of happiness, such as his excitement at seeing the sea for the first time. As an adult, Alfred rues the loss of the old Jewish communities, and the film reflects his complex emotions surrounding the East End’s changing cultural mix in the 1970s.
The evocative, unsentimental dramatised sequences from Maron’s youth (featuring children from London's Jewish Free School) have a lot in common with the early films of Terence Davies, which they pre-date. Just One Kid emphasises the need for charity, with Alfred’s trip funded by the Country Holiday Fund and his clothes provided by the Jewish Board of Guardians. The screenplay was written by Jewish dramatist Bernard Kops, who also grew up in the East End.
This video is part of the Orphan Works collection. When the rights-holder for a film cannot be found, that film is classified as an Orphan Work. Find out more about Orphan Works: http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm. This is in line with the EU Orphan Works Directive of 2012. The results of our search for the rights holder of this film can be found in the EU Orphan Works Database: https://euipo.europa.eu/ohimportal/en/web/observatory/orphan-works-database
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
- published: 12 Dec 2017
- views: 291372
9:26
Christmas Under Fire (1941) | BFI National Archive
- Order: Reorder
- Duration: 9:26
- Uploaded Date: 05 Dec 2008
- views: 250201
Christmas Under Fire (1941) | BFI National Archive. Subscribe: http://bit.ly/subscribetotheBFI
Despite the Blitz, it's 'business as usual' as England prepares ...
Christmas Under Fire (1941) | BFI National Archive. Subscribe: http://bit.ly/subscribetotheBFI
Despite the Blitz, it's 'business as usual' as England prepares for Christmas in this propaganda film intended for US audiences. It's a Christmas of holly and barbed wire, guns and tinsel, yet the British, we are told, are determined to make it as cheerful as possible.
"England is fighting for her life", asserts the American narrator, but it is admiration rather than pity that the film seeks to evoke. The filmmakers achieve this with emotions bigger than most 10-minute films could contain, as we watch plucky Londoners creating a subterranean Christmas on Underground platforms and the choristers of King's College sing their hearts out. While no doubt intended to encourage US support in the War, 'Christmas Under Fire' ultimately offers a portrait of a nation "unbeaten, unconquered and unafraid". (Poppy Simpson)
All titles on the BFI Films channel are preserved in the vast collections of the BFI National Archive. To find out more about the Archive visit http://www.bfi.org.uk/archive-collections
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
https://wn.com/Christmas_Under_Fire_(1941)_|_Bfi_National_Archive
Christmas Under Fire (1941) | BFI National Archive. Subscribe: http://bit.ly/subscribetotheBFI
Despite the Blitz, it's 'business as usual' as England prepares for Christmas in this propaganda film intended for US audiences. It's a Christmas of holly and barbed wire, guns and tinsel, yet the British, we are told, are determined to make it as cheerful as possible.
"England is fighting for her life", asserts the American narrator, but it is admiration rather than pity that the film seeks to evoke. The filmmakers achieve this with emotions bigger than most 10-minute films could contain, as we watch plucky Londoners creating a subterranean Christmas on Underground platforms and the choristers of King's College sing their hearts out. While no doubt intended to encourage US support in the War, 'Christmas Under Fire' ultimately offers a portrait of a nation "unbeaten, unconquered and unafraid". (Poppy Simpson)
All titles on the BFI Films channel are preserved in the vast collections of the BFI National Archive. To find out more about the Archive visit http://www.bfi.org.uk/archive-collections
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
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- published: 05 Dec 2008
- views: 250201
6:19
How Do They Do That - British Film Institute National Archive
- Order: Reorder
- Duration: 6:19
- Uploaded Date: 30 Oct 2009
- views: 36117
Film restoration & preservation at the British Film Institute National Archive.
HQ- http://www.youtube.com/watch?v=FiCB6BWbd2k&fmt=18
Fun Fact - This vide...
Film restoration & preservation at the British Film Institute National Archive.
HQ- http://www.youtube.com/watch?v=FiCB6BWbd2k&fmt=18
Fun Fact - This video was ripped from a Terapin VCD recorder via directv because my liteon dvd recorder died, Was surprised it looks as good as it does after upload.
https://wn.com/How_Do_They_Do_That_British_Film_Institute_National_Archive
Film restoration & preservation at the British Film Institute National Archive.
HQ- http://www.youtube.com/watch?v=FiCB6BWbd2k&fmt=18
Fun Fact - This video was ripped from a Terapin VCD recorder via directv because my liteon dvd recorder died, Was surprised it looks as good as it does after upload.
- published: 30 Oct 2009
- views: 36117
2:53
A Native Street in India (1906)
- Order: Reorder
- Duration: 2:53
- Uploaded Date: 10 Aug 2017
- views: 1657354
Part of India on Film: 1899 – 1947
This collection of newly digitised films is part of the BFI's contribution to the UK-India Year of Culture 2017, in partnersh...
Part of India on Film: 1899 – 1947
This collection of newly digitised films is part of the BFI's contribution to the UK-India Year of Culture 2017, in partnership with the British Council. View more films on BFI Player http://player.bfi.org.uk/collections/india-on-film-1899-1947/ (UK only)
Early film of a crowded street scene in an unidentified Indian city. Can you identify it?
A busy street in India is filmed from a static camera position. Unfortunately, given the lack of clearly recognisable features, it seems to be impossible to identify the city, but if you recognise it please let us know. This film was produced by the Walturdaw Company.
Subscribe: http://bit.ly/subscribetotheBFI
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
https://wn.com/A_Native_Street_In_India_(1906)
Part of India on Film: 1899 – 1947
This collection of newly digitised films is part of the BFI's contribution to the UK-India Year of Culture 2017, in partnership with the British Council. View more films on BFI Player http://player.bfi.org.uk/collections/india-on-film-1899-1947/ (UK only)
Early film of a crowded street scene in an unidentified Indian city. Can you identify it?
A busy street in India is filmed from a static camera position. Unfortunately, given the lack of clearly recognisable features, it seems to be impossible to identify the city, but if you recognise it please let us know. This film was produced by the Walturdaw Company.
Subscribe: http://bit.ly/subscribetotheBFI
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
- published: 10 Aug 2017
- views: 1657354
1:31
British Film Institute - Film Is Fragile
- Order: Reorder
- Duration: 1:31
- Uploaded Date: 16 Oct 2015
- views: 11398
Mill+ collaborated with BFI to create ‘Film is Fragile’, a thought-provoking new film supporting the organization and its mission to protect the national film a...
Mill+ collaborated with BFI to create ‘Film is Fragile’, a thought-provoking new film supporting the organization and its mission to protect the national film archive. Find out more about the creation of the film directed by Mill+'s Carl Addy: http://j.mp/BFIfif
Help protect our nation's film collection. Donate to BFI: https://www.bfi.org.uk/filmisfragile/
Follow @Millchannel on Twitter, Facebook & Instagram for more updates:
Website: http://themill.com
Blog:http://www.themill.com/millchannel
Facebook: http://facebook.com/MillChannel
Twitter: http://twitter.com/millchannel
Instagram: http://instagram.com/millchannel
https://wn.com/British_Film_Institute_Film_Is_Fragile
Mill+ collaborated with BFI to create ‘Film is Fragile’, a thought-provoking new film supporting the organization and its mission to protect the national film archive. Find out more about the creation of the film directed by Mill+'s Carl Addy: http://j.mp/BFIfif
Help protect our nation's film collection. Donate to BFI: https://www.bfi.org.uk/filmisfragile/
Follow @Millchannel on Twitter, Facebook & Instagram for more updates:
Website: http://themill.com
Blog:http://www.themill.com/millchannel
Facebook: http://facebook.com/MillChannel
Twitter: http://twitter.com/millchannel
Instagram: http://instagram.com/millchannel
- published: 16 Oct 2015
- views: 11398
34:38
Another World (1948) | BFI National Archive
Take a tour through St Ives’ labyrinthine cobbled streets, with names like 'Love Lane', 'F...
published: 12 Dec 2017
Another World (1948) | BFI National Archive
Another World (1948) | BFI National Archive
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- published: 12 Dec 2017
- views: 255323
Take a tour through St Ives’ labyrinthine cobbled streets, with names like 'Love Lane', 'Fish St' or 'Teetotal St', and encounter an array of colourful characters along the way. From well-weathered fishermen to artists, including Leonard Fuller, who appears with a group of students in tow from his St. Ives School of Painting, to George Bradshaw who founded the St Ives' Society of Artists. And, as the narrator points out, "there are cats everywhere" - no doubt due to the endless scraps of fish at their disposal.
This video is part of the Orphan Works collection. When the rights-holder for a film cannot be found, that film is classified as an Orphan Work. Find out more about Orphan Works: http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm. This is in line with the EU Orphan Works Directive of 2012. The results of our search for the rights holder of this film can be found in the EU Orphan Works Database: https://euipo.europa.eu/ohimportal/en/web/observatory/orphan-works-database
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
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16:53
Broad Acres (1946) | BFI National Archive
Is that Stonegate in York, without a tourist in sight? Designed to show off the 'old world...
published: 12 Dec 2017
Broad Acres (1946) | BFI National Archive
Broad Acres (1946) | BFI National Archive
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- published: 12 Dec 2017
- views: 20079
Is that Stonegate in York, without a tourist in sight? Designed to show off the 'old world' qualities of Yorkshire, this educational film might itself seem pleasantly antiquated to a modern viewer. Among the scenic highlights of the tour are a bustling view of Leeds, with its long-closed tram network, and Britain's oldest chemist's shop in Knaresborough, which sadly also no longer trades.
Postwar travelogues like these aimed to cheer Britain up again, not to mention generate traffic in its key holiday spots. Here, the narration looks to demonstrate how turbulent events help to shape a place. Showing the viewer Barnard Castle, the film seems to suggest that some great monuments came about by violence and conflict - but that this country is now all the richer for that history.
This video is part of the Orphan Works collection. When the rights-holder for a film cannot be found, that film is classified as an Orphan Work. Find out more about Orphan Works: http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm. This is in line with the EU Orphan Works Directive of 2012. The results of our search for the rights holder of this film can be found in the EU Orphan Works Database: https://euipo.europa.eu/ohimportal/en/web/observatory/orphan-works-database
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
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4:29
Public wash-house Liverpool (1959) | BFI National Archive
Admire the industriousness of the Liverpool women who transport huge bundles of laundry to...
published: 12 Dec 2017
Public wash-house Liverpool (1959) | BFI National Archive
Public wash-house Liverpool (1959) | BFI National Archive
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- published: 12 Dec 2017
- views: 937452
Admire the industriousness of the Liverpool women who transport huge bundles of laundry to and from the local wash-house every week, crammed into old prams or balanced skilfully on their heads. The wash-house doubles as a social hub for the women, with a cafe and creche facilities. At the time of filming, this one in the Pontack Lane area was one of 13 remaining original public wash-houses in the city, although new more modernised buildings were under construction.Liverpool's last working wash-house closed in 1995.
The peppy documentary not only looks at the modern wash-house, but introduces the story of Kitty Wilkinson, 'the Saint of the Slums', who pioneered the public wash-house movement in Liverpool during the 1832 cholera epidemic. John Abbot Productions, who made the film, specialised in sponsored non-fiction films from the late 1950s to the late 1970s.
This video is part of the Orphan Works collection. When the rights-holder for a film cannot be found, that film is classified as an Orphan Work. Find out more about Orphan Works: http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm. This is in line with the EU Orphan Works Directive of 2012. The results of our search for the rights holder of this film can be found in the EU Orphan Works Database: https://euipo.europa.eu/ohimportal/en/web/observatory/orphan-works-database
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
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15:51
In conversation with Maggie Smith: "I led a perfectly normal life until Downton Abbey" | BFI
Dame Maggie Smith, who plays the Dowager Countess of Grantham in ITV's costume drama, talk...
published: 19 May 2017
In conversation with Maggie Smith: "I led a perfectly normal life until Downton Abbey" | BFI
In conversation with Maggie Smith: "I led a perfectly normal life until Downton Abbey" | BFI
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- published: 19 May 2017
- views: 5358664
Dame Maggie Smith, who plays the Dowager Countess of Grantham in ITV's costume drama, talks to Mark Lawson about why her character should be killed off, forgetting which film she's shooting on and why she was considered "too common" to appear in plays at school. This event, which was called Dame Maggie Smith in Conversation, was held as part of the BFI + Radio Times TV festival, which took place in April.
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Watch more on the BFI Player: http://player.bfi.org.uk/
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6:01
Newspaper Train (1942) | Railways on Film
The story of how newspapers were distributed during the Blitz, stressing the importance of...
published: 14 Apr 2016
Newspaper Train (1942) | Railways on Film
Newspaper Train (1942) | Railways on Film
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- published: 14 Apr 2016
- views: 42102
The story of how newspapers were distributed during the Blitz, stressing the importance of an accurate and objective press on the home front. Digitised from the collection of the Imperial War Museum.
Narrated by American journalist Merrill Mueller, this film tribute follows the daily newspaper chain of delivery, kept alive through the dedication of those responsible for its circulation. Even under the strain of relentless bombing, readers are kept informed about wartime developments, helping to keep a check on hearsay and the spread of negative propaganda.
The IWM Film Archive is the oldest film archive in the UK, holding over 20,000 hours of film, video and digital material and covering the two World Wars and all conflicts involving British or Commonwealth Forces since the start of the Twentieth Century to the present. Our collection also reflects aspects of civilian life in wartime, military life in peacetime, military exercises and operations.
54:13
Just One Kid (1974) | BFI National Archive
Jewish tailor-turned-actor Alfred Maron, once a resident of London’s East End, reminisces ...
published: 12 Dec 2017
Just One Kid (1974) | BFI National Archive
Just One Kid (1974) | BFI National Archive
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- published: 12 Dec 2017
- views: 291372
Jewish tailor-turned-actor Alfred Maron, once a resident of London’s East End, reminisces about his childhood in this affecting drama-documentary. We follow young Alfred growing up in poverty in the interwar years, and witness the excitement of a school trip to Kent. For all the hardship, there are moments of happiness, such as his excitement at seeing the sea for the first time. As an adult, Alfred rues the loss of the old Jewish communities, and the film reflects his complex emotions surrounding the East End’s changing cultural mix in the 1970s.
The evocative, unsentimental dramatised sequences from Maron’s youth (featuring children from London's Jewish Free School) have a lot in common with the early films of Terence Davies, which they pre-date. Just One Kid emphasises the need for charity, with Alfred’s trip funded by the Country Holiday Fund and his clothes provided by the Jewish Board of Guardians. The screenplay was written by Jewish dramatist Bernard Kops, who also grew up in the East End.
This video is part of the Orphan Works collection. When the rights-holder for a film cannot be found, that film is classified as an Orphan Work. Find out more about Orphan Works: http://ec.europa.eu/internal_market/copyright/orphan_works/index_en.htm. This is in line with the EU Orphan Works Directive of 2012. The results of our search for the rights holder of this film can be found in the EU Orphan Works Database: https://euipo.europa.eu/ohimportal/en/web/observatory/orphan-works-database
Subscribe: http://bit.ly/subscribetotheBFI.
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
9:26
Christmas Under Fire (1941) | BFI National Archive
Christmas Under Fire (1941) | BFI National Archive. Subscribe: http://bit.ly/subscribetoth...
published: 05 Dec 2008
Christmas Under Fire (1941) | BFI National Archive
Christmas Under Fire (1941) | BFI National Archive
- Report rights infringement
- published: 05 Dec 2008
- views: 250201
Christmas Under Fire (1941) | BFI National Archive. Subscribe: http://bit.ly/subscribetotheBFI
Despite the Blitz, it's 'business as usual' as England prepares for Christmas in this propaganda film intended for US audiences. It's a Christmas of holly and barbed wire, guns and tinsel, yet the British, we are told, are determined to make it as cheerful as possible.
"England is fighting for her life", asserts the American narrator, but it is admiration rather than pity that the film seeks to evoke. The filmmakers achieve this with emotions bigger than most 10-minute films could contain, as we watch plucky Londoners creating a subterranean Christmas on Underground platforms and the choristers of King's College sing their hearts out. While no doubt intended to encourage US support in the War, 'Christmas Under Fire' ultimately offers a portrait of a nation "unbeaten, unconquered and unafraid". (Poppy Simpson)
All titles on the BFI Films channel are preserved in the vast collections of the BFI National Archive. To find out more about the Archive visit http://www.bfi.org.uk/archive-collections
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
6:19
How Do They Do That - British Film Institute National Archive
Film restoration & preservation at the British Film Institute National Archive.
HQ- htt...
published: 30 Oct 2009
How Do They Do That - British Film Institute National Archive
How Do They Do That - British Film Institute National Archive
- Report rights infringement
- published: 30 Oct 2009
- views: 36117
Film restoration & preservation at the British Film Institute National Archive.
HQ- http://www.youtube.com/watch?v=FiCB6BWbd2k&fmt=18
Fun Fact - This video was ripped from a Terapin VCD recorder via directv because my liteon dvd recorder died, Was surprised it looks as good as it does after upload.
2:53
A Native Street in India (1906)
Part of India on Film: 1899 – 1947
This collection of newly digitised films is part of the...
published: 10 Aug 2017
A Native Street in India (1906)
A Native Street in India (1906)
- Report rights infringement
- published: 10 Aug 2017
- views: 1657354
Part of India on Film: 1899 – 1947
This collection of newly digitised films is part of the BFI's contribution to the UK-India Year of Culture 2017, in partnership with the British Council. View more films on BFI Player http://player.bfi.org.uk/collections/india-on-film-1899-1947/ (UK only)
Early film of a crowded street scene in an unidentified Indian city. Can you identify it?
A busy street in India is filmed from a static camera position. Unfortunately, given the lack of clearly recognisable features, it seems to be impossible to identify the city, but if you recognise it please let us know. This film was produced by the Walturdaw Company.
Subscribe: http://bit.ly/subscribetotheBFI
Watch more on the BFI Player: http://player.bfi.org.uk/
Follow us on Twitter: https://twitter.com/BFI
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Google+: https://plus.google.com/+britishfilminstitute/
1:31
British Film Institute - Film Is Fragile
Mill+ collaborated with BFI to create ‘Film is Fragile’, a thought-provoking new film supp...
published: 16 Oct 2015
British Film Institute - Film Is Fragile
British Film Institute - Film Is Fragile
- Report rights infringement
- published: 16 Oct 2015
- views: 11398
Mill+ collaborated with BFI to create ‘Film is Fragile’, a thought-provoking new film supporting the organization and its mission to protect the national film archive. Find out more about the creation of the film directed by Mill+'s Carl Addy: http://j.mp/BFIfif
Help protect our nation's film collection. Donate to BFI: https://www.bfi.org.uk/filmisfragile/
Follow @Millchannel on Twitter, Facebook & Instagram for more updates:
Website: http://themill.com
Blog:http://www.themill.com/millchannel
Facebook: http://facebook.com/MillChannel
Twitter: http://twitter.com/millchannel
Instagram: http://instagram.com/millchannel
British Film Institute
The British Film Institute (BFI) is a charitable organisation which promotes and preserves filmmaking and television in the United Kingdom.
It was established by Royal Charter to:
BFI activities
Archive
The BFI maintains the world's largest film archive, the BFI National Archive, previously called National Film Library (1935–1955), National Film Archive (1955–1992) and National Film and Television Archive (1993–2006). The archive contains more than 50,000 fiction films, over 100,000 non-fiction titles and around 625,000 television programmes. The majority of the collection is British material but it also features internationally significant holdings from around the world. The Archive also collects films which feature key British actors and the work of British directors.
Cinemas
The BFI runs the BFI Southbank (formerly the National Film Theatre (NFT)) and London IMAX cinema, both located on the south bank of the River Thames in London. The IMAX has the largest cinema screen in the UK, and shows popular recent releases and short films showcasing its technology, which includes 3D screenings and 11,600 watts of digital surround sound. BFI Southbank (the National Film Theatre screens and the Studio) shows films from all over the world particularly critically acclaimed historical & specialised films that may not otherwise get a cinema showing. The BFI also distributes archival and cultural cinema to other venues – each year to more than 800 venues all across the UK, as well as to a substantial number of overseas venues.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/British_Film_Institute
Another World (1948) | BFI National Archive...
Broad Acres (1946) | BFI National Archive...
Public wash-house Liverpool (1959) | BFI National ...
In conversation with Maggie Smith: "I led a perfec...
Newspaper Train (1942) | Railways on Film...
Just One Kid (1974) | BFI National Archive...
Christmas Under Fire (1941) | BFI National Archive...
How Do They Do That - British Film Institute Natio...
A Native Street in India (1906)...
British Film Institute - Film Is Fragile...
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