八つ橋の英語

僅か3ヵ月後に松竹で公開された『八つ墓村(1977年の映画)』（脚本担当）もこれに迫る数字をはじき出し、この年の橋本はまさに空前絶後の大ヒットメーカーぶりを示す。例文帳に追加

This year showed Hashimoto to be a hit film maker of unprecedented greatness when "Yatsuhaka Mura" (Village of the Eight Tombs) (1977 film on which Hashimoto worked as screenwriter) was released by Shochiku only three months later and achieved numbers close to his previous film.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

但し「八つ墓村」は、合理的な謎解き映画として構成された東宝の金田一ものに比べてオカルティズムへの傾斜が顕著であり、橋本の作家的特質を如実に示している。例文帳に追加

However, compared Toho's Kindaichi series which were composed as logical puzzle-solving films, 'Yatsuhaka Mura' exhibited obvious occult tendencies which clearly demonstrated the characteristics of Hashimoto's work.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

当り役は非常に多く、時代物では『本朝廿四孝・十種香』の八重垣姫、『鎌倉三代記・絹川村』の時姫、『祇園祭礼信仰記・金閣寺』の雪姫（三つ合わせて三姫）、『伽羅先代萩』の政岡・世話物では『助六』の揚巻、『籠釣瓶』の八つ橋、『新版歌祭文・野崎村』のお光、新作では前述の淀君などがある。例文帳に追加

He had so many successful roles; as for jidai-mono (historical drama), Yaegaki-hime in the scene of 'Jusshuko' of "Honcho Nijushi-Ko," Toki-hime in 'Kinugawa-mura' of "Kamakura Sandaiki," Yuki-hime in 'Kinkakuji' of "Gion Sairei Shinko-ki" (those three roles were called Mitsuhime [three princesses]), and Masaoka in "Meiboku Sendai Hagi"; as for sewa-mono (drama based on real-life people), Agemaki in "Sukeroku," Yatsuhashi in "Kagotsurube" ("Kagotsurube Sato no Yoizame," Omitsu in 'Nozaki-mura' of "Shinpan Utazaimon"; as for modern play, Yodogimi mentioned above and so on.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

歌右衛門生涯の当たり役は非常に多く、『京鹿子娘道成寺』の白拍子花子、『籠釣瓶花街酔醒（籠釣瓶）』の八つ橋、『祗園祭礼信仰記（金閣寺）』の雪姫、『鎌倉三代記・絹川村』の時姫、『本朝廿四孝・十種香』の八重垣姫、『東海道四谷怪談』のお岩、『妹背山婦女庭訓（妹背山）』の定高、お三輪、『沓手鳥孤城落月（孤城落月）』の淀君、『仮名手本忠臣蔵・九段目』の戸無瀬、『積恋雪関扉（関の扉）』の小町と墨染、『恋飛脚大和往来・新口村』の梅川、『攝州合邦辻・合邦庵室』の玉手御前、『伽羅先代萩』の政岡、『鏡山旧錦絵（鏡山）』の尾上、『隅田川続俤（隅田川）』の班女など、娘形から姫、片はずし、傾城に至るまで、あらゆる女形の領域をこなした。例文帳に追加

Utaemon performed many successful characters in his lifetime, and those were Shirabyoshi (women who play Shirabyoshi (Japanese traditional dance)) Hanako of "Kyo Kanokomusume Dojoji" (The maiden at Dojo Temple), Yatsuhashi of "Kago Tsurube Satono Eizame" (Basket bucket in red-light district), Yukihime of "Gion Sairei Shinkoki" (The Gion Festival Chronicle of Faith)(Kinkaku-ji Temple), Tokihime of "Kamakura Sandaiki, Kinugawa-mura" (Three Generations of the Kamakura Shogunate in Kinugawa Village), Yaegaki-hime of "Honcho Niju-shi ko, Jusshuko" (24 Paragons of Filial Piety of our Country, Incense Burning), "Oiwa of "Tokaido Yotsuya Kaidan" (Tokaido Yotsuya Ghost Stories), Sadaka and Omiwa of "Imoseyama Onna Teikin" (An Exemplary Tale of Womanly Virtue in Mt. Imose), Yodogimi of "Hototogisu Kojo no Rakugetsu" (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries), Tonase of "Kanadehon Chushingura, Kudanme" (The Treasury of Loyal Retainers, 9th act), Komachi and Sumizome of "Tsumoru Koiyuki no Seki no To" (The Barrier Gate), Umegawa of "Koibikyaku Yamato Orai, Ninokuchi-mura" (The Amorous Courier on the Yamato Highway, Ninokuchi Village), Tamate-Gozen of "Gappo Anjitsu (hermitage of Gappo), Sesshu Gappo ga Tsuji (A Kabuki Drama of Unfettered Evil)," Masaoka of "Meiboku Sendai Hagi" (The trouble in the Date Clan), Onoue of "Kagamiyama Kokyo no Nishikie" (old brocade pictures of Mt. Kagami), Hanjo of "Sumida-gawa Gonichi no Omokage" (Latter-day Reflections of the Sumida-gawa River), and he acted many types of female roles, such as a daughter, princess, Katahazushi (female role of nyobo (a court lady) of a samurai family or goten jochu (palace maid)), and keisei (courtesans with high dignity and literacy).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス