Adémar de Chabannes (sometimes Adhémar de Chabannes) (c. 989 – 1034) was an eleventh-century French monk, a historian, a musical composer and a successful literary forger.
When Adémar joined the Abbey Saint Martial of Limoges, he was educated by his uncle Roger de Chabannes, cantor of the Abbey between 1010 until his death in 1025. Adémar learnt kalligraphy, to read, to compose and to notate liturgical chant, to compile and to revise liturgical books, and to compose and to write liturgical poetry, homilies, chronicles and hagiography. His life was mainly spent in writing and transcribing chant books and chronicles, and his principal work is a history entitled Chronicon Aquitanicum et Francicum or Historia Francorum. This is in three books and deals with Frankish history from the fabulous reign of Pharamond, king of the Franks, to 1028. The first two books are scarcely more than a copy of earlier histories of Frankish kings, such as the Liber Historiae Francorum, the Continuation of Fredegar and the Annales regni Francorum. The third book, which deals with the period from 814 to 1028, is of considerable historical importance. It relies partly on the Chronicon Aquitanicum, to which Adémar himself added a final notice for the year 1028.
Western University music historian makes near 1,000-year-old discovery
After years of study, many deep in the manuscript room at the Bibliothèque nationale de France, an award-winning musicologist from Western University discovered the earliest surviving handwritten manuscripts featuring notation above musical text or lyrics – a technique fundamentally still used today. The near-millennium-year-old documents were authored by Adémar de Chabannes (c. 989-1034), a monk of the Abbey of Saint-Cybard in Angoulême, France during the early 11th century, and the discovery was made by James Grier from Western's Don Wright Faculty of Music. For video, audio and downloadable images, please visit http://communications.uwo.ca/media/ademar/
published: 21 Oct 2014
Download Relics, Apocalypse, and the Deceits of History: Ademar of Chabannes, 989-1034 (Harvard PDF
http://j.mp/29qMkZL
published: 07 Jul 2016
Adémar de Chabannes
If you find our videos helpful you can support us by buying something from amazon.
https://www.amazon.com/?tag=wiki-audio-20
Adémar de Chabannes
=======Image-Copyright-Info=======
Image is in public domain
Author-Info: English: Adémar de Chabannes or an unknown scribe (Abbey St. Martial de Limoges, 11th century), Platonykiss (annotation, transcription)
Image Source: https://en.wikipedia.org/wiki/File:TonarAdemar.jpg
=======Image-Copyright-Info========
☆Video is targeted to blind users
Attribution:
Article text available under CC-BY-SA
image source in video
published: 26 Dec 2015
Dr Charlotte Denoël on medieval teaching of theology through drawings and drama: Ademar of Chabannes
Dr Charlotte Denoël (BnF, Paris), "Image and Text in Ademar of Chabannes' Booklet: a Pedagogical Tool and an Insight on Ademar's Visual Culture" (on Zoom, 11 February 2021)
published: 11 Feb 2021
Chorus Novae Jerusalem, Gregorian chant for Easter Sunday composed by Ademar de Chabannes
translated
Chorus Novae Jerusalem
Ye Choirs of New Jerusalem!
To sweet new strains attune your theme;
The while we keep, from care released,
With sober joy our Paschal Feast:
When Christ, Who spake the Dragon’s doom,
Rose, Victor-Lion, from the Tomb:
That while with living voice He cries,
The dead of other years might rise.
Engorged in former years, their prey
Must Death and Hell restore today:
And many a captive soul, set free,
With Jesus leaves captivity.
Right gloriously He triumphs now,
Worthy to Whom should all things bow;
And, joining heaven and earth again,
Links in one commonweal the twain.
And we, as these His deeds we sing,
His suppliant soldiers, pray our King,
That in His Palace, bright and vast,
We may keep watch and ward at last.
Long as unending ages run,
To God the F...
published: 06 Jul 2024
Sanctus at Portsmouth Cathedral
Sanctus with Ian Close on soprano saxophone & Dominic Beeton on keyboard & Shruti Box play Sortis Apostolicae by Ademar de Chabannes
published: 16 Jan 2020
"cAPTURES" iSABELLE dE cHABANNES _ HD 720p
fILMED aND dIRECTED l cHARLES rOSTAN
eDITION l cHARLES rOSTAN
sHOOTING l cANON 5d mARKll l cANON 7d
published: 03 Dec 2016
FFTI women leaders Marquis de Chabannes La Palice and Madame AC Staehling intervi...HD Stock Footage
CriticalPast is an archive of historic footage. The vintage footage in this video has been uploaded for research purposes, and is presented in unedited form. Some viewers may find some scenes or audio in this archival material to be unsettling or distressing. CriticalPast makes this media available for researchers and documentarians, and does not endorse or condone any behavior or message, implied or explicit, that is seen or heard in this video.
Link to order this clip:
http://www.criticalpast.com/video/65675021718_Women-leaders_French-Forces-of-the-Interior_Marquis-de-Chabannes-La-Palice_AC-Staehling
Historic Stock Footage Archival and Vintage Video Clips in HD.
FFTI women leaders Marquis de Chabannes La Palice and Madame AC Staehling interviewed by several men in France.
Women leaders...
published: 12 Jul 2014
Georges Loinger Clip from The Children of Chabannes
After years of study, many deep in the manuscript room at the Bibliothèque nationale de France, an award-winning musicologist from Western University discovered...
After years of study, many deep in the manuscript room at the Bibliothèque nationale de France, an award-winning musicologist from Western University discovered the earliest surviving handwritten manuscripts featuring notation above musical text or lyrics – a technique fundamentally still used today. The near-millennium-year-old documents were authored by Adémar de Chabannes (c. 989-1034), a monk of the Abbey of Saint-Cybard in Angoulême, France during the early 11th century, and the discovery was made by James Grier from Western's Don Wright Faculty of Music. For video, audio and downloadable images, please visit http://communications.uwo.ca/media/ademar/
After years of study, many deep in the manuscript room at the Bibliothèque nationale de France, an award-winning musicologist from Western University discovered the earliest surviving handwritten manuscripts featuring notation above musical text or lyrics – a technique fundamentally still used today. The near-millennium-year-old documents were authored by Adémar de Chabannes (c. 989-1034), a monk of the Abbey of Saint-Cybard in Angoulême, France during the early 11th century, and the discovery was made by James Grier from Western's Don Wright Faculty of Music. For video, audio and downloadable images, please visit http://communications.uwo.ca/media/ademar/
If you find our videos helpful you can support us by buying something from amazon.
https://www.amazon.com/?tag=wiki-audio-20
Adémar de Chabannes
=======Image...
If you find our videos helpful you can support us by buying something from amazon.
https://www.amazon.com/?tag=wiki-audio-20
Adémar de Chabannes
=======Image-Copyright-Info=======
Image is in public domain
Author-Info: English: Adémar de Chabannes or an unknown scribe (Abbey St. Martial de Limoges, 11th century), Platonykiss (annotation, transcription)
Image Source: https://en.wikipedia.org/wiki/File:TonarAdemar.jpg
=======Image-Copyright-Info========
☆Video is targeted to blind users
Attribution:
Article text available under CC-BY-SA
image source in video
If you find our videos helpful you can support us by buying something from amazon.
https://www.amazon.com/?tag=wiki-audio-20
Adémar de Chabannes
=======Image-Copyright-Info=======
Image is in public domain
Author-Info: English: Adémar de Chabannes or an unknown scribe (Abbey St. Martial de Limoges, 11th century), Platonykiss (annotation, transcription)
Image Source: https://en.wikipedia.org/wiki/File:TonarAdemar.jpg
=======Image-Copyright-Info========
☆Video is targeted to blind users
Attribution:
Article text available under CC-BY-SA
image source in video
Dr Charlotte Denoël (BnF, Paris), "Image and Text in Ademar of Chabannes' Booklet: a Pedagogical Tool and an Insight on Ademar's Visual Culture" (on Zoom, 11 Fe...
Dr Charlotte Denoël (BnF, Paris), "Image and Text in Ademar of Chabannes' Booklet: a Pedagogical Tool and an Insight on Ademar's Visual Culture" (on Zoom, 11 February 2021)
Dr Charlotte Denoël (BnF, Paris), "Image and Text in Ademar of Chabannes' Booklet: a Pedagogical Tool and an Insight on Ademar's Visual Culture" (on Zoom, 11 February 2021)
translated
Chorus Novae Jerusalem
Ye Choirs of New Jerusalem!
To sweet new strains attune your theme;
The while we keep, from care released,
With sober joy ou...
translated
Chorus Novae Jerusalem
Ye Choirs of New Jerusalem!
To sweet new strains attune your theme;
The while we keep, from care released,
With sober joy our Paschal Feast:
When Christ, Who spake the Dragon’s doom,
Rose, Victor-Lion, from the Tomb:
That while with living voice He cries,
The dead of other years might rise.
Engorged in former years, their prey
Must Death and Hell restore today:
And many a captive soul, set free,
With Jesus leaves captivity.
Right gloriously He triumphs now,
Worthy to Whom should all things bow;
And, joining heaven and earth again,
Links in one commonweal the twain.
And we, as these His deeds we sing,
His suppliant soldiers, pray our King,
That in His Palace, bright and vast,
We may keep watch and ward at last.
Long as unending ages run,
To God the Father laud be done;
To God the Son our equal praise,
And God the Holy Ghost, we raise.
Amen.
“Chorus Novae Jerusalem” is a medieval hymn attributed to Fulbert of Chartres, a French bishop and theologian from the 11th century. This hymn is traditionally associated with Easter and celebrates the resurrection of Jesus Christ. The text invites the choirs of the New Jerusalem to sing new praises, reflecting the joy and triumph of Christ’s victory over death.
The hymn is structured in a way that emphasizes the themes of resurrection and redemption. It speaks of Christ as the “Victor-Lion” who rose from the tomb, and it calls for the faithful to join in the celebration of this Paschal victory. The hymn also highlights the idea of Christ freeing the souls held captive by death, symbolizing the hope and renewal brought by the resurrection.
In modern times, “Chorus Novae Jerusalem” has been translated and adapted into various hymns and anthems, maintaining its significance in Christian liturgical traditions.
translated
Chorus Novae Jerusalem
Ye Choirs of New Jerusalem!
To sweet new strains attune your theme;
The while we keep, from care released,
With sober joy our Paschal Feast:
When Christ, Who spake the Dragon’s doom,
Rose, Victor-Lion, from the Tomb:
That while with living voice He cries,
The dead of other years might rise.
Engorged in former years, their prey
Must Death and Hell restore today:
And many a captive soul, set free,
With Jesus leaves captivity.
Right gloriously He triumphs now,
Worthy to Whom should all things bow;
And, joining heaven and earth again,
Links in one commonweal the twain.
And we, as these His deeds we sing,
His suppliant soldiers, pray our King,
That in His Palace, bright and vast,
We may keep watch and ward at last.
Long as unending ages run,
To God the Father laud be done;
To God the Son our equal praise,
And God the Holy Ghost, we raise.
Amen.
“Chorus Novae Jerusalem” is a medieval hymn attributed to Fulbert of Chartres, a French bishop and theologian from the 11th century. This hymn is traditionally associated with Easter and celebrates the resurrection of Jesus Christ. The text invites the choirs of the New Jerusalem to sing new praises, reflecting the joy and triumph of Christ’s victory over death.
The hymn is structured in a way that emphasizes the themes of resurrection and redemption. It speaks of Christ as the “Victor-Lion” who rose from the tomb, and it calls for the faithful to join in the celebration of this Paschal victory. The hymn also highlights the idea of Christ freeing the souls held captive by death, symbolizing the hope and renewal brought by the resurrection.
In modern times, “Chorus Novae Jerusalem” has been translated and adapted into various hymns and anthems, maintaining its significance in Christian liturgical traditions.
CriticalPast is an archive of historic footage. The vintage footage in this video has been uploaded for research purposes, and is presented in unedited form. So...
CriticalPast is an archive of historic footage. The vintage footage in this video has been uploaded for research purposes, and is presented in unedited form. Some viewers may find some scenes or audio in this archival material to be unsettling or distressing. CriticalPast makes this media available for researchers and documentarians, and does not endorse or condone any behavior or message, implied or explicit, that is seen or heard in this video.
Link to order this clip:
http://www.criticalpast.com/video/65675021718_Women-leaders_French-Forces-of-the-Interior_Marquis-de-Chabannes-La-Palice_AC-Staehling
Historic Stock Footage Archival and Vintage Video Clips in HD.
FFTI women leaders Marquis de Chabannes La Palice and Madame AC Staehling interviewed by several men in France.
Women leaders of the French Forces of the Interior (FFI). French women patriots Marquis de Chabannes La Palice and Madame AC Staehling. Both women being interviewed by several men. The women seated at tables. They smoke cigarettes while giving the interview. The interviewers seated around the two women. Location: France. Date: August 20, 1944.
Visit us at www.CriticalPast.com:
57,000+ broadcast-quality historic clips for immediate download.
Fully digitized and searchable, the CriticalPast collection is one of the largest archival footage collections in the world. All clips are licensed royalty-free, worldwide, in perpetuity. CriticalPast offers immediate downloads of full-resolution HD and SD masters and full-resolution time-coded screeners, 24 hours a day, to serve the needs of broadcast news, TV, film, and publishing professionals worldwide. Still photo images extracted from the vintage footage are also available for immediate download. CriticalPast is your source for imagery of worldwide events, people, and B-roll spanning the 20th century.
CriticalPast is an archive of historic footage. The vintage footage in this video has been uploaded for research purposes, and is presented in unedited form. Some viewers may find some scenes or audio in this archival material to be unsettling or distressing. CriticalPast makes this media available for researchers and documentarians, and does not endorse or condone any behavior or message, implied or explicit, that is seen or heard in this video.
Link to order this clip:
http://www.criticalpast.com/video/65675021718_Women-leaders_French-Forces-of-the-Interior_Marquis-de-Chabannes-La-Palice_AC-Staehling
Historic Stock Footage Archival and Vintage Video Clips in HD.
FFTI women leaders Marquis de Chabannes La Palice and Madame AC Staehling interviewed by several men in France.
Women leaders of the French Forces of the Interior (FFI). French women patriots Marquis de Chabannes La Palice and Madame AC Staehling. Both women being interviewed by several men. The women seated at tables. They smoke cigarettes while giving the interview. The interviewers seated around the two women. Location: France. Date: August 20, 1944.
Visit us at www.CriticalPast.com:
57,000+ broadcast-quality historic clips for immediate download.
Fully digitized and searchable, the CriticalPast collection is one of the largest archival footage collections in the world. All clips are licensed royalty-free, worldwide, in perpetuity. CriticalPast offers immediate downloads of full-resolution HD and SD masters and full-resolution time-coded screeners, 24 hours a day, to serve the needs of broadcast news, TV, film, and publishing professionals worldwide. Still photo images extracted from the vintage footage are also available for immediate download. CriticalPast is your source for imagery of worldwide events, people, and B-roll spanning the 20th century.
After years of study, many deep in the manuscript room at the Bibliothèque nationale de France, an award-winning musicologist from Western University discovered the earliest surviving handwritten manuscripts featuring notation above musical text or lyrics – a technique fundamentally still used today. The near-millennium-year-old documents were authored by Adémar de Chabannes (c. 989-1034), a monk of the Abbey of Saint-Cybard in Angoulême, France during the early 11th century, and the discovery was made by James Grier from Western's Don Wright Faculty of Music. For video, audio and downloadable images, please visit http://communications.uwo.ca/media/ademar/
If you find our videos helpful you can support us by buying something from amazon.
https://www.amazon.com/?tag=wiki-audio-20
Adémar de Chabannes
=======Image-Copyright-Info=======
Image is in public domain
Author-Info: English: Adémar de Chabannes or an unknown scribe (Abbey St. Martial de Limoges, 11th century), Platonykiss (annotation, transcription)
Image Source: https://en.wikipedia.org/wiki/File:TonarAdemar.jpg
=======Image-Copyright-Info========
☆Video is targeted to blind users
Attribution:
Article text available under CC-BY-SA
image source in video
Dr Charlotte Denoël (BnF, Paris), "Image and Text in Ademar of Chabannes' Booklet: a Pedagogical Tool and an Insight on Ademar's Visual Culture" (on Zoom, 11 February 2021)
translated
Chorus Novae Jerusalem
Ye Choirs of New Jerusalem!
To sweet new strains attune your theme;
The while we keep, from care released,
With sober joy our Paschal Feast:
When Christ, Who spake the Dragon’s doom,
Rose, Victor-Lion, from the Tomb:
That while with living voice He cries,
The dead of other years might rise.
Engorged in former years, their prey
Must Death and Hell restore today:
And many a captive soul, set free,
With Jesus leaves captivity.
Right gloriously He triumphs now,
Worthy to Whom should all things bow;
And, joining heaven and earth again,
Links in one commonweal the twain.
And we, as these His deeds we sing,
His suppliant soldiers, pray our King,
That in His Palace, bright and vast,
We may keep watch and ward at last.
Long as unending ages run,
To God the Father laud be done;
To God the Son our equal praise,
And God the Holy Ghost, we raise.
Amen.
“Chorus Novae Jerusalem” is a medieval hymn attributed to Fulbert of Chartres, a French bishop and theologian from the 11th century. This hymn is traditionally associated with Easter and celebrates the resurrection of Jesus Christ. The text invites the choirs of the New Jerusalem to sing new praises, reflecting the joy and triumph of Christ’s victory over death.
The hymn is structured in a way that emphasizes the themes of resurrection and redemption. It speaks of Christ as the “Victor-Lion” who rose from the tomb, and it calls for the faithful to join in the celebration of this Paschal victory. The hymn also highlights the idea of Christ freeing the souls held captive by death, symbolizing the hope and renewal brought by the resurrection.
In modern times, “Chorus Novae Jerusalem” has been translated and adapted into various hymns and anthems, maintaining its significance in Christian liturgical traditions.
CriticalPast is an archive of historic footage. The vintage footage in this video has been uploaded for research purposes, and is presented in unedited form. Some viewers may find some scenes or audio in this archival material to be unsettling or distressing. CriticalPast makes this media available for researchers and documentarians, and does not endorse or condone any behavior or message, implied or explicit, that is seen or heard in this video.
Link to order this clip:
http://www.criticalpast.com/video/65675021718_Women-leaders_French-Forces-of-the-Interior_Marquis-de-Chabannes-La-Palice_AC-Staehling
Historic Stock Footage Archival and Vintage Video Clips in HD.
FFTI women leaders Marquis de Chabannes La Palice and Madame AC Staehling interviewed by several men in France.
Women leaders of the French Forces of the Interior (FFI). French women patriots Marquis de Chabannes La Palice and Madame AC Staehling. Both women being interviewed by several men. The women seated at tables. They smoke cigarettes while giving the interview. The interviewers seated around the two women. Location: France. Date: August 20, 1944.
Visit us at www.CriticalPast.com:
57,000+ broadcast-quality historic clips for immediate download.
Fully digitized and searchable, the CriticalPast collection is one of the largest archival footage collections in the world. All clips are licensed royalty-free, worldwide, in perpetuity. CriticalPast offers immediate downloads of full-resolution HD and SD masters and full-resolution time-coded screeners, 24 hours a day, to serve the needs of broadcast news, TV, film, and publishing professionals worldwide. Still photo images extracted from the vintage footage are also available for immediate download. CriticalPast is your source for imagery of worldwide events, people, and B-roll spanning the 20th century.
Adémar de Chabannes (sometimes Adhémar de Chabannes) (c. 989 – 1034) was an eleventh-century French monk, a historian, a musical composer and a successful literary forger.
When Adémar joined the Abbey Saint Martial of Limoges, he was educated by his uncle Roger de Chabannes, cantor of the Abbey between 1010 until his death in 1025. Adémar learnt kalligraphy, to read, to compose and to notate liturgical chant, to compile and to revise liturgical books, and to compose and to write liturgical poetry, homilies, chronicles and hagiography. His life was mainly spent in writing and transcribing chant books and chronicles, and his principal work is a history entitled Chronicon Aquitanicum et Francicum or Historia Francorum. This is in three books and deals with Frankish history from the fabulous reign of Pharamond, king of the Franks, to 1028. The first two books are scarcely more than a copy of earlier histories of Frankish kings, such as the Liber Historiae Francorum, the Continuation of Fredegar and the Annales regni Francorum. The third book, which deals with the period from 814 to 1028, is of considerable historical importance. It relies partly on the Chronicon Aquitanicum, to which Adémar himself added a final notice for the year 1028.