-
Arts and Crafts Movement
Teacher prepared podcast discusses the impact of the Arts and Crafts Movement on the decorative arts, furniture design and graphic design. Important artists include William Morris and Charles Robert Ashbee in Britain as well as Gustave Stickley and Elbert Hubbard in the U.S.A. Mention is made of both the Kelmscott and Roycroft private presses.
published: 25 May 2011
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History of the Arts Crafts Movement Part 1 of 3
published: 19 Jun 2015
-
Arts and Crafts: Design in a Nutshell (2/6)
This influential design movement began because people got fed up with machines. The Arts and Crafts movement promoted economic and social reform, sticking up for ordinary workers and craftspeople.
(Part 2 of 6)
Playlist link - https://www.youtube.com/playlist?list=PLhQpDGfX5e7CJ87BDeuTdXTpxl0YM2Tdb
Transcript link - http://podcast.open.ac.uk/feeds/3993_opinionpieces/20181113T113757_2_Arts_and_Crafts_Transcription.pdf
Discover your design alter ego https://www.open.edu/openlearn/science-maths-technology/engineering-and-technology/design-and-innovation/design/design-nutshell
Explore our History & Arts free courses
https://www.open.edu/openlearn/history-the-arts/free-courses
Study Q61 BA/BSc (Honours) Design and Innovation
http://www.open.ac.uk/courses/qualifications/q61
The Open Univ...
published: 08 May 2013
-
Arts & Crafts movement-William Morris-AWN Pugin-John Ruskin-History of 20th Century Design Movements
Background Information:
Arts & Crafts was a movement set up by a small number of Artists and Designers including William Morris, they wanted to put the power of selling products and Art back into the hands of the original makers, this was successful for a time but eventually made their products only affordable for the higher earning, which was against what they had originally set out to do.
The movement flourished in Europe and North America between about 1880 and 1920.
Key Designers: William Morris, AWN Pugin & John Ruskin.
Key Features or Patterns: floral imagery, bible references, handmade items, wood carving, copper, pewter and ceramics often used, patterns made using printing blocks.
Colours: traditional dark brown hardwoods, deep greens and blues.
Line Styles: flowing natural lines ...
published: 24 Sep 2020
-
Art Deco and the Arts and Crafts Movement (1850-1940)
Check out our own story universe, The Association of Ishtar
https://www.associationofishtar.com/
Our Steampunk/Merch store
https://bonsart.gumroad.com
Our discord community
https://discord.gg/xGx8dJxbCX
We now have Merch!
Shirts teespring.com/stores/radio-retrofuture
Posters zazzle.com/store/radioretrofuture
--------------------------------------
Fuel our endeavors with a cup a coffee on Ko-F
https://ko-fi.com/radioretrofuture
Connect with us!
Discord https://discord.gg/GcYEaRwfkn
www.radioretrofuture.com
www.facebook.com/RadioRetrofuture
Support the show.
Patreon https://www.patreon.com/Radio_Retrofuture
Subscribestar https://www.subscribestar.com/radio-retrofuture
published: 23 Jul 2020
-
The Power of the Arts & Crafts Movement
The Arts & Crafts movement is defined as a period of time from the late 1890s until the 1920s considered to be a socioligical revolution as opposed to a technological revolution. It was more of a change in the feeling and mood within the country about how industrialized life had become. People were speaking out against the over-industrialized life at this time.
What impact did this movement have on architecture? Consider the Prairie Style, the Craftstman style, and the Bungalows.
The country embraced theses new, simple styles without all the false ornamentation, rejecting the previous Victorian Style.
Brent takes us to a house in the historic Fairmont District built by Charles Butcher, an excellent example of an Arts & Crafts style home. He'll take us through the details that embody t...
published: 31 Mar 2021
-
Arts & Crafts Explained | William Morris, William De Morgan and Nature | Curator's Corner
Discover the origins and aims of the Arts and Crafts movement through objects from the William Morris Gallery's collection.
Where did William Morris and his contemporaries get their inspiration? Often they looked to the natural world. Learn how the artists and designers of the Arts and Crafts movement took inspiration from nature—and discover the creative process behind William De Morgan's stunning eagle and snake lustreware plate.
published: 18 May 2021
-
Inside Standen House: William Morris | HENI Talks
Have nothing in your house that you do not know to be useful, or believe to be beautiful.
— William Morris
The Industrial Revolution of the nineteenth century transformed England beyond recognition, turning a country of farmers into factory workers. It was a world ‘which saw the rich getting richer and the poor getting very much poorer’. The artist, designer and political radical, William Morris, brought together a group of colleagues to challenge the ‘dishonest’ mechanisation of factory goods and restore the importance of craftsmanship, quality and ‘truthfulness’ through design.
Art historian Abigail Harrison-Moore visits the National Trust’s Standen house, one of the most charming examples of Arts and Crafts workmanship in the UK, and explores its surprisingly pioneering spirit – from ...
published: 08 Jun 2018
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DAWN SHOWS HOW TO USE GILDING FLAKES WITH STAMPS AND HOW TO ACHIEVE DIFFERENT EFFECTS USING TAPE
In today's video I will be using the gorgeous Gilding Flakes with some of my Lisa Horton Crafts stamps and also how to achieve different effects using double sided tape.
Products I have used today include:
LHC - OFF THE EDGE - VINTAGE ROSES - LHCCS070-DS
LHC - OFF THE EDGE - SUNFLOWERS - LHCCS071-DS
LHC - MAJESTIC BUTTERFLIES STAMPS - LHCCS010-DS
LHC - GILDING FLAKES - LHCT030 - LHCT037-DS
Thanks for watching.
Dawn
Lisa Horton Design Team
#cards, #craft #inspiration
Shop with us: https://thatcraftplace.co.uk/
International customers:
https://www.scrapbook.com/
https://ecstasycrafts.com
https://www.hsn.com/search?query=lisa...
https://scrapbookingmadesimple.com/
https://www.bing.com/videos/search?q=...
https://www.lovecrafts.com
YouTube: https://www.youtube.com/channel/UC4...
published: 05 Jan 2024
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Gustav Stickley and the American Arts and Crafts Movement- Exhibition Tour
Dr. John Marciari, Curator of European Art at The San Diego Museum of Art, discusses the Museum's new exhibition Gustav Stickley and the American Arts and Crafts Movement.
published: 22 Jul 2011
8:16
Arts and Crafts Movement
Teacher prepared podcast discusses the impact of the Arts and Crafts Movement on the decorative arts, furniture design and graphic design. Important artists inc...
Teacher prepared podcast discusses the impact of the Arts and Crafts Movement on the decorative arts, furniture design and graphic design. Important artists include William Morris and Charles Robert Ashbee in Britain as well as Gustave Stickley and Elbert Hubbard in the U.S.A. Mention is made of both the Kelmscott and Roycroft private presses.
https://wn.com/Arts_And_Crafts_Movement
Teacher prepared podcast discusses the impact of the Arts and Crafts Movement on the decorative arts, furniture design and graphic design. Important artists include William Morris and Charles Robert Ashbee in Britain as well as Gustave Stickley and Elbert Hubbard in the U.S.A. Mention is made of both the Kelmscott and Roycroft private presses.
- published: 25 May 2011
- views: 224339
2:29
Arts and Crafts: Design in a Nutshell (2/6)
This influential design movement began because people got fed up with machines. The Arts and Crafts movement promoted economic and social reform, sticking up fo...
This influential design movement began because people got fed up with machines. The Arts and Crafts movement promoted economic and social reform, sticking up for ordinary workers and craftspeople.
(Part 2 of 6)
Playlist link - https://www.youtube.com/playlist?list=PLhQpDGfX5e7CJ87BDeuTdXTpxl0YM2Tdb
Transcript link - http://podcast.open.ac.uk/feeds/3993_opinionpieces/20181113T113757_2_Arts_and_Crafts_Transcription.pdf
Discover your design alter ego https://www.open.edu/openlearn/science-maths-technology/engineering-and-technology/design-and-innovation/design/design-nutshell
Explore our History & Arts free courses
https://www.open.edu/openlearn/history-the-arts/free-courses
Study Q61 BA/BSc (Honours) Design and Innovation
http://www.open.ac.uk/courses/qualifications/q61
The Open University is the world’s leading provider of flexible, high-quality online degrees and distance learning, serving students across the globe with highly respected degree qualifications, and the triple-accredited MBA. The OU teaches through its own unique method of distance learning, called ‘supported open learning’ and you do not need any formal qualifications to study with us, just commitment and a desire to find out what you are capable of.
Free learning from The Open University
http://www.open.edu/openlearn/
For more like this subscribe to the Open University channel
https://www.youtube.com/channel/UCXsH4hSV_kEdAOsupMMm4Qw
Like us on Facebook: https://www.facebook.com/ouopenlearn/
Follow us on Twitter: https://twitter.com/OUFreeLearning
#OpenUniversity #arts&crafts
https://wn.com/Arts_And_Crafts_Design_In_A_Nutshell_(2_6)
This influential design movement began because people got fed up with machines. The Arts and Crafts movement promoted economic and social reform, sticking up for ordinary workers and craftspeople.
(Part 2 of 6)
Playlist link - https://www.youtube.com/playlist?list=PLhQpDGfX5e7CJ87BDeuTdXTpxl0YM2Tdb
Transcript link - http://podcast.open.ac.uk/feeds/3993_opinionpieces/20181113T113757_2_Arts_and_Crafts_Transcription.pdf
Discover your design alter ego https://www.open.edu/openlearn/science-maths-technology/engineering-and-technology/design-and-innovation/design/design-nutshell
Explore our History & Arts free courses
https://www.open.edu/openlearn/history-the-arts/free-courses
Study Q61 BA/BSc (Honours) Design and Innovation
http://www.open.ac.uk/courses/qualifications/q61
The Open University is the world’s leading provider of flexible, high-quality online degrees and distance learning, serving students across the globe with highly respected degree qualifications, and the triple-accredited MBA. The OU teaches through its own unique method of distance learning, called ‘supported open learning’ and you do not need any formal qualifications to study with us, just commitment and a desire to find out what you are capable of.
Free learning from The Open University
http://www.open.edu/openlearn/
For more like this subscribe to the Open University channel
https://www.youtube.com/channel/UCXsH4hSV_kEdAOsupMMm4Qw
Like us on Facebook: https://www.facebook.com/ouopenlearn/
Follow us on Twitter: https://twitter.com/OUFreeLearning
#OpenUniversity #arts&crafts
- published: 08 May 2013
- views: 420094
2:16
Arts & Crafts movement-William Morris-AWN Pugin-John Ruskin-History of 20th Century Design Movements
Background Information:
Arts & Crafts was a movement set up by a small number of Artists and Designers including William Morris, they wanted to put the power of...
Background Information:
Arts & Crafts was a movement set up by a small number of Artists and Designers including William Morris, they wanted to put the power of selling products and Art back into the hands of the original makers, this was successful for a time but eventually made their products only affordable for the higher earning, which was against what they had originally set out to do.
The movement flourished in Europe and North America between about 1880 and 1920.
Key Designers: William Morris, AWN Pugin & John Ruskin.
Key Features or Patterns: floral imagery, bible references, handmade items, wood carving, copper, pewter and ceramics often used, patterns made using printing blocks.
Colours: traditional dark brown hardwoods, deep greens and blues.
Line Styles: flowing natural lines for natural imagery, contrasting with straight lines of material.
Further reading
https://en.wikipedia.org/wiki/Arts_and_Crafts_movement
https://www.theartstory.org/movement/arts-and-crafts/
https://www.britannica.com/art/Arts-and-Crafts-movement
https://www.vam.ac.uk/articles/arts-and-crafts-an-introduction
http://www.visual-arts-cork.com/history-of-art/arts-and-crafts.htm
https://study.com/academy/lesson/arts-and-crafts-movement-definition-style.html
https://www.metmuseum.org/toah/hd/acam/hd_acam.htm
http://char.txa.cornell.edu/ART/DECART/ARTCRAFT/artcraft.htm
Arts and Crafts movement, English aesthetic movement of the second half of the 19th century that represented the beginning of a new appreciation of the decorative arts throughout Europe.
British and international movement.
A room decorated in the Arts and Crafts style by William Morris, with furniture by Philip Webb.
Courtesy of the Victoria and Albert Museum, London, photograph, John Webb
"In the Omnibus" color drypoint and aquatint by Mary Cassatt, 1890-91; in the collection of the National Gallery of Art, Washington, D.C.
By 1860 a vocal minority had become profoundly disturbed by the level to which style, craftsmanship, and public taste had sunk in the wake of the Industrial Revolution and its mass-produced and banal decorative arts. Among them was the English reformer, poet, and designer William Morris, who, in 1861, founded a firm of interior decorators and manufacturers—Morris, Marshall, Faulkner, and Company (after 1875, Morris and Company)—dedicated to recapturing the spirit and quality of medieval craftsmanship. Morris and his associates (among them the architect Philip Webb and the painters Ford Madox Brown and Edward Burne-Jones) produced handcrafted metalwork, jewelry, wallpaper, textiles, furniture, and books. The “firm” was run as an artists’ collaborative, with the painters providing the designs for skilled craftsmen to produce. To this date many of their designs are copied by designers and furniture manufacturers.
William Morris, drawing by C.M. Watts, c. 1895. This portrait was used to illustrate the article “The Aesthetes” by Thomas F. Plowman in the Pall Mall Gazette in January 1895.
William Morris, drawing by C.M. Watts, c. 1895. This portrait was used to illustrate the article “The Aesthetes” by Thomas F. Plowman in the Pall Mall Gazette in January 1895.
The Mansell Collection/Art Resource, New York
By the 1880s Morris’s efforts had widened the appeal of the Arts and Crafts movement to a new generation. In 1882 the English architect and designer Arthur H. Mackmurdo helped organize the Century Guild for craftsmen, one of several such groups established about this time. These men revived the art of hand printing and championed the idea that there was no meaningful difference between the fine and decorative arts. Many converts, both from professional artists’ ranks and from among the intellectual class as a whole, helped spread the ideas of the movement.
The main controversy raised by the movement was its practicality in the modern world. The progressives claimed that the movement was trying to turn back the clock and that it could not be done, that the Arts and Crafts movement could not be taken as practical in mass urban and industrialized society. On the other hand, a reviewer who criticized an 1893 exhibition as “the work of a few for the few” also realized that it represented a graphic protest against design as “a marketable affair, controlled by the salesmen and the advertiser, and at the mercy of every passing fashion.”
In the 1890s approval of the Arts and Crafts movement widened, and the movement became diffused and less specifically identified with a small group of people. Its ideas spread to other countries and became identified with the growing international interest in design, specifically with Art Nouveau.
Initiated in reaction against the perceived impoverishment of the decorative arts and the conditions in which they were produced. In Japan it emerged in the 1920s as the Mingei movement.It had a strong influence on the arts in Europe until it was displaced by Modernism in the 1930s and its influence continued among craft makers
https://wn.com/Arts_Crafts_Movement_William_Morris_Awn_Pugin_John_Ruskin_History_Of_20Th_Century_Design_Movements
Background Information:
Arts & Crafts was a movement set up by a small number of Artists and Designers including William Morris, they wanted to put the power of selling products and Art back into the hands of the original makers, this was successful for a time but eventually made their products only affordable for the higher earning, which was against what they had originally set out to do.
The movement flourished in Europe and North America between about 1880 and 1920.
Key Designers: William Morris, AWN Pugin & John Ruskin.
Key Features or Patterns: floral imagery, bible references, handmade items, wood carving, copper, pewter and ceramics often used, patterns made using printing blocks.
Colours: traditional dark brown hardwoods, deep greens and blues.
Line Styles: flowing natural lines for natural imagery, contrasting with straight lines of material.
Further reading
https://en.wikipedia.org/wiki/Arts_and_Crafts_movement
https://www.theartstory.org/movement/arts-and-crafts/
https://www.britannica.com/art/Arts-and-Crafts-movement
https://www.vam.ac.uk/articles/arts-and-crafts-an-introduction
http://www.visual-arts-cork.com/history-of-art/arts-and-crafts.htm
https://study.com/academy/lesson/arts-and-crafts-movement-definition-style.html
https://www.metmuseum.org/toah/hd/acam/hd_acam.htm
http://char.txa.cornell.edu/ART/DECART/ARTCRAFT/artcraft.htm
Arts and Crafts movement, English aesthetic movement of the second half of the 19th century that represented the beginning of a new appreciation of the decorative arts throughout Europe.
British and international movement.
A room decorated in the Arts and Crafts style by William Morris, with furniture by Philip Webb.
Courtesy of the Victoria and Albert Museum, London, photograph, John Webb
"In the Omnibus" color drypoint and aquatint by Mary Cassatt, 1890-91; in the collection of the National Gallery of Art, Washington, D.C.
By 1860 a vocal minority had become profoundly disturbed by the level to which style, craftsmanship, and public taste had sunk in the wake of the Industrial Revolution and its mass-produced and banal decorative arts. Among them was the English reformer, poet, and designer William Morris, who, in 1861, founded a firm of interior decorators and manufacturers—Morris, Marshall, Faulkner, and Company (after 1875, Morris and Company)—dedicated to recapturing the spirit and quality of medieval craftsmanship. Morris and his associates (among them the architect Philip Webb and the painters Ford Madox Brown and Edward Burne-Jones) produced handcrafted metalwork, jewelry, wallpaper, textiles, furniture, and books. The “firm” was run as an artists’ collaborative, with the painters providing the designs for skilled craftsmen to produce. To this date many of their designs are copied by designers and furniture manufacturers.
William Morris, drawing by C.M. Watts, c. 1895. This portrait was used to illustrate the article “The Aesthetes” by Thomas F. Plowman in the Pall Mall Gazette in January 1895.
William Morris, drawing by C.M. Watts, c. 1895. This portrait was used to illustrate the article “The Aesthetes” by Thomas F. Plowman in the Pall Mall Gazette in January 1895.
The Mansell Collection/Art Resource, New York
By the 1880s Morris’s efforts had widened the appeal of the Arts and Crafts movement to a new generation. In 1882 the English architect and designer Arthur H. Mackmurdo helped organize the Century Guild for craftsmen, one of several such groups established about this time. These men revived the art of hand printing and championed the idea that there was no meaningful difference between the fine and decorative arts. Many converts, both from professional artists’ ranks and from among the intellectual class as a whole, helped spread the ideas of the movement.
The main controversy raised by the movement was its practicality in the modern world. The progressives claimed that the movement was trying to turn back the clock and that it could not be done, that the Arts and Crafts movement could not be taken as practical in mass urban and industrialized society. On the other hand, a reviewer who criticized an 1893 exhibition as “the work of a few for the few” also realized that it represented a graphic protest against design as “a marketable affair, controlled by the salesmen and the advertiser, and at the mercy of every passing fashion.”
In the 1890s approval of the Arts and Crafts movement widened, and the movement became diffused and less specifically identified with a small group of people. Its ideas spread to other countries and became identified with the growing international interest in design, specifically with Art Nouveau.
Initiated in reaction against the perceived impoverishment of the decorative arts and the conditions in which they were produced. In Japan it emerged in the 1920s as the Mingei movement.It had a strong influence on the arts in Europe until it was displaced by Modernism in the 1930s and its influence continued among craft makers
- published: 24 Sep 2020
- views: 14658
17:14
Art Deco and the Arts and Crafts Movement (1850-1940)
Check out our own story universe, The Association of Ishtar
https://www.associationofishtar.com/
Our Steampunk/Merch store
https://bonsart.gumroad.com
Our dis...
Check out our own story universe, The Association of Ishtar
https://www.associationofishtar.com/
Our Steampunk/Merch store
https://bonsart.gumroad.com
Our discord community
https://discord.gg/xGx8dJxbCX
We now have Merch!
Shirts teespring.com/stores/radio-retrofuture
Posters zazzle.com/store/radioretrofuture
--------------------------------------
Fuel our endeavors with a cup a coffee on Ko-F
https://ko-fi.com/radioretrofuture
Connect with us!
Discord https://discord.gg/GcYEaRwfkn
www.radioretrofuture.com
www.facebook.com/RadioRetrofuture
Support the show.
Patreon https://www.patreon.com/Radio_Retrofuture
Subscribestar https://www.subscribestar.com/radio-retrofuture
https://wn.com/Art_Deco_And_The_Arts_And_Crafts_Movement_(1850_1940)
Check out our own story universe, The Association of Ishtar
https://www.associationofishtar.com/
Our Steampunk/Merch store
https://bonsart.gumroad.com
Our discord community
https://discord.gg/xGx8dJxbCX
We now have Merch!
Shirts teespring.com/stores/radio-retrofuture
Posters zazzle.com/store/radioretrofuture
--------------------------------------
Fuel our endeavors with a cup a coffee on Ko-F
https://ko-fi.com/radioretrofuture
Connect with us!
Discord https://discord.gg/GcYEaRwfkn
www.radioretrofuture.com
www.facebook.com/RadioRetrofuture
Support the show.
Patreon https://www.patreon.com/Radio_Retrofuture
Subscribestar https://www.subscribestar.com/radio-retrofuture
- published: 23 Jul 2020
- views: 12394
6:01
The Power of the Arts & Crafts Movement
The Arts & Crafts movement is defined as a period of time from the late 1890s until the 1920s considered to be a socioligical revolution as opposed to a technol...
The Arts & Crafts movement is defined as a period of time from the late 1890s until the 1920s considered to be a socioligical revolution as opposed to a technological revolution. It was more of a change in the feeling and mood within the country about how industrialized life had become. People were speaking out against the over-industrialized life at this time.
What impact did this movement have on architecture? Consider the Prairie Style, the Craftstman style, and the Bungalows.
The country embraced theses new, simple styles without all the false ornamentation, rejecting the previous Victorian Style.
Brent takes us to a house in the historic Fairmont District built by Charles Butcher, an excellent example of an Arts & Crafts style home. He'll take us through the details that embody this style.
Hull Millwork
https://wn.com/The_Power_Of_The_Arts_Crafts_Movement
The Arts & Crafts movement is defined as a period of time from the late 1890s until the 1920s considered to be a socioligical revolution as opposed to a technological revolution. It was more of a change in the feeling and mood within the country about how industrialized life had become. People were speaking out against the over-industrialized life at this time.
What impact did this movement have on architecture? Consider the Prairie Style, the Craftstman style, and the Bungalows.
The country embraced theses new, simple styles without all the false ornamentation, rejecting the previous Victorian Style.
Brent takes us to a house in the historic Fairmont District built by Charles Butcher, an excellent example of an Arts & Crafts style home. He'll take us through the details that embody this style.
Hull Millwork
- published: 31 Mar 2021
- views: 6429
2:45
Arts & Crafts Explained | William Morris, William De Morgan and Nature | Curator's Corner
Discover the origins and aims of the Arts and Crafts movement through objects from the William Morris Gallery's collection.
Where did William Morris and his co...
Discover the origins and aims of the Arts and Crafts movement through objects from the William Morris Gallery's collection.
Where did William Morris and his contemporaries get their inspiration? Often they looked to the natural world. Learn how the artists and designers of the Arts and Crafts movement took inspiration from nature—and discover the creative process behind William De Morgan's stunning eagle and snake lustreware plate.
https://wn.com/Arts_Crafts_Explained_|_William_Morris,_William_De_Morgan_And_Nature_|_Curator's_Corner
Discover the origins and aims of the Arts and Crafts movement through objects from the William Morris Gallery's collection.
Where did William Morris and his contemporaries get their inspiration? Often they looked to the natural world. Learn how the artists and designers of the Arts and Crafts movement took inspiration from nature—and discover the creative process behind William De Morgan's stunning eagle and snake lustreware plate.
- published: 18 May 2021
- views: 18729
12:21
Inside Standen House: William Morris | HENI Talks
Have nothing in your house that you do not know to be useful, or believe to be beautiful.
— William Morris
The Industrial Revolution of the nineteenth century ...
Have nothing in your house that you do not know to be useful, or believe to be beautiful.
— William Morris
The Industrial Revolution of the nineteenth century transformed England beyond recognition, turning a country of farmers into factory workers. It was a world ‘which saw the rich getting richer and the poor getting very much poorer’. The artist, designer and political radical, William Morris, brought together a group of colleagues to challenge the ‘dishonest’ mechanisation of factory goods and restore the importance of craftsmanship, quality and ‘truthfulness’ through design.
Art historian Abigail Harrison-Moore visits the National Trust’s Standen house, one of the most charming examples of Arts and Crafts workmanship in the UK, and explores its surprisingly pioneering spirit – from the use of electric lighting to its role in the Suffragette movement.
---------------------------------------------------------------------------------------------
Award-winning documentaries which reveal the stories of art and art history.
Make bite-sized art discoveries. http://bit.ly/Instagram_HENITalks
Keep your finger on the pulse of art. http://bit.ly/Twitter_HENITalks
Become part of the HENI Talks community. http://bit.ly/Facebook_HENITalks
Find the HENI Talks for you with advanced search options. Explore wider reading around our Talks topics and find that key reference. http://bit.ly/Website_HENITalks
Be the first to know when our latest talk is ready.
http://bit.ly/YouTube_HENITalks
-----------------------------------------------------------------------------------------------
Produced by HENI.
Follow HENI on Instagram http://bit.ly/Instagram_HENI
Like HENI on Facebook http://bit.ly/Facebook_HENI
Tweet @ HENI on Twitter http://bit.ly/Twitter_HENI
Additional creative commons information:
Philip Speakman Webb
Charles Fairfax Murray, 1873
NPG 4310
© National Portrait Gallery, London
(CC BY-NC-ND 3.0)
https://creativecommons.org/licenses/by-nc-nd/3.0/
#ArtsandCrafts #WilliamMorris #HENITalks
https://wn.com/Inside_Standen_House_William_Morris_|_Heni_Talks
Have nothing in your house that you do not know to be useful, or believe to be beautiful.
— William Morris
The Industrial Revolution of the nineteenth century transformed England beyond recognition, turning a country of farmers into factory workers. It was a world ‘which saw the rich getting richer and the poor getting very much poorer’. The artist, designer and political radical, William Morris, brought together a group of colleagues to challenge the ‘dishonest’ mechanisation of factory goods and restore the importance of craftsmanship, quality and ‘truthfulness’ through design.
Art historian Abigail Harrison-Moore visits the National Trust’s Standen house, one of the most charming examples of Arts and Crafts workmanship in the UK, and explores its surprisingly pioneering spirit – from the use of electric lighting to its role in the Suffragette movement.
---------------------------------------------------------------------------------------------
Award-winning documentaries which reveal the stories of art and art history.
Make bite-sized art discoveries. http://bit.ly/Instagram_HENITalks
Keep your finger on the pulse of art. http://bit.ly/Twitter_HENITalks
Become part of the HENI Talks community. http://bit.ly/Facebook_HENITalks
Find the HENI Talks for you with advanced search options. Explore wider reading around our Talks topics and find that key reference. http://bit.ly/Website_HENITalks
Be the first to know when our latest talk is ready.
http://bit.ly/YouTube_HENITalks
-----------------------------------------------------------------------------------------------
Produced by HENI.
Follow HENI on Instagram http://bit.ly/Instagram_HENI
Like HENI on Facebook http://bit.ly/Facebook_HENI
Tweet @ HENI on Twitter http://bit.ly/Twitter_HENI
Additional creative commons information:
Philip Speakman Webb
Charles Fairfax Murray, 1873
NPG 4310
© National Portrait Gallery, London
(CC BY-NC-ND 3.0)
https://creativecommons.org/licenses/by-nc-nd/3.0/
#ArtsandCrafts #WilliamMorris #HENITalks
- published: 08 Jun 2018
- views: 576216
40:08
DAWN SHOWS HOW TO USE GILDING FLAKES WITH STAMPS AND HOW TO ACHIEVE DIFFERENT EFFECTS USING TAPE
In today's video I will be using the gorgeous Gilding Flakes with some of my Lisa Horton Crafts stamps and also how to achieve different effects using double si...
In today's video I will be using the gorgeous Gilding Flakes with some of my Lisa Horton Crafts stamps and also how to achieve different effects using double sided tape.
Products I have used today include:
LHC - OFF THE EDGE - VINTAGE ROSES - LHCCS070-DS
LHC - OFF THE EDGE - SUNFLOWERS - LHCCS071-DS
LHC - MAJESTIC BUTTERFLIES STAMPS - LHCCS010-DS
LHC - GILDING FLAKES - LHCT030 - LHCT037-DS
Thanks for watching.
Dawn
Lisa Horton Design Team
#cards, #craft #inspiration
Shop with us: https://thatcraftplace.co.uk/
International customers:
https://www.scrapbook.com/
https://ecstasycrafts.com
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https://wn.com/Dawn_Shows_How_To_Use_Gilding_Flakes_With_Stamps_And_How_To_Achieve_Different_Effects_Using_Tape
In today's video I will be using the gorgeous Gilding Flakes with some of my Lisa Horton Crafts stamps and also how to achieve different effects using double sided tape.
Products I have used today include:
LHC - OFF THE EDGE - VINTAGE ROSES - LHCCS070-DS
LHC - OFF THE EDGE - SUNFLOWERS - LHCCS071-DS
LHC - MAJESTIC BUTTERFLIES STAMPS - LHCCS010-DS
LHC - GILDING FLAKES - LHCT030 - LHCT037-DS
Thanks for watching.
Dawn
Lisa Horton Design Team
#cards, #craft #inspiration
Shop with us: https://thatcraftplace.co.uk/
International customers:
https://www.scrapbook.com/
https://ecstasycrafts.com
https://www.hsn.com/search?query=lisa...
https://scrapbookingmadesimple.com/
https://www.bing.com/videos/search?q=...
https://www.lovecrafts.com
YouTube: https://www.youtube.com/channel/UC4v_06Gd03xxPb7K1Mpx9OQ
Please subscribe and hit that notification bell to make sure you don't miss another video or live broadcast.
Facebook Group: https://www.facebook.com/groups/468312444069507 Facebook Page: https://www.facebook.com/lisahortoncrafts
Insta: https://www.instagram.com/explore/locations/1935260053393449/lisa-horton-crafts/
TikTok: https://www.tiktok.com/@lisahortoncrafts
- published: 05 Jan 2024
- views: 529
7:47
Gustav Stickley and the American Arts and Crafts Movement- Exhibition Tour
Dr. John Marciari, Curator of European Art at The San Diego Museum of Art, discusses the Museum's new exhibition Gustav Stickley and the American Arts and Craft...
Dr. John Marciari, Curator of European Art at The San Diego Museum of Art, discusses the Museum's new exhibition Gustav Stickley and the American Arts and Crafts Movement.
https://wn.com/Gustav_Stickley_And_The_American_Arts_And_Crafts_Movement_Exhibition_Tour
Dr. John Marciari, Curator of European Art at The San Diego Museum of Art, discusses the Museum's new exhibition Gustav Stickley and the American Arts and Crafts Movement.
- published: 22 Jul 2011
- views: 42671