Darbar (raga)
Mela | 22nd, Kharaharapriya[1] |
---|---|
Arohanam | S R₂ M₁ P D₂ N₂ Ṡ |
Avarohanam | Ṡ N₂ D₂ P M₁ R₂ G₂ G₂ R₂ S |
Chhaya svaras | G₂, N₂[1] |
Similar | Nayaki |
Carnatic music |
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Concepts |
Compositions |
Instruments |
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Darbar (pronounced darbār) is a ragam in Carnatic music. The raga is a comparatively recent entry to Carnatic Music, possibly in the earlier part of the 18th century.[2][3][4]
Structure and lakshana
[edit]It is a Vakra ragam derived from the 22nd Melakarta rāgam Kharaharapriya. Nishadham and ghandharam used as long in the Avarohana. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):
The notes used are shadjam, chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chathusruthi dhaivatham, kaisiki nishadham.
Popular compositions
[edit]Darbar is a scale that is used for compositions in a medium to fast tempo. This scale has been used by many composers and there are many compositions in classical music. It has been used to score film music, too. Here are some popular compositions in Darbar.
Thyagaraja
[edit]- Aparathamulaman Piyadukovayya – Jhampa
- Yochana Kamalalochana – Adi
- Enthundi Vedalithivo – Triputa
- Ela Theliyalero – Triputa
- Naradhaguruswami Ikanaina – Adi
- Mundhuvenuka Niruprakkalathodai – Adi
- Ramabhirama Ramaneeyarama – Triputa
- Nithyaroopa Evaripandithyamemi – Roopaka
- Paripalayamam Kodantapanaii – Triputa
- Ramalobhamela Nanurakshimchu – Adi
Other compositions
[edit]- Chalamela, an Adi tala varnam, and Neeve dhikkani - Adi tala by Veena Kuppayyar
- Daari Theliyaka – Ata tala varnam by Patnam Subramania Iyer
- Intha Modi Elara – Ata tala varnam by Subbarama Dikshitar
- Thyagarajadhanyam - Adi tala and Halasyanatham Smarami - Adi tala by Muthuswami Dikshitar
- Smaramanasa Padhmanabacharanam – Roopaka and Shaure Vithara Kushalamayi - Adi tala by Maharaja Swathi Thirunal Rama Varma
- Adiya Patham – Adi tala by Gopalakrishna Bharathi
- Raghavendra Guru Manatosmi – Khanda Jathi Triputa tala by Mysore Vasudevachar
- Sree Venugopala – Khanda Chapu by Koteeswara Iyer
- Meena Nayanana Neevunamidha – Rupaka by Subbaraya Sastri
- Nayaganai Nindra – Thiruppavai No. 16 – Adi tala – by Andal (Originally in Darbar but now sung in Mohanam)
- Vezha Mugatharase – Roopaka by Ambujam Krishna
- Neeve Nannu – Khanda Chapu by Walajapet Venkataramana Bhagavathar
- Anjaneyam Namamyaham – Misra Chapu by Gowrishankar Sthapthi
- Desham Thaan Namadhu – Adi tala by KS Krishnamurthi
- Momu Jupavemira – Rupakam by Thirupathi Narayanaswamy
- Inimel Aayinum – Chapu by Ramaswami Sivan
- Kadaikkan Paaraiyya by Neelakanta Sivan
- Arabhimanam Ragamalika (1st line of 2nd Charnam) – Adi tala by Tarangambadi Panchanada Iyer
Related ragams
[edit]Darbar resembles Nayaki.[1]
See also
[edit]Notes
[edit]Film songs
[edit]Song | Movie | Composer | Singers |
---|---|---|---|
Unnavaa Asalunnavaa | Bhakta Tukaram | P. Adinarayana Rao | Ghantasala (musician) |
Amma Bangaru Thalli | Palnati Yuddham (1966 film) | S. Rajeswara Rao | P. Susheela |
Ellam Inbamayam | Manamagal | Udumalai Narayana Kavi | M. L. Vasanthakumari and P. Leela |
References
[edit]Sources
[edit]- Darbār Rāga (Kar), The Oxford Encyclopaedia of the Music of India. Oxford University Press. ISBN 978-0-19-565098-3. Retrieved 8 October 2018.
External links
[edit]- Information from Ragasurabhi
- Information from Raaga.Org Archived 21 May 2019 at the Wayback Machine