第73åãã«ãªã³å½éæ ç»ç¥ï¼2023å¹´ï¼
ã³ã³ããã£ã·ã§ã³é¨é
åºåä½å
ããããã¨ç§ |
ã¨ã¹ãã£ããªã¹ã»ã¦ã¬ã½ã©ã»ã½ã©ã°ã¬ã³ |
ã¢ã¼ãã«ã¬ãã¸1994 |
ãªã¦ã»ã¸ã¢ã³ |
ç½å¡ã®å
|
ãã£ã³ã»ãªã¥ã« |
Till the End of the Nightï¼è±é¡ï¼ |
ã¯ãªã¹ããã»ãã¼ããã¤ã¹ã©ã¼ |
ãã©ãã¯ããªã¼ |
ãããã»ã¸ã§ã³ã½ã³ |
Disco Boyï¼åé¡ï¼ |
ã¸ã£ã³ã¢ã»ã¢ãã©ã¸ã¼ã¼ |
ãã人形使ãä¸å®¶ã®èå |
ãã£ãªããã»ã¬ã¬ã« |
Ingeborg Bachmann â Journey into the Desertï¼è±é¡ï¼ |
ãã«ã¬ã¬ã¼ãã»ãã©ã³ã»ãããã¿ |
Someday We'll Tell Each Other Everythingï¼è±é¡ï¼ |
ã¨ããªã¼ã»ã¢ãã |
Limboï¼åé¡ï¼ |
ã¢ã¤ã´ã¡ã³ã»ã»ã³ |
Bad Livingï¼è±é¡ï¼ |
ã¸ã§ã¢ãªã»ã«ãã¼ã¸ã§ |
Manodromeï¼åé¡ï¼ |
ã¸ã§ã³ã»ãã¬ã³ã´ã¼ã´ |
ãã¥ã¼ã¸ã㯠|
ã¢ã³ã²ã©ã»ã·ã£ã¼ãã¬ã¯ |
ãã¹ã ã©ã¤ãã¹ï¼åä¼ |
ã»ãªã¼ãã»ã½ã³ |
Afireï¼è±é¡ï¼ |
ã¯ãªã¹ãã£ã¢ã³ã»ãããã©ã«ã |
ã¢ããã³å·ã«ä¹ã£ã¦ |
ãã³ã©ã»ãã£ãªãã¼ã« |
ãµãã¤ãã« |
ãã«ãã»ãã»ãã¼ã¢ |
ãããã®æ¸ç· ã¾ã |
æ°æµ·èª |
å¤ã®çµããã«é¡ãã㨠|
ãªã©ã»ã¢ãã¬ã¹ |
éçè³
ã¢ããã³å·ã«ä¹ã£ã¦ |
ãã³ã©ã»ãã£ãªãã¼ã« |
éçè³ï¼å¯©æ»å¡å¤§è³ï¼
Afireï¼è±é¡ï¼ |
ã¯ãªã¹ãã£ã¢ã³ã»ãããã©ã«ã |
éçè³ï¼å¯©æ»å¡è³ï¼
Bad Livingï¼è±é¡ï¼ |
ã¸ã§ã¢ãªã»ã«ãã¼ã¸ã§ |
éçè³ï¼ç£ç£è³ï¼
ãã£ãªããã»ã¬ã¬ã« |
ãã人形使ãä¸å®¶ã®èå |
éçè³ï¼ä¸»æ¼ä¿³åªè³ï¼
ã½ãã£ã¢ã»ãªãã |
ããããã¨ç§ |
éçè³ï¼å©æ¼ä¿³åªè³ï¼
Thea Ehre |
Till the End of the Nightï¼è±é¡ï¼ |
éçè³ï¼èæ¬è³ï¼
ãã¥ã¼ã¸ã㯠|
ã¢ã³ã²ã©ã»ã·ã£ã¼ãã¬ã¯ |
éçè³ï¼è¸è¡è²¢ç®è³ï¼
Disco Boyï¼åé¡ï¼ |
ã¨ã¬ã¼ãã»ã«ã´ã¡ã¼ã« |
å½éæ ç»æ¹è©å®¶é£çè³ï¼FIPRESCIè³ï¼
ãµãã¤ãã« |
ãã«ãã»ãã»ãã¼ã¢ |
ã¨ãã¥ã¡ãã«ã«å¯©æ»å¡è³
å¤ã®çµããã«é¡ãã㨠|
ãªã©ã»ã¢ãã¬ã¹ |
ã¨ã³ã«ã¦ã³ã¿ã¼ãºé¨é
åºåä½å
Here |
ãã¹ã»ãã¥ã´ã©ã¹ |
ãã¡ããªã¼ã»ã¿ã¤ã |
ãã£ã¢ã»ã³ã¦ã |
Im toten Winkelï¼åé¡ï¼ |
Ayse Polat |
æ°´ã®ä¸ã§ |
ãã³ã»ãµã³ã¹ |
Kletka ishet ptitsuï¼åé¡ï¼ |
Malika Musayeva |
Le mura di Bergamoï¼åé¡ï¼ |
Stefano Savona |
Living Badï¼è±é¡ï¼ |
ã¸ã§ã¢ãªã»ã«ãã¼ã¸ã§ |
My Worst Enemyï¼è±é¡ï¼ |
Mehran Tamadon |
Orlando, My Political Biographyï¼è±é¡ï¼ |
ãã¦ã«ã»Bã»ãã¬ã·ã¢ã¼ã |
ãµã ãµã© |
ãã¤ã¹ã»ããã£ã¼ã㧠|
æ±é¨æ¦ç· |
ã´ã£ã¿ãªã¼ã»ãã³ã¹ãã¼ ã¤ã§ã¦ãã³ã»ãã£ã¿ã¬ã³ã³ |
The Adultsï¼åé¡ï¼ |
ãã¹ãã£ã³ã»ã¬ã¤ã»ãã£ãã¡ |
The Echoï¼è±é¡ï¼ |
ã¿ãã¢ãã»ã¦ã¨ã½ |
The Klemzer Projectï¼è±é¡ï¼ |
Leandro Koch Paloma Schachmann |
White Plastic Skyï¼è±é¡ï¼ |
ãã£ãã¼ã«ã»ãããã¥ã ãµãã«ã¿ã»ã¹ã¶ã |
éªé² |
ã¦ã¼ã»ã©ã³ |
ä½åè³
Here |
ãã¹ã»ãã¥ã´ã©ã¹ |
ç£ç£è³
ã¿ãã¢ãã»ã¦ã¨ã½ |
The Echoï¼è±é¡ï¼ |
ç¹å¥å¯©æ»å¡è³
Orlando, My Political Biographyï¼è±é¡ï¼ |
ãã¦ã«ã»Bã»ãã¬ã·ã¢ã¼ã |
ãµã ãµã© |
ãã¤ã¹ã»ããã£ã¼ã㧠|
å½éæ ç»æ¹è©å®¶é£çè³ï¼FIPRESCIè³ï¼
Here |
ãã¹ã»ãã¥ã´ã©ã¹ |
ããã©ãé¨é
観客è³ï¼ããã¥ã¡ã³ã¿ãªã¼ï¼
ã³ã³ã¢ã»ã·ã㣠|
Dã»ã¹ãã¹ |
観客è³ï¼åæ ç»ï¼
Siraï¼åé¡ï¼ |
ã¢ããªã³ã»ãã©ãªã¬ |
ã¨ãã¥ã¡ãã«ã«å¯©æ»å¡è³
å©ç£å¸«ãã¡ã®å¤ãæãã |
ã¬ã¢ã»ãã§ãã¼ã« |
ã¸ã§ãã¬ã¼ã·ã§ã³é¨é
Kplusã°ã©ã³ããª
Mimiï¼åé¡ï¼ |
Mira Fornay |
éçåèªè³
ã¹ãã£ã¼ã´ã³ã»ã¹ãã«ãã¼ã° |
|
ã«ãªã¬ãªè³
De Factoï¼åé¡ï¼ |
Selma Doborac |
ã®ã«ãæ ç»è³
ããããã¨ç§ |
ã¨ã¹ãã£ããªã¹ã»ã¦ã¬ã½ã©ã»ã½ã©ã°ã¬ã³ |
éå»ã®æè³å¼
年度ï¼åæ°ï¼ | æ¦è¦ |
---|---|
2022å¹´ï¼ç¬¬72åï¼ | |
2021å¹´ï¼ç¬¬71åï¼ | |
2020å¹´ï¼ç¬¬70åï¼ | |
2019å¹´ï¼ç¬¬69åï¼ | |
2018å¹´ï¼ç¬¬68åï¼ |
éå»ã®åè³ä½å
年度ï¼åæ°ï¼ | åè³ä½å |
---|---|
2022å¹´ï¼ç¬¬72åï¼ | |
2021å¹´ï¼ç¬¬71åï¼ | |
2020å¹´ï¼ç¬¬70åï¼ | |
2019å¹´ï¼ç¬¬69åï¼ | |
2018å¹´ï¼ç¬¬68åï¼ |
åå¹´ã®æ ç»è³ã»æ ç»ç¥
- 第95å ã¢ã«ããã¼è³
- 第80å ã´ã§ããã£ã¢å½éæ ç»ç¥
- 第76å ã«ã³ãå½éæ ç»ç¥
- 第80å ã´ã¼ã«ãã³ã°ãã¼ãè³