- published: 18 Jan 2022
- views: 569
Create your page here
Historical recording
Historical recording may refer to:
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Historical_recording
Enrico Caruso compact disc discography
The following discography contains all known published recordings by Enrico Caruso made from 1902 through 1920. The recordings are listed chronologically by recording date, title, composer and matrix number. A list of unpublished recordings follows the main discography. When more than one "take" was recorded for a selection, only the published take number appears after the matrix number; Occasionally, multiple takes of the same selection have been issued. If only one take was recorded, no take number is listed after the matrix number. Matrix numbers should not be confused with catalog numbers.
European recordings
The Gramophone & Typewriter Co. Ltd. Milan, 11 April 1902. Accompanied by Salvatore Cottone, piano.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Enrico_Caruso_compact_disc_discography
Recording
Recording is the process of capturing data or translating information to a recording format stored on some storage medium, which is often referred to as a record or, especially if an auditory or visual medium, a recording.
Types
Historical records of events have been made for thousands of years in one form or another. Amongst the earliest are cave painting, runic alphabets and ideograms.
Ways of recording text suitable for direct reading by humans includes writing it on paper. Other forms of data storage are easier for automatic retrieval, but humans need a tool to read them. Printing a text stored in a computer allows keeping a copy on the computer and having also a copy that is human-readable without a tool.
Technology continues to provide and expand means for human beings to represent, record and express their thoughts, feelings and experiences. Common and easy ways of recording information are by sound and by video.
Analogue and digital
Analogue recording records analogue signals only.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Recording
Recordings (album)
Recordings is a compilation album by British progressive rock band Porcupine Tree, first released in May 2001. It is mainly a collection of b-sides and unreleased songs from the Stupid Dream and Lightbulb Sun albums' recording sessions. It is notable that two songs from these eras, titled: "I Fail" and "Novak", were excluded from this release. The former was an unreleased song from the Stupid Dream sessions which was present on a rare 1997 release titled "Demo"; a compilation composed of demos from Stupid Dream which was made to promote the album. The latter was an instrumental b-side from Lightbulb Sun sessions, which was released on the vinyl edition of the Shesmovedon single. Recordings was originally a limited release, limited to only 20,000 copies worldwide. It was later reissued on CD in September, 2010, and as double vinyl (2000 copies only) in January 2011.
Background
Concept
Frontman Steven Wilson described the album:
Recording and original release
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Recordings_(album)
679 Artists
679 Artists (formally known as Sixsevenine and 679 Recordings) was a Warner Music Group-owned record label based in London, England.
It was started by Nick Worthington who after leaving XL Recordings in 2001, started the company with Warner Music Group, and holds the position of MD and A&R Director. It is named "679" as this was the address of the Pure Groove record shop on Holloway Road.
The label's first release was The Streets' debut, Original Pirate Material (which was named The Observer's best album of the 2000s).
The label progressed with subsequent albums from artists including Death From Above 1979, The Futureheads, Kano, King Creosote and Mystery Jets, and also included the million-selling second Streets album, A Grand Don't Come for Free.
In 2011, it released Plan B's The Defamation of Strickland Banks which has sold over 1 million copies.
The founder of 679 has recently formed a new record label called 37 Adventures.
Former artists
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/679_Artists
Podcasts:
-
Vladimir Horowitz: Early recordings: Scarlatti, Schumann, Chopin, Liszt & more (London 1932-’35)
Dedicated to my dearest best friend & greatest among artists Laetitia Hahn https://www.youtube.com/channel/UCF3hDpsC6iQDBRpl_8dhtYQ • Scarlatti, D: Keyboard Sonata K87 in B minor (R. 4 June 1935) • Scarlatti, D: Keyboard Sonata K125 in G major (R. 2 June 1935) • Haydn: Piano Sonata No. 62 in E flat major, Hob.XVI:52 (R. 11 November 1932) • Schumann: Arabeske in C major, Op. 18 (R. 6 May 1934) • Schumann: Fantasiestücke, Op. 12: No. 7, Traumes Wirren (R. 15 November 1932) • Chopin: Mazurka No. 7 in F minor, Op. 7 No. 3 (R. 29 May 1933) • Chopin: Mazurka No. 32 in C sharp minor, Op. 50 No. 3 (R. 2 June 1935) • Chopin: Études, Op. 10: Etude No. 4 in C sharp minor, Op. 10, No. 4 (R. 2 June 1935) • Chopin: Etude No. 5 in G flat major, Op. 10, No. 5, "Black Keys" (R. 2 June 1935) • ...
published: 18 Jan 2022 -
Vladimir Horowitz - Tchaikovsky Concerto No. 1, Op. 23 (1932) Hi-Fi Sound
🎹🎶 LIKE and SUBSCRIBE for more videos ! https://www.youtube.com/channel/UCYfxUOsroDhIEyXiZa_zglA?sub_confirmation=1 🎹🎶 SUBSCRIBE to my PATREON ! → https://www.patreon.com/thepianoexperience 00:00 Allegro non troppo – Allegro con spirito [excerpt, bars 375–579] 05:56 Allegro non troppo – Allegro con spirito [excerpt, bars 605 to end of movement] 07:46 Andantino semplice – Prestissimo – Tempo One [excerpt, bars 1–57] 11:19 Andantino semplice – Prestissimo – Tempo One [excerpt, bars 96 to end of movement] 14:25 Allegro con fuoco [excerpt, bars 1–174] Philadelphia Orchestra conducted by Fritz Reiner 5-6 February 1932; (BTL 1955/56/68/70) The Bell Telephone Laboratory experimental recordings during two performances, unpublished This recording is from the CD "Landmarks of Recorded Pian...
published: 15 Sep 2021 -
Horowitz plays Poulenc Toccata (1932 rec.)
Francis Poulenc (1899-1963) From Trois Pièces: no. 2, Toccata Vladimir Horowitz (1903-1989), piano Recorded in 1932
published: 12 Aug 2011 -
Vladimir Horowitz plays Liszt Funérailles (1932)
French 78 rpm record from 1932. La Voix de son Maître (His Master's Voice, recorded 25 November 1932, London, Abbey Road Studio no. 3) Vladimir Horowitz (1903-1989), piano. D.B.1848 - Liszt Funerailles Transferred from the original 78 rpm record at 45 rpm with a standard USB turntable equipped with special needle. Postprocessing in Audacity (inverse RIAA equalisation, speeding up to 78 rpm, DC correction, 24 dB low pass filter above 8 kHz, 24 dB high pass filter below 20 Hz, auto click removal, mono conversion, Normalisation to -1 dB). Finally decrackling with ClickRepair.
published: 11 Aug 2012 -
Horowitz(1932):Chopin Etude op.10 no.8
Rec. 15/November/1932 London
published: 26 Feb 2015 -
Vladimir Horowitz plays Schumann Presto Passionato
The original final (presto passionato) for the sonata opus 22 in G minor, composed by Robert Schumann. Vladimir Horowitz (1903-1989), piano Recorded in 1932. "In searching for tone-quality — after pedaling, the second of the most difficult factors in playing — it is helpful to think of the instruments of the orchestra. Some people say, "A piano is only a piano". But I do not feel it so. I think forte, and think "orchestra". I think of many instruments when I play. I do not mean that one should try to imitate, for the timbre of the piano is not the timbre of the violin nor the bassoon nor the flute. But if one thinks of the quality or the sonority of the various instruments, one is helped to play more beautifully." (Vladimir Horowitz, The Etude, 1932)
published: 12 Aug 2011 -
Horowitz:Chopin Etude op.25 no.3
Rec. 12/May/1934 London
published: 26 Feb 2015 -
12 Études, Op. 25: No. 3 in F Major
Provided to YouTube by Warner Classics 12 Études, Op. 25: No. 3 in F Major · Vladimir Horowitz Liszt: Piano Sonata in B minor etc. ℗ 1952 Parlophone Records Limited, a Warner Music Group Company. Remastered 2005 Parlophone Records Limited, a Warner Music Group Company Piano: Vladimir Horowitz Composer: Frédéric Chopin Auto-generated by YouTube.
published: 19 Feb 2016 -
HOROWITZ in NEW YORK Walter/NY Phil Tchaikovsky PC1-allegro 1.wmv
Sorry, but the earlier andantino had to be removed due to the availability of the complete version. Thanks are in order to Bernie Horowitz for making available this rare & impressive live recording from '48 of the Tchaikovsky Concerto by Vladimir Horowitz, to many, his outstanding best, but here is part 1 of the allegro so let the music speak for itself. On the 12.4.48, Olin Downes of the NY Times wrote -"Historic performance... overwhelming... pandemonium in the hall... playing of a quality that we do not believe would be matched by any other virtuoso before the public today."
published: 04 Feb 2012 -
HOROWITZ - Chopin Etude no.8 op.10
HOROWITZ - Chopin Etude no.8 op.10
published: 21 Aug 2008
developed with YouTube
1:18:13
Vladimir Horowitz: Early recordings: Scarlatti, Schumann, Chopin, Liszt & more (London 1932-’35)
- Order: Reorder
- Duration: 1:18:13
- Uploaded Date: 18 Jan 2022
- views: 569
Dedicated to my dearest best friend & greatest among artists Laetitia Hahn
https://www.youtube.com/channel/UCF3hDpsC6iQDBRpl_8dhtYQ
• Scarlatti, D: Keyboard S...
Dedicated to my dearest best friend & greatest among artists Laetitia Hahn
https://www.youtube.com/channel/UCF3hDpsC6iQDBRpl_8dhtYQ
• Scarlatti, D: Keyboard Sonata K87 in B minor (R. 4 June 1935)
• Scarlatti, D: Keyboard Sonata K125 in G major (R. 2 June 1935)
• Haydn: Piano Sonata No. 62 in E flat major, Hob.XVI:52 (R. 11 November 1932)
• Schumann: Arabeske in C major, Op. 18 (R. 6 May 1934)
• Schumann: Fantasiestücke, Op. 12: No. 7, Traumes Wirren (R. 15 November 1932)
• Chopin: Mazurka No. 7 in F minor, Op. 7 No. 3 (R. 29 May 1933)
• Chopin: Mazurka No. 32 in C sharp minor, Op. 50 No. 3 (R. 2 June 1935)
• Chopin: Études, Op. 10: Etude No. 4 in C sharp minor, Op. 10, No. 4 (R. 2 June 1935)
• Chopin: Etude No. 5 in G flat major, Op. 10, No. 5, "Black Keys" (R. 2 June 1935)
• Debussy: Études pour piano: Pour les arpeges composes, Etude 11 (R. 6 May 1934)
• Poulenc: L'Eventail de Jeanne, No. 8, Pastourelle (R. 11 November 1932)
• Poulenc: Trois pieces pour piano, No. 2: Toccata (R 11 November 1932)
• Rimsky Korsakov: The Tale of Tsar Saltan, Op. 57: Flight of the Bumble-bee (R. 11 November 1932)
Recording Venue: EMI Abbey Road Studio No. 3, London
Stravinsky: Petrushka (1948 version - version for piano solo): Danse russe (R. 11 November 1932).
• Liszt: Piano Sonata in B minor, S178 (R. 12 November 1932)
Recording Venue: EMI Abbey Road Studio No. 1, London
https://wn.com/Vladimir_Horowitz_Early_Recordings_Scarlatti,_Schumann,_Chopin,_Liszt_More_(London_1932_’35)
Dedicated to my dearest best friend & greatest among artists Laetitia Hahn
https://www.youtube.com/channel/UCF3hDpsC6iQDBRpl_8dhtYQ
• Scarlatti, D: Keyboard Sonata K87 in B minor (R. 4 June 1935)
• Scarlatti, D: Keyboard Sonata K125 in G major (R. 2 June 1935)
• Haydn: Piano Sonata No. 62 in E flat major, Hob.XVI:52 (R. 11 November 1932)
• Schumann: Arabeske in C major, Op. 18 (R. 6 May 1934)
• Schumann: Fantasiestücke, Op. 12: No. 7, Traumes Wirren (R. 15 November 1932)
• Chopin: Mazurka No. 7 in F minor, Op. 7 No. 3 (R. 29 May 1933)
• Chopin: Mazurka No. 32 in C sharp minor, Op. 50 No. 3 (R. 2 June 1935)
• Chopin: Études, Op. 10: Etude No. 4 in C sharp minor, Op. 10, No. 4 (R. 2 June 1935)
• Chopin: Etude No. 5 in G flat major, Op. 10, No. 5, "Black Keys" (R. 2 June 1935)
• Debussy: Études pour piano: Pour les arpeges composes, Etude 11 (R. 6 May 1934)
• Poulenc: L'Eventail de Jeanne, No. 8, Pastourelle (R. 11 November 1932)
• Poulenc: Trois pieces pour piano, No. 2: Toccata (R 11 November 1932)
• Rimsky Korsakov: The Tale of Tsar Saltan, Op. 57: Flight of the Bumble-bee (R. 11 November 1932)
Recording Venue: EMI Abbey Road Studio No. 3, London
Stravinsky: Petrushka (1948 version - version for piano solo): Danse russe (R. 11 November 1932).
• Liszt: Piano Sonata in B minor, S178 (R. 12 November 1932)
Recording Venue: EMI Abbey Road Studio No. 1, London
17:50
Vladimir Horowitz - Tchaikovsky Concerto No. 1, Op. 23 (1932) Hi-Fi Sound
- Order: Reorder
- Duration: 17:50
- Uploaded Date: 15 Sep 2021
- views: 1888
🎹🎶 LIKE and SUBSCRIBE for more videos ! https://www.youtube.com/channel/UCYfxUOsroDhIEyXiZa_zglA?sub_confirmation=1
🎹🎶 SUBSCRIBE to my PATREON ! → https://www.p...
🎹🎶 LIKE and SUBSCRIBE for more videos ! https://www.youtube.com/channel/UCYfxUOsroDhIEyXiZa_zglA?sub_confirmation=1
🎹🎶 SUBSCRIBE to my PATREON ! → https://www.patreon.com/thepianoexperience
00:00 Allegro non troppo – Allegro con spirito [excerpt, bars 375–579]
05:56 Allegro non troppo – Allegro con spirito [excerpt, bars 605 to end of movement]
07:46 Andantino semplice – Prestissimo – Tempo One [excerpt, bars 1–57]
11:19 Andantino semplice – Prestissimo – Tempo One [excerpt, bars 96 to end of movement]
14:25 Allegro con fuoco [excerpt, bars 1–174]
Philadelphia Orchestra conducted by Fritz Reiner
5-6 February 1932; (BTL 1955/56/68/70) The Bell Telephone Laboratory experimental recordings during two performances, unpublished
This recording is from the CD "Landmarks of Recorded Pianism Vol. 1" by Marston Records. It is an amazing CD with many excellent recordings such as this one. I recommend purchasing it :
https://www.marstonrecords.com/products/landmarks1?_pos=2&_sid=5e1886854&_ss=r
BIOGRAPHY
The most famous pianist of the twentieth century, his name known to the proverbial man on the street the world over, Vladimir Samoylovich Horowitz (1903–1989) was born in 1903 in Kiev.
Horowitz showed enough prodigious talent to play for Alexander Scriabin in 1915, just before the Russian composer-pianist’s early death. Horowitz would become a superlative interpreter of Scriabin’s music, which the pianist described as “mystical… expressionistic.” Horowitz also became friends with another great Russian composer-pianist (and Scriabin’s former schoolmate), Sergei Rachmaninoff – who was the acme of Romanticism.
He also made a benchmark recording of Rachmaninoff’s Piano Sonata No. 2. Emigrating from Russia in 1925 and eventually settling in New York City, Horowitz made his American debut with Tchaikovsky’s Piano Concerto No. 1 in 1928 at Carnegie Hall, which would become his home venue, the site of many recordings. Impressed by the pianist’s tonal dynamism, conductor Thomas Beecham, who led that concert, reportedly said: “Really, Mr. Horowitz, you can’t play like that – it shows the orchestra up.” Horowitz made a series of solo recordings for HMV at London’s Abbey Road Studios in 1932, including several Chopin pieces and an electrifying take on Liszt’s B Minor Sonata, helping to establish the piece in the standard repertoire. A review of a 1933 London concert declared Horowitz “the greatest pianist dead or alive.”
Horowitz would make hit recordings with Toscanini of the Tchaikovsky concerto and the Brahms Piano Concerto No. 2 in 1940–41.
Over the course of his career, Horowitz’s recorded repertoire stretched far beyond those early specialties of Chopin, Brahms, Liszt, Tchaikovsky, Scriabin and Rachmaninoff; in long associations for RCA, then Columbia and, finally, Deutsche Grammophon, Horowitz also ranged from Scarlatti, Haydn and Clementi to Beethoven, Schumann and miniatures across the ages with artistic and commercial success; in a period of applying himself to modern music, he premiered Samuel Barber’s Sonata in 1950, along with recording sonatas by Prokofiev and Kabalevsky.
Driven to “grow until I die,” he said, the pianist reapplied himself to select Beethoven sonatas in his middle period and then several Mozart works as he grew older.
Horowitz also crafted his own transcriptions and arrangements, including such showstoppers as his variations on Carmen and Stars and Stripes Forever.
In his book The Great Pianists, critic Harold Schonberg wrote: “As a technician, Horowitz was one of the most honest in the history of modern pianism.
Famously high-strung, his art always a mental-physical high-wire act, Horowitz took four sabbaticals from public performance to deal with various issues, his returns much-ballyhooed events.
The first layoff was for two years in 1936; the longest was 1953 to 1965, followed by a tremendous homecoming to Carnegie Hall.
But even over his later breaks, he recorded regularly at home in his Manhattan townhouse, documenting his art as it subtly evolved even beyond great venues and the recording studio.
A 1985 film, The Last Romantic, captured the pianist in his last years, performing at home as well as reminiscing about Scriabin and Rachmaninoff.
The next year, Horowitz returned to Russia, 61 years after leaving — a hugely emotional event for both artist and audience, documented in the concert album and film Horowitz in Moscow.
In 1987, he played his final recital, in Hamburg; he died two years later. “Piano playing consists of intellect, heart and technique,” Horowitz said. “All should be equally developed. Without intellect, you will be a fiasco; without technique, an amateur; without heart, a machine. The profession has its perils.”
https://wn.com/Vladimir_Horowitz_Tchaikovsky_Concerto_No._1,_Op._23_(1932)_Hi_Fi_Sound
🎹🎶 LIKE and SUBSCRIBE for more videos ! https://www.youtube.com/channel/UCYfxUOsroDhIEyXiZa_zglA?sub_confirmation=1
🎹🎶 SUBSCRIBE to my PATREON ! → https://www.patreon.com/thepianoexperience
00:00 Allegro non troppo – Allegro con spirito [excerpt, bars 375–579]
05:56 Allegro non troppo – Allegro con spirito [excerpt, bars 605 to end of movement]
07:46 Andantino semplice – Prestissimo – Tempo One [excerpt, bars 1–57]
11:19 Andantino semplice – Prestissimo – Tempo One [excerpt, bars 96 to end of movement]
14:25 Allegro con fuoco [excerpt, bars 1–174]
Philadelphia Orchestra conducted by Fritz Reiner
5-6 February 1932; (BTL 1955/56/68/70) The Bell Telephone Laboratory experimental recordings during two performances, unpublished
This recording is from the CD "Landmarks of Recorded Pianism Vol. 1" by Marston Records. It is an amazing CD with many excellent recordings such as this one. I recommend purchasing it :
https://www.marstonrecords.com/products/landmarks1?_pos=2&_sid=5e1886854&_ss=r
BIOGRAPHY
The most famous pianist of the twentieth century, his name known to the proverbial man on the street the world over, Vladimir Samoylovich Horowitz (1903–1989) was born in 1903 in Kiev.
Horowitz showed enough prodigious talent to play for Alexander Scriabin in 1915, just before the Russian composer-pianist’s early death. Horowitz would become a superlative interpreter of Scriabin’s music, which the pianist described as “mystical… expressionistic.” Horowitz also became friends with another great Russian composer-pianist (and Scriabin’s former schoolmate), Sergei Rachmaninoff – who was the acme of Romanticism.
He also made a benchmark recording of Rachmaninoff’s Piano Sonata No. 2. Emigrating from Russia in 1925 and eventually settling in New York City, Horowitz made his American debut with Tchaikovsky’s Piano Concerto No. 1 in 1928 at Carnegie Hall, which would become his home venue, the site of many recordings. Impressed by the pianist’s tonal dynamism, conductor Thomas Beecham, who led that concert, reportedly said: “Really, Mr. Horowitz, you can’t play like that – it shows the orchestra up.” Horowitz made a series of solo recordings for HMV at London’s Abbey Road Studios in 1932, including several Chopin pieces and an electrifying take on Liszt’s B Minor Sonata, helping to establish the piece in the standard repertoire. A review of a 1933 London concert declared Horowitz “the greatest pianist dead or alive.”
Horowitz would make hit recordings with Toscanini of the Tchaikovsky concerto and the Brahms Piano Concerto No. 2 in 1940–41.
Over the course of his career, Horowitz’s recorded repertoire stretched far beyond those early specialties of Chopin, Brahms, Liszt, Tchaikovsky, Scriabin and Rachmaninoff; in long associations for RCA, then Columbia and, finally, Deutsche Grammophon, Horowitz also ranged from Scarlatti, Haydn and Clementi to Beethoven, Schumann and miniatures across the ages with artistic and commercial success; in a period of applying himself to modern music, he premiered Samuel Barber’s Sonata in 1950, along with recording sonatas by Prokofiev and Kabalevsky.
Driven to “grow until I die,” he said, the pianist reapplied himself to select Beethoven sonatas in his middle period and then several Mozart works as he grew older.
Horowitz also crafted his own transcriptions and arrangements, including such showstoppers as his variations on Carmen and Stars and Stripes Forever.
In his book The Great Pianists, critic Harold Schonberg wrote: “As a technician, Horowitz was one of the most honest in the history of modern pianism.
Famously high-strung, his art always a mental-physical high-wire act, Horowitz took four sabbaticals from public performance to deal with various issues, his returns much-ballyhooed events.
The first layoff was for two years in 1936; the longest was 1953 to 1965, followed by a tremendous homecoming to Carnegie Hall.
But even over his later breaks, he recorded regularly at home in his Manhattan townhouse, documenting his art as it subtly evolved even beyond great venues and the recording studio.
A 1985 film, The Last Romantic, captured the pianist in his last years, performing at home as well as reminiscing about Scriabin and Rachmaninoff.
The next year, Horowitz returned to Russia, 61 years after leaving — a hugely emotional event for both artist and audience, documented in the concert album and film Horowitz in Moscow.
In 1987, he played his final recital, in Hamburg; he died two years later. “Piano playing consists of intellect, heart and technique,” Horowitz said. “All should be equally developed. Without intellect, you will be a fiasco; without technique, an amateur; without heart, a machine. The profession has its perils.”
- published: 15 Sep 2021
- views: 1888
1:52
Horowitz plays Poulenc Toccata (1932 rec.)
- Order: Reorder
- Duration: 1:52
- Uploaded Date: 12 Aug 2011
- views: 23592
Francis Poulenc (1899-1963)
From Trois Pièces: no. 2, Toccata
Vladimir Horowitz (1903-1989), piano
Recorded in 1932
Francis Poulenc (1899-1963)
From Trois Pièces: no. 2, Toccata
Vladimir Horowitz (1903-1989), piano
Recorded in 1932
https://wn.com/Horowitz_Plays_Poulenc_Toccata_(1932_Rec.)
Francis Poulenc (1899-1963)
From Trois Pièces: no. 2, Toccata
Vladimir Horowitz (1903-1989), piano
Recorded in 1932
- published: 12 Aug 2011
- views: 23592
9:01
Vladimir Horowitz plays Liszt Funérailles (1932)
- Order: Reorder
- Duration: 9:01
- Uploaded Date: 11 Aug 2012
- views: 631
French 78 rpm record from 1932.
La Voix de son Maître (His Master's Voice, recorded 25 November 1932,
London, Abbey Road Studio no. 3)
Vladimir Horowitz (1903-...
French 78 rpm record from 1932.
La Voix de son Maître (His Master's Voice, recorded 25 November 1932,
London, Abbey Road Studio no. 3)
Vladimir Horowitz (1903-1989), piano.
D.B.1848 - Liszt Funerailles
Transferred from the original 78 rpm record at 45 rpm with a standard USB turntable equipped with special needle. Postprocessing in Audacity (inverse RIAA equalisation, speeding up to 78 rpm, DC correction, 24 dB low pass filter above 8 kHz, 24 dB high pass filter below 20 Hz, auto click removal, mono conversion, Normalisation to -1 dB). Finally decrackling with ClickRepair.
https://wn.com/Vladimir_Horowitz_Plays_Liszt_Funérailles_(1932)
French 78 rpm record from 1932.
La Voix de son Maître (His Master's Voice, recorded 25 November 1932,
London, Abbey Road Studio no. 3)
Vladimir Horowitz (1903-1989), piano.
D.B.1848 - Liszt Funerailles
Transferred from the original 78 rpm record at 45 rpm with a standard USB turntable equipped with special needle. Postprocessing in Audacity (inverse RIAA equalisation, speeding up to 78 rpm, DC correction, 24 dB low pass filter above 8 kHz, 24 dB high pass filter below 20 Hz, auto click removal, mono conversion, Normalisation to -1 dB). Finally decrackling with ClickRepair.
- published: 11 Aug 2012
- views: 631
2:24
Horowitz(1932):Chopin Etude op.10 no.8
- Order: Reorder
- Duration: 2:24
- Uploaded Date: 26 Feb 2015
- views: 654
Rec. 15/November/1932 London
Rec. 15/November/1932 London
https://wn.com/Horowitz(1932)_Chopin_Etude_Op.10_No.8
Rec. 15/November/1932 London
- published: 26 Feb 2015
- views: 654
5:35
Vladimir Horowitz plays Schumann Presto Passionato
- Order: Reorder
- Duration: 5:35
- Uploaded Date: 12 Aug 2011
- views: 16503
The original final (presto passionato) for the sonata opus 22 in G minor, composed by Robert Schumann.
Vladimir Horowitz (1903-1989), piano
Recorded in 1932....
The original final (presto passionato) for the sonata opus 22 in G minor, composed by Robert Schumann.
Vladimir Horowitz (1903-1989), piano
Recorded in 1932.
"In searching for tone-quality — after pedaling, the second of the most difficult factors in playing — it is helpful to think of the instruments of the orchestra. Some people say, "A piano is only a piano". But I do not feel it so. I think forte, and think "orchestra". I think of many instruments when I play. I do not mean that one should try to imitate, for the timbre of the piano is not the timbre of the violin nor the bassoon nor the flute. But if one thinks of the quality or the sonority of the various instruments, one is helped to play more beautifully."
(Vladimir Horowitz, The Etude, 1932)
https://wn.com/Vladimir_Horowitz_Plays_Schumann_Presto_Passionato
The original final (presto passionato) for the sonata opus 22 in G minor, composed by Robert Schumann.
Vladimir Horowitz (1903-1989), piano
Recorded in 1932.
"In searching for tone-quality — after pedaling, the second of the most difficult factors in playing — it is helpful to think of the instruments of the orchestra. Some people say, "A piano is only a piano". But I do not feel it so. I think forte, and think "orchestra". I think of many instruments when I play. I do not mean that one should try to imitate, for the timbre of the piano is not the timbre of the violin nor the bassoon nor the flute. But if one thinks of the quality or the sonority of the various instruments, one is helped to play more beautifully."
(Vladimir Horowitz, The Etude, 1932)
- published: 12 Aug 2011
- views: 16503
1:34
Horowitz:Chopin Etude op.25 no.3
- Order: Reorder
- Duration: 1:34
- Uploaded Date: 26 Feb 2015
- views: 406
Rec. 12/May/1934 London
Rec. 12/May/1934 London
https://wn.com/Horowitz_Chopin_Etude_Op.25_No.3
Rec. 12/May/1934 London
- published: 26 Feb 2015
- views: 406
1:35
12 Études, Op. 25: No. 3 in F Major
- Order: Reorder
- Duration: 1:35
- Uploaded Date: 19 Feb 2016
- views: 310
Provided to YouTube by Warner Classics
12 Études, Op. 25: No. 3 in F Major · Vladimir Horowitz
Liszt: Piano Sonata in B minor etc.
℗ 1952 Parlophone Records ...
Provided to YouTube by Warner Classics
12 Études, Op. 25: No. 3 in F Major · Vladimir Horowitz
Liszt: Piano Sonata in B minor etc.
℗ 1952 Parlophone Records Limited, a Warner Music Group Company. Remastered 2005 Parlophone Records Limited, a Warner Music Group Company
Piano: Vladimir Horowitz
Composer: Frédéric Chopin
Auto-generated by YouTube.
https://wn.com/12_Études,_Op._25_No._3_In_F_Major
Provided to YouTube by Warner Classics
12 Études, Op. 25: No. 3 in F Major · Vladimir Horowitz
Liszt: Piano Sonata in B minor etc.
℗ 1952 Parlophone Records Limited, a Warner Music Group Company. Remastered 2005 Parlophone Records Limited, a Warner Music Group Company
Piano: Vladimir Horowitz
Composer: Frédéric Chopin
Auto-generated by YouTube.
- published: 19 Feb 2016
- views: 310
8:28
HOROWITZ in NEW YORK Walter/NY Phil Tchaikovsky PC1-allegro 1.wmv
- Order: Reorder
- Duration: 8:28
- Uploaded Date: 04 Feb 2012
- views: 1074
Sorry, but the earlier andantino had to be removed due to the availability of the complete version.
Thanks are in order to Bernie Horowitz for making available...
Sorry, but the earlier andantino had to be removed due to the availability of the complete version.
Thanks are in order to Bernie Horowitz for making available this rare & impressive live recording from '48 of the Tchaikovsky Concerto by Vladimir Horowitz, to many, his outstanding best, but here is part 1 of the allegro so let the music speak for itself.
On the 12.4.48, Olin Downes of the NY Times wrote -"Historic performance... overwhelming... pandemonium in the hall... playing of a quality that we do not believe would be matched by any other virtuoso before the public today."
https://wn.com/Horowitz_In_New_York_Walter_NY_Phil_Tchaikovsky_Pc1_Allegro_1.Wmv
Sorry, but the earlier andantino had to be removed due to the availability of the complete version.
Thanks are in order to Bernie Horowitz for making available this rare & impressive live recording from '48 of the Tchaikovsky Concerto by Vladimir Horowitz, to many, his outstanding best, but here is part 1 of the allegro so let the music speak for itself.
On the 12.4.48, Olin Downes of the NY Times wrote -"Historic performance... overwhelming... pandemonium in the hall... playing of a quality that we do not believe would be matched by any other virtuoso before the public today."
- published: 04 Feb 2012
- views: 1074
2:25
HOROWITZ - Chopin Etude no.8 op.10
- Order: Reorder
- Duration: 2:25
- Uploaded Date: 21 Aug 2008
- views: 8875
HOROWITZ - Chopin Etude no.8 op.10
HOROWITZ - Chopin Etude no.8 op.10
https://wn.com/Horowitz_Chopin_Etude_No.8_Op.10
HOROWITZ - Chopin Etude no.8 op.10
- published: 21 Aug 2008
- views: 8875
1:18:13
Vladimir Horowitz: Early recordings: Scarlatti, Schumann, Chopin, Liszt & more (London 1932-’35)
Dedicated to my dearest best friend & greatest among artists Laetitia Hahn
https://www.yo...
published: 18 Jan 2022
Vladimir Horowitz: Early recordings: Scarlatti, Schumann, Chopin, Liszt & more (London 1932-’35)
Vladimir Horowitz: Early recordings: Scarlatti, Schumann, Chopin, Liszt & more (London 1932-’35)
- Report rights infringement
- published: 18 Jan 2022
- views: 569
Dedicated to my dearest best friend & greatest among artists Laetitia Hahn
https://www.youtube.com/channel/UCF3hDpsC6iQDBRpl_8dhtYQ
• Scarlatti, D: Keyboard Sonata K87 in B minor (R. 4 June 1935)
• Scarlatti, D: Keyboard Sonata K125 in G major (R. 2 June 1935)
• Haydn: Piano Sonata No. 62 in E flat major, Hob.XVI:52 (R. 11 November 1932)
• Schumann: Arabeske in C major, Op. 18 (R. 6 May 1934)
• Schumann: Fantasiestücke, Op. 12: No. 7, Traumes Wirren (R. 15 November 1932)
• Chopin: Mazurka No. 7 in F minor, Op. 7 No. 3 (R. 29 May 1933)
• Chopin: Mazurka No. 32 in C sharp minor, Op. 50 No. 3 (R. 2 June 1935)
• Chopin: Études, Op. 10: Etude No. 4 in C sharp minor, Op. 10, No. 4 (R. 2 June 1935)
• Chopin: Etude No. 5 in G flat major, Op. 10, No. 5, "Black Keys" (R. 2 June 1935)
• Debussy: Études pour piano: Pour les arpeges composes, Etude 11 (R. 6 May 1934)
• Poulenc: L'Eventail de Jeanne, No. 8, Pastourelle (R. 11 November 1932)
• Poulenc: Trois pieces pour piano, No. 2: Toccata (R 11 November 1932)
• Rimsky Korsakov: The Tale of Tsar Saltan, Op. 57: Flight of the Bumble-bee (R. 11 November 1932)
Recording Venue: EMI Abbey Road Studio No. 3, London
Stravinsky: Petrushka (1948 version - version for piano solo): Danse russe (R. 11 November 1932).
• Liszt: Piano Sonata in B minor, S178 (R. 12 November 1932)
Recording Venue: EMI Abbey Road Studio No. 1, London
17:50
Vladimir Horowitz - Tchaikovsky Concerto No. 1, Op. 23 (1932) Hi-Fi Sound
🎹🎶 LIKE and SUBSCRIBE for more videos ! https://www.youtube.com/channel/UCYfxUOsroDhIEyXiZ...
published: 15 Sep 2021
Vladimir Horowitz - Tchaikovsky Concerto No. 1, Op. 23 (1932) Hi-Fi Sound
Vladimir Horowitz - Tchaikovsky Concerto No. 1, Op. 23 (1932) Hi-Fi Sound
- Report rights infringement
- published: 15 Sep 2021
- views: 1888
🎹🎶 LIKE and SUBSCRIBE for more videos ! https://www.youtube.com/channel/UCYfxUOsroDhIEyXiZa_zglA?sub_confirmation=1
🎹🎶 SUBSCRIBE to my PATREON ! → https://www.patreon.com/thepianoexperience
00:00 Allegro non troppo – Allegro con spirito [excerpt, bars 375–579]
05:56 Allegro non troppo – Allegro con spirito [excerpt, bars 605 to end of movement]
07:46 Andantino semplice – Prestissimo – Tempo One [excerpt, bars 1–57]
11:19 Andantino semplice – Prestissimo – Tempo One [excerpt, bars 96 to end of movement]
14:25 Allegro con fuoco [excerpt, bars 1–174]
Philadelphia Orchestra conducted by Fritz Reiner
5-6 February 1932; (BTL 1955/56/68/70) The Bell Telephone Laboratory experimental recordings during two performances, unpublished
This recording is from the CD "Landmarks of Recorded Pianism Vol. 1" by Marston Records. It is an amazing CD with many excellent recordings such as this one. I recommend purchasing it :
https://www.marstonrecords.com/products/landmarks1?_pos=2&_sid=5e1886854&_ss=r
BIOGRAPHY
The most famous pianist of the twentieth century, his name known to the proverbial man on the street the world over, Vladimir Samoylovich Horowitz (1903–1989) was born in 1903 in Kiev.
Horowitz showed enough prodigious talent to play for Alexander Scriabin in 1915, just before the Russian composer-pianist’s early death. Horowitz would become a superlative interpreter of Scriabin’s music, which the pianist described as “mystical… expressionistic.” Horowitz also became friends with another great Russian composer-pianist (and Scriabin’s former schoolmate), Sergei Rachmaninoff – who was the acme of Romanticism.
He also made a benchmark recording of Rachmaninoff’s Piano Sonata No. 2. Emigrating from Russia in 1925 and eventually settling in New York City, Horowitz made his American debut with Tchaikovsky’s Piano Concerto No. 1 in 1928 at Carnegie Hall, which would become his home venue, the site of many recordings. Impressed by the pianist’s tonal dynamism, conductor Thomas Beecham, who led that concert, reportedly said: “Really, Mr. Horowitz, you can’t play like that – it shows the orchestra up.” Horowitz made a series of solo recordings for HMV at London’s Abbey Road Studios in 1932, including several Chopin pieces and an electrifying take on Liszt’s B Minor Sonata, helping to establish the piece in the standard repertoire. A review of a 1933 London concert declared Horowitz “the greatest pianist dead or alive.”
Horowitz would make hit recordings with Toscanini of the Tchaikovsky concerto and the Brahms Piano Concerto No. 2 in 1940–41.
Over the course of his career, Horowitz’s recorded repertoire stretched far beyond those early specialties of Chopin, Brahms, Liszt, Tchaikovsky, Scriabin and Rachmaninoff; in long associations for RCA, then Columbia and, finally, Deutsche Grammophon, Horowitz also ranged from Scarlatti, Haydn and Clementi to Beethoven, Schumann and miniatures across the ages with artistic and commercial success; in a period of applying himself to modern music, he premiered Samuel Barber’s Sonata in 1950, along with recording sonatas by Prokofiev and Kabalevsky.
Driven to “grow until I die,” he said, the pianist reapplied himself to select Beethoven sonatas in his middle period and then several Mozart works as he grew older.
Horowitz also crafted his own transcriptions and arrangements, including such showstoppers as his variations on Carmen and Stars and Stripes Forever.
In his book The Great Pianists, critic Harold Schonberg wrote: “As a technician, Horowitz was one of the most honest in the history of modern pianism.
Famously high-strung, his art always a mental-physical high-wire act, Horowitz took four sabbaticals from public performance to deal with various issues, his returns much-ballyhooed events.
The first layoff was for two years in 1936; the longest was 1953 to 1965, followed by a tremendous homecoming to Carnegie Hall.
But even over his later breaks, he recorded regularly at home in his Manhattan townhouse, documenting his art as it subtly evolved even beyond great venues and the recording studio.
A 1985 film, The Last Romantic, captured the pianist in his last years, performing at home as well as reminiscing about Scriabin and Rachmaninoff.
The next year, Horowitz returned to Russia, 61 years after leaving — a hugely emotional event for both artist and audience, documented in the concert album and film Horowitz in Moscow.
In 1987, he played his final recital, in Hamburg; he died two years later. “Piano playing consists of intellect, heart and technique,” Horowitz said. “All should be equally developed. Without intellect, you will be a fiasco; without technique, an amateur; without heart, a machine. The profession has its perils.”
1:52
Horowitz plays Poulenc Toccata (1932 rec.)
Francis Poulenc (1899-1963)
From Trois Pièces: no. 2, Toccata
Vladimir Horowitz (1903-1...
published: 12 Aug 2011
Horowitz plays Poulenc Toccata (1932 rec.)
Horowitz plays Poulenc Toccata (1932 rec.)
- Report rights infringement
- published: 12 Aug 2011
- views: 23592
Francis Poulenc (1899-1963)
From Trois Pièces: no. 2, Toccata
Vladimir Horowitz (1903-1989), piano
Recorded in 1932
9:01
Vladimir Horowitz plays Liszt Funérailles (1932)
French 78 rpm record from 1932.
La Voix de son Maître (His Master's Voice, recorded 25 Nov...
published: 11 Aug 2012
Vladimir Horowitz plays Liszt Funérailles (1932)
Vladimir Horowitz plays Liszt Funérailles (1932)
- Report rights infringement
- published: 11 Aug 2012
- views: 631
French 78 rpm record from 1932.
La Voix de son Maître (His Master's Voice, recorded 25 November 1932,
London, Abbey Road Studio no. 3)
Vladimir Horowitz (1903-1989), piano.
D.B.1848 - Liszt Funerailles
Transferred from the original 78 rpm record at 45 rpm with a standard USB turntable equipped with special needle. Postprocessing in Audacity (inverse RIAA equalisation, speeding up to 78 rpm, DC correction, 24 dB low pass filter above 8 kHz, 24 dB high pass filter below 20 Hz, auto click removal, mono conversion, Normalisation to -1 dB). Finally decrackling with ClickRepair.
2:24
Horowitz(1932):Chopin Etude op.10 no.8
Rec. 15/November/1932 London
published: 26 Feb 2015
Horowitz(1932):Chopin Etude op.10 no.8
Horowitz(1932):Chopin Etude op.10 no.8
- Report rights infringement
- published: 26 Feb 2015
- views: 654
Rec. 15/November/1932 London
5:35
Vladimir Horowitz plays Schumann Presto Passionato
The original final (presto passionato) for the sonata opus 22 in G minor, composed by Robe...
published: 12 Aug 2011
Vladimir Horowitz plays Schumann Presto Passionato
Vladimir Horowitz plays Schumann Presto Passionato
- Report rights infringement
- published: 12 Aug 2011
- views: 16503
The original final (presto passionato) for the sonata opus 22 in G minor, composed by Robert Schumann.
Vladimir Horowitz (1903-1989), piano
Recorded in 1932.
"In searching for tone-quality — after pedaling, the second of the most difficult factors in playing — it is helpful to think of the instruments of the orchestra. Some people say, "A piano is only a piano". But I do not feel it so. I think forte, and think "orchestra". I think of many instruments when I play. I do not mean that one should try to imitate, for the timbre of the piano is not the timbre of the violin nor the bassoon nor the flute. But if one thinks of the quality or the sonority of the various instruments, one is helped to play more beautifully."
(Vladimir Horowitz, The Etude, 1932)
1:34
Horowitz:Chopin Etude op.25 no.3
Rec. 12/May/1934 London
published: 26 Feb 2015
Horowitz:Chopin Etude op.25 no.3
Horowitz:Chopin Etude op.25 no.3
- Report rights infringement
- published: 26 Feb 2015
- views: 406
Rec. 12/May/1934 London
1:35
12 Études, Op. 25: No. 3 in F Major
Provided to YouTube by Warner Classics
12 Études, Op. 25: No. 3 in F Major · Vladimir Hor...
published: 19 Feb 2016
12 Études, Op. 25: No. 3 in F Major
12 Études, Op. 25: No. 3 in F Major
- Report rights infringement
- published: 19 Feb 2016
- views: 310
Provided to YouTube by Warner Classics
12 Études, Op. 25: No. 3 in F Major · Vladimir Horowitz
Liszt: Piano Sonata in B minor etc.
℗ 1952 Parlophone Records Limited, a Warner Music Group Company. Remastered 2005 Parlophone Records Limited, a Warner Music Group Company
Piano: Vladimir Horowitz
Composer: Frédéric Chopin
Auto-generated by YouTube.
8:28
HOROWITZ in NEW YORK Walter/NY Phil Tchaikovsky PC1-allegro 1.wmv
Sorry, but the earlier andantino had to be removed due to the availability of the complete...
published: 04 Feb 2012
HOROWITZ in NEW YORK Walter/NY Phil Tchaikovsky PC1-allegro 1.wmv
HOROWITZ in NEW YORK Walter/NY Phil Tchaikovsky PC1-allegro 1.wmv
- Report rights infringement
- published: 04 Feb 2012
- views: 1074
Sorry, but the earlier andantino had to be removed due to the availability of the complete version.
Thanks are in order to Bernie Horowitz for making available this rare & impressive live recording from '48 of the Tchaikovsky Concerto by Vladimir Horowitz, to many, his outstanding best, but here is part 1 of the allegro so let the music speak for itself.
On the 12.4.48, Olin Downes of the NY Times wrote -"Historic performance... overwhelming... pandemonium in the hall... playing of a quality that we do not believe would be matched by any other virtuoso before the public today."
2:25
HOROWITZ - Chopin Etude no.8 op.10
HOROWITZ - Chopin Etude no.8 op.10
published: 21 Aug 2008
HOROWITZ - Chopin Etude no.8 op.10
HOROWITZ - Chopin Etude no.8 op.10
- Report rights infringement
- published: 21 Aug 2008
- views: 8875
HOROWITZ - Chopin Etude no.8 op.10
Historical recording
Historical recording may refer to:
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Historical_recording
Vladimir Horowitz: Early recordings: Scarlatti, Sc...
Vladimir Horowitz - Tchaikovsky Concerto No. 1, Op...
Horowitz plays Poulenc Toccata (1932 rec.)...
Vladimir Horowitz plays Liszt Funérailles (1932)...
Horowitz(1932):Chopin Etude op.10 no.8...
Vladimir Horowitz plays Schumann Presto Passionato...
Horowitz:Chopin Etude op.25 no.3...
12 Études, Op. 25: No. 3 in F Major...
HOROWITZ in NEW YORK Walter/NY Phil Tchaikovsky PC...