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Alessandro Marcello - Adagio
after Alessandro Marcello
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, S Z799, was written down.
published: 16 Aug 2016
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Alessandro Marcello, Concerto in re minore per oboe e orchestra
I Cameristi della Scala eseguono il Concerto in re minore per oboe e orchestra di Alessandro Marcello. Allegro. Adagio. Presto.
Fabien Thouand, oboe
Le riprese sono state effettuate nel Salone del Tiepolo di Palazzo Clerici a Milano il 21 ottobre 2011
Una produzione UDB|studio www.udb.it
www.cameristidellascala.com
published: 19 Nov 2011
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A. Marcello: Concerto in D Minor for Oboe and Strings & La Cetra
Marcello’s Oboe Concerto is one of the best-loved and most performed works in the instrument’s repertoire. Originally written in C minor, it is heard here in its D minor transcription by J.S. Bach, who clearly appreciated the work’s special qualities.
Composer: Alessandro Marcello
Artists: Andrea Mion (oboe), Gruppo Instrumentale di Roma & Giorgio Sasso (conductor)
🎵Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): https://brilliant-classics.lnk.to/ConcertoForOboeAndStringsID
💎More Information: https://www.brilliantclassics.com/articles/a/a-marcello-6-concertos-la-cetra-concerto-in-d-minor-for-oboe-and-strings/
🎬🎮 These tracks are available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to:...
published: 16 Sep 2021
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A. Marcello - Oboe Concerto in d minor (Marcel Ponseele, baroque oboe / Il Gardellino)
.
Alessandro Marcello (1673-1747)
《12 Concerti a 5》 Op.1 [1717]
(Edition of the 12 concertos published by Estienne Roger, 1665-1722)
Concerto No.2 in re minore, S.D 935
(concerto per oboe, archi e basso continuo)
I. Andante e spiccato - 00:00
II. Adagio - 03:32
III. Presto - 07:09
Marcel Ponseele (baroque oboe)
Ensemble Il Gardellino
Marcel Ponseele (conductor)
The Oboe Concerto in D minor, SD 935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was prin...
published: 30 Dec 2010
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Alessandro Marcello - Adagio in D minor
Alessandro Marcello - Concerto for oboe and strings - 2nd movement - Adagio - in D minor.
Oboe played by Derek Wickens.
Royal Philharmonic Orchestra lead by Elgar Howarth.
For quite some time I was convinced that this composition was composed by Bernedetto Marcello, also because of wrong information on a label of a cd-case. Though I've been convinced that Alessandro Marcello - Benedetto's brother - is the true composer of this composition.
published: 01 May 2008
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Alessandro Marcello: Oboe Concerto in D minor, S D935 | Turku Philharmonic Orchestra
3.12.2020, Turku Concert Hall
Takuya Takashima, oboe
Kerem Hasan, conductor
I. Andante
II. Adagio
III. Presto
published: 08 Dec 2020
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Adagio - Johann Sebastian Bach / Alessandro Marcello BWV 974 | Tzvi Erez
Sheet Music PDF with Erez's phrasing and ornaments: https://nivclassical.com/piano-notes.html
Discover Tzvi Erez at https://nivclassical.com/music-links.html
Spotify: https://open.spotify.com/album/7xN1RR5mjkYCjjUucpPgZY
Apple Music: https://music.apple.com/ca/album/concerto-in-d-minor-after-alessandro-marcello-bwv-974/1493315293
Kindle: https://www.amazon.com/dp/B083P7738W
Alessandro Marcello (1669 - 1747) - J.S. Bach (1675-1750) - Piano: Tzvi Erez. The Adagio from Macello's Oboe Concerto in D minor BWV 974, as transcribed for Piano Solo by Bach.
Videography by Fred Kinck Petersen. Copyright 2020 Tzvi Erez & Niv Classical. All Rights Reserved.
#TzviErez #Pianist #Bach
published: 07 Jan 2020
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Alessandro Marcello - J.S. Bach - Piano: Anne Queffélec - Auszug BWV 974
Alessandro Marcello (1669 - 1747) - J.S. Bach (1675-1750) - Piano: Anne Queffélec - Auszug aus dem Cembalo-Konzert (Marcello's - Oboenkonzert:) d-moll BWV 974.
Es ist gängige Praxis bei der Erarbeitung des Oboenkonzertes von Alessandro Marcello, im zweiten Satz auf eine verzierte Fassung Johann Sebastian Bachs zurückzugreifen. Diese stammt aus BWV 974 und stellt eine von insgesamt 16 Bearbeitungen italienischer Instrumentalkonzerte für Cembalo solo dar, die Bach um 1713 anfertigte.
Beim Studium der Cembaloversion ist festzustellen, dass Bach nicht nur die Oboenstimme (und auch diese nicht nur im langsamen Satz) veränderte, sondern auch in der Begleitung teilweise massiv in das Originalwerk eingriff.
Einige Detailveränderungen sind allein der Instrumentierung geschuldet, z.B. Triller ...
published: 28 Jul 2011
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Caso Beccaria, procuratore Milano: "Torture brutta pagina per le istituzioni"
Caso Beccaria, procuratore Milano: "Torture brutta pagina per le istituzioni"
Marcello Viola: "Vicenda dolorosa, ma vanno assicurati controllo e legalità"
CRONACA (Milano). "Questa è una conferenza stampa che non avremmo voluto mai tenere, perché rappresenta una vicenda dolorosa e una brutta pagina per le istituzioni, ma vanno assicurati il controllo della legalità e il rispetto della legge". Lo ha detto il procuratore di Milano, Marcello Viola, in conferenza stampa per illustrare l'operazione che questa mattina ha portato all'arresto di 13 agenti della polizia penitenziaria e alla sospensione di altri otto per presunte torture e violenze sui detenuti del carcere minorile Beccaria. (Alessandro Boldrini/alanews)
---- Trascrizione generata automaticamente ----
Questa è una confer...
published: 22 Apr 2024
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Alessandro Marcello - Oboe Concerto in D minor, S D935 - Ramon Ortega, oboe - Zagreb soloists
Alessandro Marcello
Oboe Concerto in D minor, S D935
Zagreb soloists
Ramon Ortega, oboe
I. Andante e spiccato - 00:00
II. Adagio - 03:37
III. Presto - 07:24
The Oboe Concerto in D minor, SD 935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, SZ 799, was written down.
Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the...
published: 07 Mar 2024
10:06
Alessandro Marcello - Adagio
after Alessandro Marcello
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian com...
after Alessandro Marcello
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, S Z799, was written down.
https://wn.com/Alessandro_Marcello_Adagio
after Alessandro Marcello
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, S Z799, was written down.
- published: 16 Aug 2016
- views: 5529204
9:54
Alessandro Marcello, Concerto in re minore per oboe e orchestra
I Cameristi della Scala eseguono il Concerto in re minore per oboe e orchestra di Alessandro Marcello. Allegro. Adagio. Presto.
Fabien Thouand, oboe
Le ri...
I Cameristi della Scala eseguono il Concerto in re minore per oboe e orchestra di Alessandro Marcello. Allegro. Adagio. Presto.
Fabien Thouand, oboe
Le riprese sono state effettuate nel Salone del Tiepolo di Palazzo Clerici a Milano il 21 ottobre 2011
Una produzione UDB|studio www.udb.it
www.cameristidellascala.com
https://wn.com/Alessandro_Marcello,_Concerto_In_Re_Minore_Per_Oboe_E_Orchestra
I Cameristi della Scala eseguono il Concerto in re minore per oboe e orchestra di Alessandro Marcello. Allegro. Adagio. Presto.
Fabien Thouand, oboe
Le riprese sono state effettuate nel Salone del Tiepolo di Palazzo Clerici a Milano il 21 ottobre 2011
Una produzione UDB|studio www.udb.it
www.cameristidellascala.com
- published: 19 Nov 2011
- views: 2374960
1:02:30
A. Marcello: Concerto in D Minor for Oboe and Strings & La Cetra
Marcello’s Oboe Concerto is one of the best-loved and most performed works in the instrument’s repertoire. Originally written in C minor, it is heard here in it...
Marcello’s Oboe Concerto is one of the best-loved and most performed works in the instrument’s repertoire. Originally written in C minor, it is heard here in its D minor transcription by J.S. Bach, who clearly appreciated the work’s special qualities.
Composer: Alessandro Marcello
Artists: Andrea Mion (oboe), Gruppo Instrumentale di Roma & Giorgio Sasso (conductor)
🎵Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): https://brilliant-classics.lnk.to/ConcertoForOboeAndStringsID
💎More Information: https://www.brilliantclassics.com/articles/a/a-marcello-6-concertos-la-cetra-concerto-in-d-minor-for-oboe-and-strings/
🎬🎮 These tracks are available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/albums/a-marcello-6-concertos-la-cetra-concerto-in-d-minor-for-oboe-and-strings/
With its astonishingly sophisticated use of melody and harmony for its time, its lyrical and graceful outer movements and the exquisitely beautiful central Adagio that has made it so famous, the Oboe Concerto No. 1 is widely regarded as Marcello’s finest masterpiece (if, indeed, it was composed by Marcello: in his fascinating liner notes, musical director Giorgio Sassi suggests that the piece could have been composed by Albinoni or even Bach himself).
This release also features Marcello’s six concertos published under the title “La Cetra”. The concertos could be regarded as a last outpost of the late-Baroque style, with features that anticipate the development of Classicism, and they showcase a remarkably wide range of expression, atmosphere and timbre, which is done full justice in these consummate performances by acclaimed early music specialists Insieme Strumentale di Roma. The ensemble boasts an extensive and enthusiastically received discography, and has been praised for its ‘stylish and sweetly modulated performances’ and ‘warmth, spirit and sensitivity’.
Tracklist:
Concerto in D Minor for Oboe, Strings and Continuo:
0:00:00 I. Andante e spiccato
0:03:22 II. Adagio
0:07:05 III. Presto
Concerto No. 1 in D Major, SF 936 “La Cetra”:
0:11:12 I. Allegro assai
0:13:23 II. Larghetto
0:16:14 III. Vivace
Concerto No. 2 in E Major, SF 938 “La Cetra”:
0:19:49 I. Allegro assai
0:21:23 II. Moderato
0:24:33 III. Spiritoso ma non presto
Concerto No. 3 in B Minor, SF 937 “La Cetra”:
0:27:23 I. Andante larghetto
0:33:42 II. Adagio
0:35:12 III. Presto
Concerto No. 4 in E Minor, SF 939 “La Cetra”:
0:39:16 I. Moderato
0:41:38 II. Largo appoggiato
0:44:49 III. Allegro
Concerto No. 5 in B-flat Major, SF 944 “La Cetra”:
0:46:56 I. Moderato
0:49:50 II. Larghetto staccato
0:51:32 III. Presto ma non molto
Concerto No. 6 in G Major, SF 941 “La Cetra”:
0:53:54 I. Allegro
0:56:25 II. Larghetto
0:59:48 III. Vivace
👉 Social media links:
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Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for other pieces by A. Marcello and more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Marcello #Oboe #Concerto #LaCetra #ClassicalMusic #BrilliantClassics
https://wn.com/A._Marcello_Concerto_In_D_Minor_For_Oboe_And_Strings_La_Cetra
Marcello’s Oboe Concerto is one of the best-loved and most performed works in the instrument’s repertoire. Originally written in C minor, it is heard here in its D minor transcription by J.S. Bach, who clearly appreciated the work’s special qualities.
Composer: Alessandro Marcello
Artists: Andrea Mion (oboe), Gruppo Instrumentale di Roma & Giorgio Sasso (conductor)
🎵Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): https://brilliant-classics.lnk.to/ConcertoForOboeAndStringsID
💎More Information: https://www.brilliantclassics.com/articles/a/a-marcello-6-concertos-la-cetra-concerto-in-d-minor-for-oboe-and-strings/
🎬🎮 These tracks are available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/albums/a-marcello-6-concertos-la-cetra-concerto-in-d-minor-for-oboe-and-strings/
With its astonishingly sophisticated use of melody and harmony for its time, its lyrical and graceful outer movements and the exquisitely beautiful central Adagio that has made it so famous, the Oboe Concerto No. 1 is widely regarded as Marcello’s finest masterpiece (if, indeed, it was composed by Marcello: in his fascinating liner notes, musical director Giorgio Sassi suggests that the piece could have been composed by Albinoni or even Bach himself).
This release also features Marcello’s six concertos published under the title “La Cetra”. The concertos could be regarded as a last outpost of the late-Baroque style, with features that anticipate the development of Classicism, and they showcase a remarkably wide range of expression, atmosphere and timbre, which is done full justice in these consummate performances by acclaimed early music specialists Insieme Strumentale di Roma. The ensemble boasts an extensive and enthusiastically received discography, and has been praised for its ‘stylish and sweetly modulated performances’ and ‘warmth, spirit and sensitivity’.
Tracklist:
Concerto in D Minor for Oboe, Strings and Continuo:
0:00:00 I. Andante e spiccato
0:03:22 II. Adagio
0:07:05 III. Presto
Concerto No. 1 in D Major, SF 936 “La Cetra”:
0:11:12 I. Allegro assai
0:13:23 II. Larghetto
0:16:14 III. Vivace
Concerto No. 2 in E Major, SF 938 “La Cetra”:
0:19:49 I. Allegro assai
0:21:23 II. Moderato
0:24:33 III. Spiritoso ma non presto
Concerto No. 3 in B Minor, SF 937 “La Cetra”:
0:27:23 I. Andante larghetto
0:33:42 II. Adagio
0:35:12 III. Presto
Concerto No. 4 in E Minor, SF 939 “La Cetra”:
0:39:16 I. Moderato
0:41:38 II. Largo appoggiato
0:44:49 III. Allegro
Concerto No. 5 in B-flat Major, SF 944 “La Cetra”:
0:46:56 I. Moderato
0:49:50 II. Larghetto staccato
0:51:32 III. Presto ma non molto
Concerto No. 6 in G Major, SF 941 “La Cetra”:
0:53:54 I. Allegro
0:56:25 II. Larghetto
0:59:48 III. Vivace
👉 Social media links:
Instagram: https://brilliant-classics.lnk.to/InstagramID
Facebook: https://brilliant-classics.lnk.to/FacebookID
TikTok: https://brilliant-classics.lnk.to/TikTokID
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/SpotifyID
New Classical Releases: https://brilliant-classics.lnk.to/NewReleasesID
The Best of Liszt: https://brilliant-classics.lnk.to/PlaylisztID
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylistID
Most Popular Piano Music: https://brilliant-classics.lnk.to/MostPopularPianoID
Beautiful Classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodiesID
Classical Music For Dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertimeID
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for other pieces by A. Marcello and more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Marcello #Oboe #Concerto #LaCetra #ClassicalMusic #BrilliantClassics
- published: 16 Sep 2021
- views: 149418
10:06
A. Marcello - Oboe Concerto in d minor (Marcel Ponseele, baroque oboe / Il Gardellino)
.
Alessandro Marcello (1673-1747)
《12 Concerti a 5》 Op.1 [1717]
(Edition of the 12 concertos published by Estienne Roger, 1665-1722)
Concerto No.2 in re min...
.
Alessandro Marcello (1673-1747)
《12 Concerti a 5》 Op.1 [1717]
(Edition of the 12 concertos published by Estienne Roger, 1665-1722)
Concerto No.2 in re minore, S.D 935
(concerto per oboe, archi e basso continuo)
I. Andante e spiccato - 00:00
II. Adagio - 03:32
III. Presto - 07:09
Marcel Ponseele (baroque oboe)
Ensemble Il Gardellino
Marcel Ponseele (conductor)
The Oboe Concerto in D minor, SD 935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, SZ 799, was written down.
Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.
In the 20th and 21st centuries the concerto developed into a well-established repertoire piece, as well as an oboe concerto as performed on keyboard.
The Concerto in D minor, SD 935, was published by Jeanne Roger in Amsterdam in 1717, as a Concerto a Cinque (concerto in five parts) for oboe (soloist), strings (two violin and one viola parts) and continuo composed by Alessandro Marcello. No publication date appears in the print: although the year of publication is, depending on author, sometimes given as "ca. 1714-1717" or "c.1716" it can be inferred from the consecutive testaments of the publisher's father (Estienne Roger) and from the sequence of publication numbers.
The publication presents the melody lines unadorned, that is: it is left to the performing musician to embellish melodies with ornaments such as trills, mordents and grace notes. Alessandro Marcello published most of his works under a pseudonym (Eterio Stinfalico): the oboe concerto publication was an exception in that sense as it used his real name.
Bach's manualiter arrangement, BWV 974, of the Marcello concerto was apparently not based on the Amsterdam edition, but must have been based on a (lost) manuscript version of the concerto that circulated before it was printed. The July 1713 to July 1714 timeframe may fit for the production of the arrangement of this concerto, although an earlier or later date is possible too. Bach's autograph of the solo keyboard arrangement is lost, but the arrangement was copied around 1715 by Bach's second cousin Johann Bernhard, as the third item in a manuscript containing 12 of Johann Sebastian's keyboard transcriptions of Italian and Italianate concertos.
In 1739 Johann Bernhard's son Johann Ernst wrote a title page for this collection, suggesting that the collection contained Vivaldi arrangements for organ exclusively. He may have intended this title page for the first concerto in the collection only (which was indeed an arrangement of a Vivaldi concerto), but an unknown hand later added the number "XII" before the title, thus causing the misunderstanding that all 12 were Vivaldi arrangements.
Another copy of Bach's arrangement indicates "Marcello" (without first name) as the composer of the original work, and J. S. Bach as the arranger. That copy, specifying harpsichord as the intended instrument for the arrangement, originated after Johann Bernhard's, but may have been copied from an earlier stage of Bach's arrangement. Another manuscript containing Bach's arrangement of Marcello's oboe concerto indicated "J. S. B." as composer on the title page, without mentioning an earlier model, or its composer, for the composition.
Another transcription of the concerto, as concerto a 5 for oboe, strings and continuo in C minor, is found in a 1717 manuscript. The type of errors in this manuscript seems to suggest that the transposition from D minor to C minor may have been produced by its scribes while copying. This manuscript writes the composer's name as "Marcello" without specifying a first name: as Alessandro's brother Benedetto was far better known as a composer by the name Marcello, later generations would interpret the title of the manuscript as referring to the better known of the "Marcello" composers.
https://wn.com/A._Marcello_Oboe_Concerto_In_D_Minor_(Marcel_Ponseele,_Baroque_Oboe_Il_Gardellino)
.
Alessandro Marcello (1673-1747)
《12 Concerti a 5》 Op.1 [1717]
(Edition of the 12 concertos published by Estienne Roger, 1665-1722)
Concerto No.2 in re minore, S.D 935
(concerto per oboe, archi e basso continuo)
I. Andante e spiccato - 00:00
II. Adagio - 03:32
III. Presto - 07:09
Marcel Ponseele (baroque oboe)
Ensemble Il Gardellino
Marcel Ponseele (conductor)
The Oboe Concerto in D minor, SD 935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, SZ 799, was written down.
Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.
In the 20th and 21st centuries the concerto developed into a well-established repertoire piece, as well as an oboe concerto as performed on keyboard.
The Concerto in D minor, SD 935, was published by Jeanne Roger in Amsterdam in 1717, as a Concerto a Cinque (concerto in five parts) for oboe (soloist), strings (two violin and one viola parts) and continuo composed by Alessandro Marcello. No publication date appears in the print: although the year of publication is, depending on author, sometimes given as "ca. 1714-1717" or "c.1716" it can be inferred from the consecutive testaments of the publisher's father (Estienne Roger) and from the sequence of publication numbers.
The publication presents the melody lines unadorned, that is: it is left to the performing musician to embellish melodies with ornaments such as trills, mordents and grace notes. Alessandro Marcello published most of his works under a pseudonym (Eterio Stinfalico): the oboe concerto publication was an exception in that sense as it used his real name.
Bach's manualiter arrangement, BWV 974, of the Marcello concerto was apparently not based on the Amsterdam edition, but must have been based on a (lost) manuscript version of the concerto that circulated before it was printed. The July 1713 to July 1714 timeframe may fit for the production of the arrangement of this concerto, although an earlier or later date is possible too. Bach's autograph of the solo keyboard arrangement is lost, but the arrangement was copied around 1715 by Bach's second cousin Johann Bernhard, as the third item in a manuscript containing 12 of Johann Sebastian's keyboard transcriptions of Italian and Italianate concertos.
In 1739 Johann Bernhard's son Johann Ernst wrote a title page for this collection, suggesting that the collection contained Vivaldi arrangements for organ exclusively. He may have intended this title page for the first concerto in the collection only (which was indeed an arrangement of a Vivaldi concerto), but an unknown hand later added the number "XII" before the title, thus causing the misunderstanding that all 12 were Vivaldi arrangements.
Another copy of Bach's arrangement indicates "Marcello" (without first name) as the composer of the original work, and J. S. Bach as the arranger. That copy, specifying harpsichord as the intended instrument for the arrangement, originated after Johann Bernhard's, but may have been copied from an earlier stage of Bach's arrangement. Another manuscript containing Bach's arrangement of Marcello's oboe concerto indicated "J. S. B." as composer on the title page, without mentioning an earlier model, or its composer, for the composition.
Another transcription of the concerto, as concerto a 5 for oboe, strings and continuo in C minor, is found in a 1717 manuscript. The type of errors in this manuscript seems to suggest that the transposition from D minor to C minor may have been produced by its scribes while copying. This manuscript writes the composer's name as "Marcello" without specifying a first name: as Alessandro's brother Benedetto was far better known as a composer by the name Marcello, later generations would interpret the title of the manuscript as referring to the better known of the "Marcello" composers.
- published: 30 Dec 2010
- views: 4350103
4:42
Alessandro Marcello - Adagio in D minor
Alessandro Marcello - Concerto for oboe and strings - 2nd movement - Adagio - in D minor.
Oboe played by Derek Wickens.
Royal Philharmonic Orchestra lead by...
Alessandro Marcello - Concerto for oboe and strings - 2nd movement - Adagio - in D minor.
Oboe played by Derek Wickens.
Royal Philharmonic Orchestra lead by Elgar Howarth.
For quite some time I was convinced that this composition was composed by Bernedetto Marcello, also because of wrong information on a label of a cd-case. Though I've been convinced that Alessandro Marcello - Benedetto's brother - is the true composer of this composition.
https://wn.com/Alessandro_Marcello_Adagio_In_D_Minor
Alessandro Marcello - Concerto for oboe and strings - 2nd movement - Adagio - in D minor.
Oboe played by Derek Wickens.
Royal Philharmonic Orchestra lead by Elgar Howarth.
For quite some time I was convinced that this composition was composed by Bernedetto Marcello, also because of wrong information on a label of a cd-case. Though I've been convinced that Alessandro Marcello - Benedetto's brother - is the true composer of this composition.
- published: 01 May 2008
- views: 1392893
11:27
Alessandro Marcello: Oboe Concerto in D minor, S D935 | Turku Philharmonic Orchestra
3.12.2020, Turku Concert Hall
Takuya Takashima, oboe
Kerem Hasan, conductor
I. Andante
II. Adagio
III. Presto
3.12.2020, Turku Concert Hall
Takuya Takashima, oboe
Kerem Hasan, conductor
I. Andante
II. Adagio
III. Presto
https://wn.com/Alessandro_Marcello_Oboe_Concerto_In_D_Minor,_S_D935_|_Turku_Philharmonic_Orchestra
3.12.2020, Turku Concert Hall
Takuya Takashima, oboe
Kerem Hasan, conductor
I. Andante
II. Adagio
III. Presto
- published: 08 Dec 2020
- views: 77977
4:27
Adagio - Johann Sebastian Bach / Alessandro Marcello BWV 974 | Tzvi Erez
Sheet Music PDF with Erez's phrasing and ornaments: https://nivclassical.com/piano-notes.html
Discover Tzvi Erez at https://nivclassical.com/music-links.html
Sp...
Sheet Music PDF with Erez's phrasing and ornaments: https://nivclassical.com/piano-notes.html
Discover Tzvi Erez at https://nivclassical.com/music-links.html
Spotify: https://open.spotify.com/album/7xN1RR5mjkYCjjUucpPgZY
Apple Music: https://music.apple.com/ca/album/concerto-in-d-minor-after-alessandro-marcello-bwv-974/1493315293
Kindle: https://www.amazon.com/dp/B083P7738W
Alessandro Marcello (1669 - 1747) - J.S. Bach (1675-1750) - Piano: Tzvi Erez. The Adagio from Macello's Oboe Concerto in D minor BWV 974, as transcribed for Piano Solo by Bach.
Videography by Fred Kinck Petersen. Copyright 2020 Tzvi Erez & Niv Classical. All Rights Reserved.
#TzviErez #Pianist #Bach
https://wn.com/Adagio_Johann_Sebastian_Bach_Alessandro_Marcello_Bwv_974_|_Tzvi_Erez
Sheet Music PDF with Erez's phrasing and ornaments: https://nivclassical.com/piano-notes.html
Discover Tzvi Erez at https://nivclassical.com/music-links.html
Spotify: https://open.spotify.com/album/7xN1RR5mjkYCjjUucpPgZY
Apple Music: https://music.apple.com/ca/album/concerto-in-d-minor-after-alessandro-marcello-bwv-974/1493315293
Kindle: https://www.amazon.com/dp/B083P7738W
Alessandro Marcello (1669 - 1747) - J.S. Bach (1675-1750) - Piano: Tzvi Erez. The Adagio from Macello's Oboe Concerto in D minor BWV 974, as transcribed for Piano Solo by Bach.
Videography by Fred Kinck Petersen. Copyright 2020 Tzvi Erez & Niv Classical. All Rights Reserved.
#TzviErez #Pianist #Bach
- published: 07 Jan 2020
- views: 2025949
4:33
Alessandro Marcello - J.S. Bach - Piano: Anne Queffélec - Auszug BWV 974
Alessandro Marcello (1669 - 1747) - J.S. Bach (1675-1750) - Piano: Anne Queffélec - Auszug aus dem Cembalo-Konzert (Marcello's - Oboenkonzert:) d-moll BWV 974...
Alessandro Marcello (1669 - 1747) - J.S. Bach (1675-1750) - Piano: Anne Queffélec - Auszug aus dem Cembalo-Konzert (Marcello's - Oboenkonzert:) d-moll BWV 974.
Es ist gängige Praxis bei der Erarbeitung des Oboenkonzertes von Alessandro Marcello, im zweiten Satz auf eine verzierte Fassung Johann Sebastian Bachs zurückzugreifen. Diese stammt aus BWV 974 und stellt eine von insgesamt 16 Bearbeitungen italienischer Instrumentalkonzerte für Cembalo solo dar, die Bach um 1713 anfertigte.
Beim Studium der Cembaloversion ist festzustellen, dass Bach nicht nur die Oboenstimme (und auch diese nicht nur im langsamen Satz) veränderte, sondern auch in der Begleitung teilweise massiv in das Originalwerk eingriff.
Einige Detailveränderungen sind allein der Instrumentierung geschuldet, z.B. Triller auf langen Noten, Akkordbrechungen sowie das Weglassen von wiederholten Phrasen, die im Original einmal von der Oboe und einmal von den Violinen gespielt werden.
Natürlich birgt die Rückübertragung der Cembalofassung in die Originalbesetzung das Risiko, instrumentenspezifisch untypische Phrasen zu erzeugen. Der Einblick in Bachs Beschäftigung mit italienischer Musik, seine genaue Notation der ansonsten üblicherweise frei ausgeführten Verzierungen und die Meisterschaft, mit der er mit kleinen Eingriffen die Komposition bereichert hat, sind dieses Risiko wert.
------------------------------------------------------------------------
Text-Copyright: Peter Wuttke Essen
https://wn.com/Alessandro_Marcello_J.S._Bach_Piano_Anne_Queffélec_Auszug_Bwv_974
Alessandro Marcello (1669 - 1747) - J.S. Bach (1675-1750) - Piano: Anne Queffélec - Auszug aus dem Cembalo-Konzert (Marcello's - Oboenkonzert:) d-moll BWV 974.
Es ist gängige Praxis bei der Erarbeitung des Oboenkonzertes von Alessandro Marcello, im zweiten Satz auf eine verzierte Fassung Johann Sebastian Bachs zurückzugreifen. Diese stammt aus BWV 974 und stellt eine von insgesamt 16 Bearbeitungen italienischer Instrumentalkonzerte für Cembalo solo dar, die Bach um 1713 anfertigte.
Beim Studium der Cembaloversion ist festzustellen, dass Bach nicht nur die Oboenstimme (und auch diese nicht nur im langsamen Satz) veränderte, sondern auch in der Begleitung teilweise massiv in das Originalwerk eingriff.
Einige Detailveränderungen sind allein der Instrumentierung geschuldet, z.B. Triller auf langen Noten, Akkordbrechungen sowie das Weglassen von wiederholten Phrasen, die im Original einmal von der Oboe und einmal von den Violinen gespielt werden.
Natürlich birgt die Rückübertragung der Cembalofassung in die Originalbesetzung das Risiko, instrumentenspezifisch untypische Phrasen zu erzeugen. Der Einblick in Bachs Beschäftigung mit italienischer Musik, seine genaue Notation der ansonsten üblicherweise frei ausgeführten Verzierungen und die Meisterschaft, mit der er mit kleinen Eingriffen die Komposition bereichert hat, sind dieses Risiko wert.
------------------------------------------------------------------------
Text-Copyright: Peter Wuttke Essen
- published: 28 Jul 2011
- views: 836014
1:15
Caso Beccaria, procuratore Milano: "Torture brutta pagina per le istituzioni"
Caso Beccaria, procuratore Milano: "Torture brutta pagina per le istituzioni"
Marcello Viola: "Vicenda dolorosa, ma vanno assicurati controllo e legalità"
...
Caso Beccaria, procuratore Milano: "Torture brutta pagina per le istituzioni"
Marcello Viola: "Vicenda dolorosa, ma vanno assicurati controllo e legalità"
CRONACA (Milano). "Questa è una conferenza stampa che non avremmo voluto mai tenere, perché rappresenta una vicenda dolorosa e una brutta pagina per le istituzioni, ma vanno assicurati il controllo della legalità e il rispetto della legge". Lo ha detto il procuratore di Milano, Marcello Viola, in conferenza stampa per illustrare l'operazione che questa mattina ha portato all'arresto di 13 agenti della polizia penitenziaria e alla sospensione di altri otto per presunte torture e violenze sui detenuti del carcere minorile Beccaria. (Alessandro Boldrini/alanews)
---- Trascrizione generata automaticamente ----
Questa è una conferenza stampa che non avremmo voluto tenere perché una vicenda realmente doverosa una brutta pagina per le istituzioni raffigurato il controllo di legalità va assicurato Il rispetto della legge Vabbè c'ho che le indagini la misura è stata seguita dalla insieme tra Polizia di Stato e polizia penitenziaria che le indagini sono state condotte insieme di questo trovato in merito alla polizia penitenziaria che ha lavorato fin dal primo momento per l'accertamento della verità io ovviamente non piace quello che viene accettato che viene contestato ed è interesse dello stato in tutte le situazioni dell'amministrazione penitenziaria quella di far luce pienamente su questi fatti e creano francamente desolazione che sconforto proprio perché ho messo in un ambito qual è quello Penitenziario che vive un momento di tragica difficoltà come testimoniato dalle numerosissime vicende che riguardano i fili che riguardano i problemi di sovraffollamento nei carceri
-
https://wn.com/Caso_Beccaria,_Procuratore_Milano_Torture_Brutta_Pagina_Per_Le_Istituzioni
Caso Beccaria, procuratore Milano: "Torture brutta pagina per le istituzioni"
Marcello Viola: "Vicenda dolorosa, ma vanno assicurati controllo e legalità"
CRONACA (Milano). "Questa è una conferenza stampa che non avremmo voluto mai tenere, perché rappresenta una vicenda dolorosa e una brutta pagina per le istituzioni, ma vanno assicurati il controllo della legalità e il rispetto della legge". Lo ha detto il procuratore di Milano, Marcello Viola, in conferenza stampa per illustrare l'operazione che questa mattina ha portato all'arresto di 13 agenti della polizia penitenziaria e alla sospensione di altri otto per presunte torture e violenze sui detenuti del carcere minorile Beccaria. (Alessandro Boldrini/alanews)
---- Trascrizione generata automaticamente ----
Questa è una conferenza stampa che non avremmo voluto tenere perché una vicenda realmente doverosa una brutta pagina per le istituzioni raffigurato il controllo di legalità va assicurato Il rispetto della legge Vabbè c'ho che le indagini la misura è stata seguita dalla insieme tra Polizia di Stato e polizia penitenziaria che le indagini sono state condotte insieme di questo trovato in merito alla polizia penitenziaria che ha lavorato fin dal primo momento per l'accertamento della verità io ovviamente non piace quello che viene accettato che viene contestato ed è interesse dello stato in tutte le situazioni dell'amministrazione penitenziaria quella di far luce pienamente su questi fatti e creano francamente desolazione che sconforto proprio perché ho messo in un ambito qual è quello Penitenziario che vive un momento di tragica difficoltà come testimoniato dalle numerosissime vicende che riguardano i fili che riguardano i problemi di sovraffollamento nei carceri
-
- published: 22 Apr 2024
- views: 189
11:38
Alessandro Marcello - Oboe Concerto in D minor, S D935 - Ramon Ortega, oboe - Zagreb soloists
Alessandro Marcello
Oboe Concerto in D minor, S D935
Zagreb soloists
Ramon Ortega, oboe
I. Andante e spiccato - 00:00
II. Adagio - 03:37
III. Presto - 07:24
...
Alessandro Marcello
Oboe Concerto in D minor, S D935
Zagreb soloists
Ramon Ortega, oboe
I. Andante e spiccato - 00:00
II. Adagio - 03:37
III. Presto - 07:24
The Oboe Concerto in D minor, SD 935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, SZ 799, was written down.
Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.
In the 20th and 21st centuries the concerto developed into a well-established repertoire piece, as well as an oboe concerto as performed on keyboard.
The Concerto in D minor, SD 935, was published by Jeanne Roger in Amsterdam in 1717, as a Concerto a Cinque (concerto in five parts) for oboe (soloist), strings (two violin and one viola parts) and continuo composed by Alessandro Marcello. No publication date appears in the print: although the year of publication is, depending on author, sometimes given as "ca. 1714-1717" or "c.1716" it can be inferred from the consecutive testaments of the publisher's father (Estienne Roger) and from the sequence of publication numbers.
The publication presents the melody lines unadorned, that is: it is left to the performing musician to embellish melodies with ornaments such as trills, mordents and grace notes. Alessandro Marcello published most of his works under a pseudonym (Eterio Stinfalico): the oboe concerto publication was an exception in that sense as it used his real name.
Bach's manualiter arrangement, BWV 974, of the Marcello concerto was apparently not based on the Amsterdam edition, but must have been based on a (lost) manuscript version of the concerto that circulated before it was printed. The July 1713 to July 1714 timeframe may fit for the production of the arrangement of this concerto, although an earlier or later date is possible too. Bach's autograph of the solo keyboard arrangement is lost, but the arrangement was copied around 1715 by Bach's second cousin Johann Bernhard, as the third item in a manuscript containing 12 of Johann Sebastian's keyboard transcriptions of Italian and Italianate concertos.
In 1739 Johann Bernhard's son Johann Ernst wrote a title page for this collection, suggesting that the collection contained Vivaldi arrangements for organ exclusively. He may have intended this title page for the first concerto in the collection only (which was indeed an arrangement of a Vivaldi concerto), but an unknown hand later added the number "XII" before the title, thus causing the misunderstanding that all 12 were Vivaldi arrangements.
Another copy of Bach's arrangement indicates "Marcello" (without first name) as the composer of the original work, and J. S. Bach as the arranger. That copy, specifying harpsichord as the intended instrument for the arrangement, originated after Johann Bernhard's, but may have been copied from an earlier stage of Bach's arrangement. Another manuscript containing Bach's arrangement of Marcello's oboe concerto indicated "J. S. B." as composer on the title page, without mentioning an earlier model, or its composer, for the composition.
Another transcription of the concerto, as concerto a 5 for oboe, strings and continuo in C minor, is found in a 1717 manuscript. The type of errors in this manuscript seems to suggest that the transposition from D minor to C minor may have been produced by its scribes while copying. This manuscript writes the composer's name as "Marcello" without specifying a first name: as Alessandro's brother Benedetto was far better known as a composer by the name Marcello, later generations would interpret the title of the manuscript as referring to the better known of the "Marcello" composers.
https://wn.com/Alessandro_Marcello_Oboe_Concerto_In_D_Minor,_S_D935_Ramon_Ortega,_Oboe_Zagreb_Soloists
Alessandro Marcello
Oboe Concerto in D minor, S D935
Zagreb soloists
Ramon Ortega, oboe
I. Andante e spiccato - 00:00
II. Adagio - 03:37
III. Presto - 07:24
The Oboe Concerto in D minor, SD 935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, SZ 799, was written down.
Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.
In the 20th and 21st centuries the concerto developed into a well-established repertoire piece, as well as an oboe concerto as performed on keyboard.
The Concerto in D minor, SD 935, was published by Jeanne Roger in Amsterdam in 1717, as a Concerto a Cinque (concerto in five parts) for oboe (soloist), strings (two violin and one viola parts) and continuo composed by Alessandro Marcello. No publication date appears in the print: although the year of publication is, depending on author, sometimes given as "ca. 1714-1717" or "c.1716" it can be inferred from the consecutive testaments of the publisher's father (Estienne Roger) and from the sequence of publication numbers.
The publication presents the melody lines unadorned, that is: it is left to the performing musician to embellish melodies with ornaments such as trills, mordents and grace notes. Alessandro Marcello published most of his works under a pseudonym (Eterio Stinfalico): the oboe concerto publication was an exception in that sense as it used his real name.
Bach's manualiter arrangement, BWV 974, of the Marcello concerto was apparently not based on the Amsterdam edition, but must have been based on a (lost) manuscript version of the concerto that circulated before it was printed. The July 1713 to July 1714 timeframe may fit for the production of the arrangement of this concerto, although an earlier or later date is possible too. Bach's autograph of the solo keyboard arrangement is lost, but the arrangement was copied around 1715 by Bach's second cousin Johann Bernhard, as the third item in a manuscript containing 12 of Johann Sebastian's keyboard transcriptions of Italian and Italianate concertos.
In 1739 Johann Bernhard's son Johann Ernst wrote a title page for this collection, suggesting that the collection contained Vivaldi arrangements for organ exclusively. He may have intended this title page for the first concerto in the collection only (which was indeed an arrangement of a Vivaldi concerto), but an unknown hand later added the number "XII" before the title, thus causing the misunderstanding that all 12 were Vivaldi arrangements.
Another copy of Bach's arrangement indicates "Marcello" (without first name) as the composer of the original work, and J. S. Bach as the arranger. That copy, specifying harpsichord as the intended instrument for the arrangement, originated after Johann Bernhard's, but may have been copied from an earlier stage of Bach's arrangement. Another manuscript containing Bach's arrangement of Marcello's oboe concerto indicated "J. S. B." as composer on the title page, without mentioning an earlier model, or its composer, for the composition.
Another transcription of the concerto, as concerto a 5 for oboe, strings and continuo in C minor, is found in a 1717 manuscript. The type of errors in this manuscript seems to suggest that the transposition from D minor to C minor may have been produced by its scribes while copying. This manuscript writes the composer's name as "Marcello" without specifying a first name: as Alessandro's brother Benedetto was far better known as a composer by the name Marcello, later generations would interpret the title of the manuscript as referring to the better known of the "Marcello" composers.
- published: 07 Mar 2024
- views: 5225