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Cinema is life, life is cinema. A wonderful film!
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Can absolutely see why a lot of people hate this, but against all odds I kind of loved it – for my money, this is easily Zemeckis’ best film since Contact and a formally fascinating adaptation of what I’d thought to be un-adaptable source material. The (de)ageing tech didn’t bother me nearly as much as I'd expected, seeing as there’s a pervading air of artifice over the whole thing – but in the same way a doll’s house’s tableaux are artifical,…
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A welcome return to narrative film by Wim Wenders – and what a gently beautiful, achingly tender and profoundly humane work this is.
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Like spending 90 minutes in the company of the worst straight men imaginable – I know that’s the intention but this is blunt, thin stuff that makes its point & then keeps on making it ad nauseam. Committed performances abound, but these are ciphers, not characters.
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