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Synopsis
Every year brings a great movie. Every decade a great movie musical!
New York, 1929, a war rages between two rival gangsters, Fat Sam and Dandy Dan. Dan is in possession of a new and deadly weapon, the dreaded "splurge gun". As the custard pies fly, Bugsy Malone, an all-round nice guy, falls for Blousey Brown, a singer at Fat Sam's speakeasy. His designs on her are disrupted by the seductive songstress Tallulah who wants Bugsy for herself.
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Director
Director
Producer
Producer
Writer
Writer
Editor
Editor
Cinematography
Cinematography
Assistant Directors
Asst. Directors
Executive Producers
Exec. Producers
Camera Operator
Camera Operator
Production Design
Production Design
Art Direction
Art Direction
Set Decoration
Set Decoration
Choreography
Choreography
Composer
Composer
Songs
Songs
Sound
Sound
Costume Design
Costume Design
Makeup
Makeup
Hairstyling
Hairstyling
Studios
Country
Language
Alternative Titles
Quando as Metralhadoras Cospem, Du rififi chez les mômes, Ανήλικοι Ριφιφίδες (Μπάγκσι Μαλόουν), Ανήλικοι Ριφιφίδες, Μπάγκσι Μαλόουν, Piccoli gangsters, Багси Мэлоун, Bugsy Malone, nieto de Al Capone, ダウンタウン物語, Бъгси Малоун, 벅시 말론, Το Κορίτσι του Αιώνα και οι Ανήλικοι Ριφιφίδες, באגסי מלון, 龙蛇小霸王, Villit gangsterit, บักซี มาโลน แก๊งค์ขนมเค้ก
Premiere
14 May 1976
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France
Cannes Film Festival
Theatrical limited
12 Sep 1976
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USAG
Theatrical
22 Jul 1976
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UKU
25 Aug 1976
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France
15 Sep 1976
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USAG
04 Nov 1976
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Germany6
12 Nov 1976
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Brazil
15 Jan 1977
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Japan
Physical
31 Mar 2006
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BrazilL
Brazil
France
14 May 1976
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Premiere
Cannes Film Festival
Germany
Japan
UK
USA
12 Sep 1976
-
Theatrical limitedG
New York City, New York
More
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This is what happens when an elementary school play goes way over-budget
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I think all stories should have parallel kids-only versions. Like Se7en, for example.
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if anyone slags off this film to my face i'm gonna splurge them
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Imagine being such a piece of shit that you dislike this
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Cocaine is a hell of a drug.
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What is up with two films coming out in 1976 that sexualized thirteen year-old Jodie Foster? And how is her performance so amazing in both of them? She’s the only actor in this flick that transcends the limitations of her age and life experience (the other kids are all great though, don’t get me wrong).
To commemorate director Alan Parker’s passing last Friday I chose to watch his first feature film. This was a big one for my wife when she was a little kid. I only vaguely remember it being on HBO in the late seventies, but have no lasting memory of the movie itself. And...
WHAT THE ACTUAL FUCK IS GOING ON?!
I guess I get that it’s…
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I kept expecting John Mulaney to show up, or maybe a Muppet.
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Gonna be blasting, “Bad Guys,” at the club.
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gave me entirely the wrong expectations of what growing up, becoming an adult, and going to a bar would be like
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Stop making Jodie Foster pretend to like men.
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we ain’t never gonna get back on top with this kind of hardware *cradling pie*
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I’m kind of surprised at all the low ratings. The songs are catchy and most of the actors are surprisingly really good, and the idea to make a 1920s gangster story made up of an all-child cast was genius. It has a high-budget stage play feel to it, but it’s full of charm, from the splurge guns to the fake moustaches and the pedal cars. John Cassisi as head mobster Fat Sam is particularly great, as well as a young Jodie Foster.
My main gripe was the songs being dubbed over by adult voices. It’s so obvious (especially because of the poorly-timed miming) that it’s like it was an intentional joke, but I don’t really understand the direction behind that.…