The March of Genoa or Eastern Liguria was created in 961 by the Emperor Otto I. It was originally called either the marca Obertenga after its first holder, Oberto I, or the marca Januensis after its original capital and chief city, Genoa. Its creation was part of a general reorganisation of the northwest of Italy into three frontier districts. Western Liguria became the March of Montferrat and the interior became the March of Turin. It comprised the counties of Luni, Tortona, Milan, and Genoa.
The march was originally held in the elder line of the Obertenghi, descended from Oberto I. The title marchio became common in the family. Albert Azzo II was called marchio de L(a/o)ngobardia. By his time, the march was often called the March of Milan or Liguria. His grandson, Obizzo I, became the first Margrave of Este in 1173 and was created "Margrave of Milan and Genoa" in 1184 by the Emperor Frederick I. From thereafter, the title of Este had more importance, especially with the growth of the commune of Milan and the Republic of Genoa.
Alberto Azzo II was the only son of Albert Azzo I, Margrave of Milan. He inherited his father's offices around 1020, and continually increased his properties in northern Italy. In 1069–1070, he tried to acquire Maine for his son Hugh, because his wife, Garsende, was a co-heiress of the previous counts of Maine. Hugh was declared count, but he could not prevail against Robert, the Duke of Normandy, who had been betrothed to the last heiress. In the Investiture Controversy between Henry IV, Holy Roman Emperor, and Pope Gregory VII, Azzo attempted to mediate, but later he joined the side of the pope. Around 1073 he made a castle at Este his residence, from which the House of Este, the dynasty to which he belonged, took its name. Before his building project, Este was little more than a village.
Milan (English /mᵻˈlæn/ or US/məˈlɑːn/;Lombard, Milanese variant: Milan[miˈlã]),Italian:Milano[miˈlaːno]), the second-most populous city in Italy, is the capital of Lombardy. The city proper has a population of about 1.3 million, while its urban area (the 5th-largest in the EU) comprises an estimated 5 million people (former Provinces of Milan and Monza-Brianza, with other Comuni included in the former Province of Varese). The enormous suburban sprawl that followed the post-war boom of the 1950s–1960s has resulted in a polycentric metropolitan area, known as Greater Milan, of 7 to 10 million people, stretching over the provinces of Milan, Bergamo, Como, Lecco, Lodi, Monza and Brianza, Pavia, Varese and Novara. The Milan metropolitan region is part of the so-called Blue Banana, the area of Europe with the highest population and industrial density. In terms of GDP, Milan has the third largest economy among EU cities (after London and Paris) and the largest among European non-capital cities.
Milan (Cyrillic: Милан) is a common Slavic male name and, less commonly, an Indian and Roman name. In Eastern European context, it is derived from the Slavic element mil, with meanings kind, loving, and gracious. Milan was originally a diminutive or nickname for those whose Slavic names began with "Mil-". It is used predominantly by Czechs, Slovaks and Serbs but also frequently in Macedonia, Croatia, Slovenia, Bulgaria and India. (Hungarian: Milán.) It was in the top 5 names for boys born in Serbia in 2012. It was in the top 20 names for boys born in Slovakia in 2004. It was the eighth most popular name for boys born in the Netherlands in 2007, and seventh in Flanders in 2009.
Eastern European origin and use
It originates from the Old Slavic word mil, variant: mio, i.e. "beloved", "pleasant", "dear" which is common at the beginning of many Slavic names. This is the same root in Serbian names like Miloslav, Milomir, Milica, Milka, Miloš, Milutin, Miodrag, Miomir etc. most of which were first recorded in Serbian sources already in the pre-Nemanjić Age.
J. S. BACH SARABANDA 1 SUITE Luca Paccagnella cello Abbazia La Vangadizza BADIA POLESINE
J. S. BACH SARABANDA 1 SUITE in sol maggiore BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) - Badia Polesine
THE SOUND OF STONE - Architetture Sonore Festival "Un PO di BACH" https://www.facebook.com/unpodibachpaccagnella/
ABBAYE La Vangadizza
The creation of the abbey is generally connected with the large donations from marquis Aimeric of Este, in the 950s, followed by others from Hugh of Tuscanya few years later. The abbey is mentioned as still in construction in a document from 993. It became an independent fief in 996 and, around 1000, the abbey received the status of diocese directly subject to the Holy See. The independence was confirmed by emperor Frederick Barbarossa in 1177 and by PopeCelestine III in 1196. In 1213 the abbey adhered to the Camaldolese order, ded...
published: 11 May 2017
J. S. BACH COURANTE SUITE n.1 Luca Paccagnella cello Abbazia La Vangadizza Badia Polesine
J. S. BACH COURANTE SUITE n. 1 in sol maggiore BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) - Badia Polesine
THE SOUND OF STONE - Architetture Sonore Festival "Un PO di BACH" https://www.facebook.com/unpodibachpaccagnella/
ABBAYE La Vangadizza
The creation of the abbey is generally connected with the large donations from marquis Aimeric of Este, in the 950s, followed by others from Hugh of Tuscanya few years later. The abbey is mentioned as still in construction in a document from 993. It became an independent fief in 996 and, around 1000, the abbey received the status of diocese directly subject to the Holy See. The independence was confirmed by emperor Frederick Barbarossa in 1177 and by PopeCelestine III in 1196. In 1213 the abbey adhered to the Camaldolese order, d...
published: 25 May 2017
BACH GIGUE 1 SUITE Luca Paccagnella cello Badia Polesine La Vangadizza
J. S. BACH GIGUE SUITE n.1 BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) Badia Polesine
THE SOUND OF STONE - Architetture Sonore
Festival "Un PO di BACH" ...A journey on the River PO
https://www.facebook.com/unpodibachpaccagnella/
ABBAYE La Vangadizza ( X° sec.) BADIA POLESINE
The creation of the abbey is generally connected with the large donations from marquis Aimeric of Este, in the 950s, followed by others from Hugh of Tuscanya few years later. The abbey is mentioned as still in construction in a document from 993. It became an independent fief in 996 and, around 1000, the abbey received the status of diocese directly subject to the Holy See. The independence was confirmed by emperor Frederick Barbarossa in 1177 and by Pope Celestine III in 1196. In 1213 the abbey...
published: 13 May 2017
House of Hanover
The House of Hanover (the Hanoverians /ˌhænəˈvɪərɪənz/) is a German royal dynasty which has ruled the Duchy of Brunswick-Lüneburg (German: Braunschweig-Lüneburg), the Kingdom of Hanover, the Kingdom of Great Britain, the Kingdom of Ireland and the United Kingdom of Great Britain and Ireland. It succeeded the House of Stuart as monarchs of Great Britain and Ireland in 1714 and held that office until the death of Queen Victoria in 1901. They are sometimes referred to as the House of Brunswick and Lüneburg, Hanover line.
The House of Hanover is a younger branch of the House of Welf, which in turn is the senior branch of the House of Este.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
J. S. BACH SARABANDA 1 SUITE in sol maggiore BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) - Badia Polesine
THE SOUND OF STONE - Architetture...
J. S. BACH SARABANDA 1 SUITE in sol maggiore BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) - Badia Polesine
THE SOUND OF STONE - Architetture Sonore Festival "Un PO di BACH" https://www.facebook.com/unpodibachpaccagnella/
ABBAYE La Vangadizza
The creation of the abbey is generally connected with the large donations from marquis Aimeric of Este, in the 950s, followed by others from Hugh of Tuscanya few years later. The abbey is mentioned as still in construction in a document from 993. It became an independent fief in 996 and, around 1000, the abbey received the status of diocese directly subject to the Holy See. The independence was confirmed by emperor Frederick Barbarossa in 1177 and by PopeCelestine III in 1196. In 1213 the abbey adhered to the Camaldolese order, dedicating itself in particular to cultural activities: it amassed a large library and included a school of philosophy, theology, chant, arts and sciences, although it got progressively detached from the care of the territory and from its colonists, which had been the base of its richness in the previous centuries. In the early 15th century the abbey lost its temporal rights, and was put under the in commendam status, i.e. under the control of external ecclesiastics. Its lay abbots include Pietro Ottoboni, the future Pope Alexander VIII. A seminary was founded in 1747. The Republic of Venice suppressed it on 11 April 1789 and seized its asset; the diocese was also suppressed in 1792, its twelve parishes being moved to the diocese of Adria.It was partially demolished from 1810, when the complex was under French control.
Due to the early 19th century demolitions, only the apse chapel, the bell tower and a few other structures remain of the original Romanesque-Gothic structure. The base of the bell tower include antique elements, such a bas-relief with a Maenad, dating from the 1st century AD.
Other sights include the 13th century portico-courtyard, with Verona marble columns, and a 15th-century chapel dedicated to the Holy Virgin. The apse has frescoes by Filippo Zaniberti (early 17th century), depicting theMiracles of the Virgin.
The square in front the church houses two sarcophagi of members of the Este family, including the tomb of Albert Azzo II, Margrave of Milan, and that of Azzo VI of Este.
J. S. BACH SARABANDA 1 SUITE in sol maggiore BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) - Badia Polesine
THE SOUND OF STONE - Architetture Sonore Festival "Un PO di BACH" https://www.facebook.com/unpodibachpaccagnella/
ABBAYE La Vangadizza
The creation of the abbey is generally connected with the large donations from marquis Aimeric of Este, in the 950s, followed by others from Hugh of Tuscanya few years later. The abbey is mentioned as still in construction in a document from 993. It became an independent fief in 996 and, around 1000, the abbey received the status of diocese directly subject to the Holy See. The independence was confirmed by emperor Frederick Barbarossa in 1177 and by PopeCelestine III in 1196. In 1213 the abbey adhered to the Camaldolese order, dedicating itself in particular to cultural activities: it amassed a large library and included a school of philosophy, theology, chant, arts and sciences, although it got progressively detached from the care of the territory and from its colonists, which had been the base of its richness in the previous centuries. In the early 15th century the abbey lost its temporal rights, and was put under the in commendam status, i.e. under the control of external ecclesiastics. Its lay abbots include Pietro Ottoboni, the future Pope Alexander VIII. A seminary was founded in 1747. The Republic of Venice suppressed it on 11 April 1789 and seized its asset; the diocese was also suppressed in 1792, its twelve parishes being moved to the diocese of Adria.It was partially demolished from 1810, when the complex was under French control.
Due to the early 19th century demolitions, only the apse chapel, the bell tower and a few other structures remain of the original Romanesque-Gothic structure. The base of the bell tower include antique elements, such a bas-relief with a Maenad, dating from the 1st century AD.
Other sights include the 13th century portico-courtyard, with Verona marble columns, and a 15th-century chapel dedicated to the Holy Virgin. The apse has frescoes by Filippo Zaniberti (early 17th century), depicting theMiracles of the Virgin.
The square in front the church houses two sarcophagi of members of the Este family, including the tomb of Albert Azzo II, Margrave of Milan, and that of Azzo VI of Este.
J. S. BACH COURANTE SUITE n. 1 in sol maggiore BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) - Badia Polesine
THE SOUND OF STONE - Architettu...
J. S. BACH COURANTE SUITE n. 1 in sol maggiore BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) - Badia Polesine
THE SOUND OF STONE - Architetture Sonore Festival "Un PO di BACH" https://www.facebook.com/unpodibachpaccagnella/
ABBAYE La Vangadizza
The creation of the abbey is generally connected with the large donations from marquis Aimeric of Este, in the 950s, followed by others from Hugh of Tuscanya few years later. The abbey is mentioned as still in construction in a document from 993. It became an independent fief in 996 and, around 1000, the abbey received the status of diocese directly subject to the Holy See. The independence was confirmed by emperor Frederick Barbarossa in 1177 and by PopeCelestine III in 1196. In 1213 the abbey adhered to the Camaldolese order, dedicating itself in particular to cultural activities: it amassed a large library and included a school of philosophy, theology, chant, arts and sciences, although it got progressively detached from the care of the territory and from its colonists, which had been the base of its richness in the previous centuries. In the early 15th century the abbey lost its temporal rights, and was put under the in commendam status, i.e. under the control of external ecclesiastics. Its lay abbots include Pietro Ottoboni, the future Pope Alexander VIII. A seminary was founded in 1747. The Republic of Venice suppressed it on 11 April 1789 and seized its asset; the diocese was also suppressed in 1792, its twelve parishes being moved to the diocese of Adria.It was partially demolished from 1810, when the complex was under French control.
Due to the early 19th century demolitions, only the apse chapel, the bell tower and a few other structures remain of the original Romanesque-Gothic structure. The base of the bell tower include antique elements, such a bas-relief with a Maenad, dating from the 1st century AD.
Other sights include the 13th century portico-courtyard, with Verona marble columns, and a 15th-century chapel dedicated to the Holy Virgin. The apse has frescoes by Filippo Zaniberti (early 17th century), depicting theMiracles of the Virgin.
The square in front the church houses two sarcophagi of members of the Este family, including the tomb of Albert Azzo II, Margrave of Milan, and that of Azzo VI of Este.
J. S. BACH COURANTE SUITE n. 1 in sol maggiore BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) - Badia Polesine
THE SOUND OF STONE - Architetture Sonore Festival "Un PO di BACH" https://www.facebook.com/unpodibachpaccagnella/
ABBAYE La Vangadizza
The creation of the abbey is generally connected with the large donations from marquis Aimeric of Este, in the 950s, followed by others from Hugh of Tuscanya few years later. The abbey is mentioned as still in construction in a document from 993. It became an independent fief in 996 and, around 1000, the abbey received the status of diocese directly subject to the Holy See. The independence was confirmed by emperor Frederick Barbarossa in 1177 and by PopeCelestine III in 1196. In 1213 the abbey adhered to the Camaldolese order, dedicating itself in particular to cultural activities: it amassed a large library and included a school of philosophy, theology, chant, arts and sciences, although it got progressively detached from the care of the territory and from its colonists, which had been the base of its richness in the previous centuries. In the early 15th century the abbey lost its temporal rights, and was put under the in commendam status, i.e. under the control of external ecclesiastics. Its lay abbots include Pietro Ottoboni, the future Pope Alexander VIII. A seminary was founded in 1747. The Republic of Venice suppressed it on 11 April 1789 and seized its asset; the diocese was also suppressed in 1792, its twelve parishes being moved to the diocese of Adria.It was partially demolished from 1810, when the complex was under French control.
Due to the early 19th century demolitions, only the apse chapel, the bell tower and a few other structures remain of the original Romanesque-Gothic structure. The base of the bell tower include antique elements, such a bas-relief with a Maenad, dating from the 1st century AD.
Other sights include the 13th century portico-courtyard, with Verona marble columns, and a 15th-century chapel dedicated to the Holy Virgin. The apse has frescoes by Filippo Zaniberti (early 17th century), depicting theMiracles of the Virgin.
The square in front the church houses two sarcophagi of members of the Este family, including the tomb of Albert Azzo II, Margrave of Milan, and that of Azzo VI of Este.
J. S. BACH GIGUE SUITE n.1 BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) Badia Polesine
THE SOUND OF STONE - Architetture Sonore
Festival "...
J. S. BACH GIGUE SUITE n.1 BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) Badia Polesine
THE SOUND OF STONE - Architetture Sonore
Festival "Un PO di BACH" ...A journey on the River PO
https://www.facebook.com/unpodibachpaccagnella/
ABBAYE La Vangadizza ( X° sec.) BADIA POLESINE
The creation of the abbey is generally connected with the large donations from marquis Aimeric of Este, in the 950s, followed by others from Hugh of Tuscanya few years later. The abbey is mentioned as still in construction in a document from 993. It became an independent fief in 996 and, around 1000, the abbey received the status of diocese directly subject to the Holy See. The independence was confirmed by emperor Frederick Barbarossa in 1177 and by Pope Celestine III in 1196. In 1213 the abbey adhered to the Camaldolese order, dedicating itself in particular to cultural activities: it amassed a large library and included a school of philosophy, theology, chant, arts and sciences, although it got progressively detached from the care of the territory and from its colonists, which had been the base of its richness in the previous centuries. In the early 15th century the abbey lost its temporal rights, and was put under the in commendam status, i.e. under the control of external ecclesiastics. Its lay abbots include Pietro Ottoboni, the future Pope Alexander VIII. A seminary was founded in 1747. The Republic of Venice suppressed it on 11 April 1789 and seized its asset; the diocese was also suppressed in 1792, its twelve parishes being moved to the diocese of Adria.It was partially demolished from 1810, when the complex was under French control.
Due to the early 19th century demolitions, only the apse chapel, the bell tower and a few other structures remain of the original Romanesque-Gothic structure. The base of the bell tower include antique elements, such a bas-relief with a Maenad, dating from the 1st century AD.
Other sights include the 13th century portico-courtyard, with Verona marble columns, and a 15th-century chapel dedicated to the Holy Virgin. The apse has frescoes by Filippo Zaniberti (early 17th century), depicting theMiracles of the Virgin.
The square in front the church houses two sarcophagi of members of the Este family, including the tomb of Albert Azzo II, Margrave of Milan, and that of Azzo VI of Este.
J. S. BACH GIGUE SUITE n.1 BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) Badia Polesine
THE SOUND OF STONE - Architetture Sonore
Festival "Un PO di BACH" ...A journey on the River PO
https://www.facebook.com/unpodibachpaccagnella/
ABBAYE La Vangadizza ( X° sec.) BADIA POLESINE
The creation of the abbey is generally connected with the large donations from marquis Aimeric of Este, in the 950s, followed by others from Hugh of Tuscanya few years later. The abbey is mentioned as still in construction in a document from 993. It became an independent fief in 996 and, around 1000, the abbey received the status of diocese directly subject to the Holy See. The independence was confirmed by emperor Frederick Barbarossa in 1177 and by Pope Celestine III in 1196. In 1213 the abbey adhered to the Camaldolese order, dedicating itself in particular to cultural activities: it amassed a large library and included a school of philosophy, theology, chant, arts and sciences, although it got progressively detached from the care of the territory and from its colonists, which had been the base of its richness in the previous centuries. In the early 15th century the abbey lost its temporal rights, and was put under the in commendam status, i.e. under the control of external ecclesiastics. Its lay abbots include Pietro Ottoboni, the future Pope Alexander VIII. A seminary was founded in 1747. The Republic of Venice suppressed it on 11 April 1789 and seized its asset; the diocese was also suppressed in 1792, its twelve parishes being moved to the diocese of Adria.It was partially demolished from 1810, when the complex was under French control.
Due to the early 19th century demolitions, only the apse chapel, the bell tower and a few other structures remain of the original Romanesque-Gothic structure. The base of the bell tower include antique elements, such a bas-relief with a Maenad, dating from the 1st century AD.
Other sights include the 13th century portico-courtyard, with Verona marble columns, and a 15th-century chapel dedicated to the Holy Virgin. The apse has frescoes by Filippo Zaniberti (early 17th century), depicting theMiracles of the Virgin.
The square in front the church houses two sarcophagi of members of the Este family, including the tomb of Albert Azzo II, Margrave of Milan, and that of Azzo VI of Este.
The House of Hanover (the Hanoverians /ˌhænəˈvɪərɪənz/) is a German royal dynasty which has ruled the Duchy of Brunswick-Lüneburg (German: Braunschweig-Lüneburg...
The House of Hanover (the Hanoverians /ˌhænəˈvɪərɪənz/) is a German royal dynasty which has ruled the Duchy of Brunswick-Lüneburg (German: Braunschweig-Lüneburg), the Kingdom of Hanover, the Kingdom of Great Britain, the Kingdom of Ireland and the United Kingdom of Great Britain and Ireland. It succeeded the House of Stuart as monarchs of Great Britain and Ireland in 1714 and held that office until the death of Queen Victoria in 1901. They are sometimes referred to as the House of Brunswick and Lüneburg, Hanover line.
The House of Hanover is a younger branch of the House of Welf, which in turn is the senior branch of the House of Este.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
The House of Hanover (the Hanoverians /ˌhænəˈvɪərɪənz/) is a German royal dynasty which has ruled the Duchy of Brunswick-Lüneburg (German: Braunschweig-Lüneburg), the Kingdom of Hanover, the Kingdom of Great Britain, the Kingdom of Ireland and the United Kingdom of Great Britain and Ireland. It succeeded the House of Stuart as monarchs of Great Britain and Ireland in 1714 and held that office until the death of Queen Victoria in 1901. They are sometimes referred to as the House of Brunswick and Lüneburg, Hanover line.
The House of Hanover is a younger branch of the House of Welf, which in turn is the senior branch of the House of Este.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
J. S. BACH SARABANDA 1 SUITE in sol maggiore BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) - Badia Polesine
THE SOUND OF STONE - Architetture Sonore Festival "Un PO di BACH" https://www.facebook.com/unpodibachpaccagnella/
ABBAYE La Vangadizza
The creation of the abbey is generally connected with the large donations from marquis Aimeric of Este, in the 950s, followed by others from Hugh of Tuscanya few years later. The abbey is mentioned as still in construction in a document from 993. It became an independent fief in 996 and, around 1000, the abbey received the status of diocese directly subject to the Holy See. The independence was confirmed by emperor Frederick Barbarossa in 1177 and by PopeCelestine III in 1196. In 1213 the abbey adhered to the Camaldolese order, dedicating itself in particular to cultural activities: it amassed a large library and included a school of philosophy, theology, chant, arts and sciences, although it got progressively detached from the care of the territory and from its colonists, which had been the base of its richness in the previous centuries. In the early 15th century the abbey lost its temporal rights, and was put under the in commendam status, i.e. under the control of external ecclesiastics. Its lay abbots include Pietro Ottoboni, the future Pope Alexander VIII. A seminary was founded in 1747. The Republic of Venice suppressed it on 11 April 1789 and seized its asset; the diocese was also suppressed in 1792, its twelve parishes being moved to the diocese of Adria.It was partially demolished from 1810, when the complex was under French control.
Due to the early 19th century demolitions, only the apse chapel, the bell tower and a few other structures remain of the original Romanesque-Gothic structure. The base of the bell tower include antique elements, such a bas-relief with a Maenad, dating from the 1st century AD.
Other sights include the 13th century portico-courtyard, with Verona marble columns, and a 15th-century chapel dedicated to the Holy Virgin. The apse has frescoes by Filippo Zaniberti (early 17th century), depicting theMiracles of the Virgin.
The square in front the church houses two sarcophagi of members of the Este family, including the tomb of Albert Azzo II, Margrave of Milan, and that of Azzo VI of Este.
J. S. BACH COURANTE SUITE n. 1 in sol maggiore BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) - Badia Polesine
THE SOUND OF STONE - Architetture Sonore Festival "Un PO di BACH" https://www.facebook.com/unpodibachpaccagnella/
ABBAYE La Vangadizza
The creation of the abbey is generally connected with the large donations from marquis Aimeric of Este, in the 950s, followed by others from Hugh of Tuscanya few years later. The abbey is mentioned as still in construction in a document from 993. It became an independent fief in 996 and, around 1000, the abbey received the status of diocese directly subject to the Holy See. The independence was confirmed by emperor Frederick Barbarossa in 1177 and by PopeCelestine III in 1196. In 1213 the abbey adhered to the Camaldolese order, dedicating itself in particular to cultural activities: it amassed a large library and included a school of philosophy, theology, chant, arts and sciences, although it got progressively detached from the care of the territory and from its colonists, which had been the base of its richness in the previous centuries. In the early 15th century the abbey lost its temporal rights, and was put under the in commendam status, i.e. under the control of external ecclesiastics. Its lay abbots include Pietro Ottoboni, the future Pope Alexander VIII. A seminary was founded in 1747. The Republic of Venice suppressed it on 11 April 1789 and seized its asset; the diocese was also suppressed in 1792, its twelve parishes being moved to the diocese of Adria.It was partially demolished from 1810, when the complex was under French control.
Due to the early 19th century demolitions, only the apse chapel, the bell tower and a few other structures remain of the original Romanesque-Gothic structure. The base of the bell tower include antique elements, such a bas-relief with a Maenad, dating from the 1st century AD.
Other sights include the 13th century portico-courtyard, with Verona marble columns, and a 15th-century chapel dedicated to the Holy Virgin. The apse has frescoes by Filippo Zaniberti (early 17th century), depicting theMiracles of the Virgin.
The square in front the church houses two sarcophagi of members of the Este family, including the tomb of Albert Azzo II, Margrave of Milan, and that of Azzo VI of Este.
J. S. BACH GIGUE SUITE n.1 BWV1007
Luca Paccagnella cello
Abbazia La Vangadizza (X° sec.) Badia Polesine
THE SOUND OF STONE - Architetture Sonore
Festival "Un PO di BACH" ...A journey on the River PO
https://www.facebook.com/unpodibachpaccagnella/
ABBAYE La Vangadizza ( X° sec.) BADIA POLESINE
The creation of the abbey is generally connected with the large donations from marquis Aimeric of Este, in the 950s, followed by others from Hugh of Tuscanya few years later. The abbey is mentioned as still in construction in a document from 993. It became an independent fief in 996 and, around 1000, the abbey received the status of diocese directly subject to the Holy See. The independence was confirmed by emperor Frederick Barbarossa in 1177 and by Pope Celestine III in 1196. In 1213 the abbey adhered to the Camaldolese order, dedicating itself in particular to cultural activities: it amassed a large library and included a school of philosophy, theology, chant, arts and sciences, although it got progressively detached from the care of the territory and from its colonists, which had been the base of its richness in the previous centuries. In the early 15th century the abbey lost its temporal rights, and was put under the in commendam status, i.e. under the control of external ecclesiastics. Its lay abbots include Pietro Ottoboni, the future Pope Alexander VIII. A seminary was founded in 1747. The Republic of Venice suppressed it on 11 April 1789 and seized its asset; the diocese was also suppressed in 1792, its twelve parishes being moved to the diocese of Adria.It was partially demolished from 1810, when the complex was under French control.
Due to the early 19th century demolitions, only the apse chapel, the bell tower and a few other structures remain of the original Romanesque-Gothic structure. The base of the bell tower include antique elements, such a bas-relief with a Maenad, dating from the 1st century AD.
Other sights include the 13th century portico-courtyard, with Verona marble columns, and a 15th-century chapel dedicated to the Holy Virgin. The apse has frescoes by Filippo Zaniberti (early 17th century), depicting theMiracles of the Virgin.
The square in front the church houses two sarcophagi of members of the Este family, including the tomb of Albert Azzo II, Margrave of Milan, and that of Azzo VI of Este.
The House of Hanover (the Hanoverians /ˌhænəˈvɪərɪənz/) is a German royal dynasty which has ruled the Duchy of Brunswick-Lüneburg (German: Braunschweig-Lüneburg), the Kingdom of Hanover, the Kingdom of Great Britain, the Kingdom of Ireland and the United Kingdom of Great Britain and Ireland. It succeeded the House of Stuart as monarchs of Great Britain and Ireland in 1714 and held that office until the death of Queen Victoria in 1901. They are sometimes referred to as the House of Brunswick and Lüneburg, Hanover line.
The House of Hanover is a younger branch of the House of Welf, which in turn is the senior branch of the House of Este.
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The March of Genoa or Eastern Liguria was created in 961 by the Emperor Otto I. It was originally called either the marca Obertenga after its first holder, Oberto I, or the marca Januensis after its original capital and chief city, Genoa. Its creation was part of a general reorganisation of the northwest of Italy into three frontier districts. Western Liguria became the March of Montferrat and the interior became the March of Turin. It comprised the counties of Luni, Tortona, Milan, and Genoa.
The march was originally held in the elder line of the Obertenghi, descended from Oberto I. The title marchio became common in the family. Albert Azzo II was called marchio de L(a/o)ngobardia. By his time, the march was often called the March of Milan or Liguria. His grandson, Obizzo I, became the first Margrave of Este in 1173 and was created "Margrave of Milan and Genoa" in 1184 by the Emperor Frederick I. From thereafter, the title of Este had more importance, especially with the growth of the commune of Milan and the Republic of Genoa.
Mind over Matter Consciousness over Mind Mind over Consciousness Matter over Mind To Think is just to Create To Create is just to Think The Universe is a thought Thought encapsulates the Universe I'm in the Universe I'm in a Thought ...but whose Thought?! [Talking:] Flight controller 1: He’s dead… Flight controller 2: Who cares? He was just a monkey,