' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_301dd812-2a38-4461-a0f4-f0b9db6b17a2" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-301dd812-2a38-4461-a0f4-f0b9db6b17a2'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'sky_btf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-301dd812-2a38-4461-a0f4-f0b9db6b17a2'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-301dd812-2a38-4461-a0f4-f0b9db6b17a2'));
Synopsis
A set of short pure color studies, usually exploring one dominant hue. Most of these works were studies for longer projects. The last four "migraine" studies are rhythmically based around the five-cycle-per-second oscillation pulse of the typical fortification illusions preceding a migraine attack; this onset period, with its visually dynamic effects, is reported to be a quite vibrant and enjoyable state.
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Theatrical
01 Jan 1976
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USA
USA
More
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pretty sure I projected this incorrectly but hey that’s jazz baby
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This is when the weed I’d been given really started to kick in and this made me feel like the screen was watching me and responding to my moods. It was a bit scary, I felt like the Stargate astronaut. Definitely the most intense reaction I’ve had to a pure color Sharits but that comes with an asterisk.
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“Nevertheless, I am more interested in the thought of such figures as Wittgenstein, Peirce, Husserl, von Bertalanlaffy, Chomsky, Saussure and Derrida than I am in the thoughts of art historians and art critics. This was not always so but, since 1971, I have considered ‘art’ merely as a tool, a convenient tool, for generating a body of film works which are proportional (rather than formal or expressions).”
-Paul Sharits, August 1975
