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A war drama film with Saoirse Ronan, what else do you need?
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“𝘓𝘪𝘧𝘦 𝘸𝘪𝘭𝘭 𝘧𝘶𝘤𝘬 𝘺𝘰𝘶 𝘶𝘱, 𝘢𝘯𝘥 𝘢 𝘭𝘢𝘶𝘨𝘩’𝘴 𝘢𝘭𝘭 𝘺𝘰𝘶’𝘷𝘦 𝘨𝘰𝘵”
Cobby’s dialogue felt like it was written for the film’s story itself—a laugh is all you’ve got when the plot fumbles this hard
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I initially thought Longlegs had the best framing shots, but I was completely wrong. This film has some of the most stunning and beautiful visuals, like that particular wide long shot of Cardinals gathering in the Chapel during the election process. I loved the scene where Lawrence breaks down is so raw, w/ no background sound just pure sobbing.
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idc about the film’s plot, it delivered a banger album and that’s all I care about.
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I have mixed feelings about this one. As the final chapter of Craig’s remarkable run, the plot felt a bit stretched from the beginning. There could’ve been a better way to conclude Bond’s journey. That said, Daniel has set the franchise’s bar at an exceptionally high level.
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Léa Seydoux, you’re such an absolute diva! The car chase scene w/ those two beautiful machines is a sight to witness.
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Throughout the film, I kept wondering why the colors were so beautifully executed and the score so captivating. Then, as the end credits rolled, two GOATED names perfectly justified my thoughts: Roger Deakins and Thomas Newman🛐
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Born to be a good sequel, forced to be a 106 minutes of midfest.
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This was my first experience with a Bond film, and as an introduction to Craig’s Bond franchise, it delivered quite well. This film’s opening credits are so beautiful and have that aesthetically pleasing feel to them. omw to watch the rest of them!!!
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Three stars solely for Heath's narration. Dan’s take on anxiety as a full-time job was a perspective that had never crossed my mind before. But that poster? It completely baited me, and I’m at a loss for words. A huge "𝘧𝘶𝘤𝘬 𝘺𝘰𝘶" to whoever designed that poster so brilliantly.
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I just watched this beautiful film, and bringing Andrew and Florence together was such a phenomenal idea. The wholesome aspect of the film is truly PEAK. The film’s core message, which struck me the most, is "It's okay to not be okay." while it might sound cliché, it carries a profound meaning that stayed with me.
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An avg. horror film that has its moments here and there, feat. Hunter Schafer drenched in blood stealing the show as she slays throughout the film w/ her butterfly knife.
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