The Case for the Rural-to-Urban Transect

Transect Urbanism: Readings in Human Ecology / ORO Editions

By Grace Mitchell Tada

Imagine a tool that banishes the social and environmental ills of modern urban planning and its suburban sprawl, instead constructing an approach that reconciles urbanism and environmentalism. Meanwhile, the tool also enables choice and equity in how and where individuals live.

Architect, urban designer, and DPZ CoDesign principal Andrés Duany insists such a tool exists. It’s the Rural-to-Urban Transect, at once a tool and a theory, and it’s a balm to the recklessly sprawling modern life now ubiquitous across the U.S., which takes the form of socio-economic uniformity, automobile dependence, and conspicuous land consumption.

The book Transect Urbanism: Readings in Human Ecology, edited by Duany and Brian Falk, who is director of the Center for Applied Transect Studies, presents a collection of essays and descriptive graphics that examine the Rural-to-Urban Transect and explains its potential to create both a better quality of life within communities and better environmental practices across all scales.

This transect identifies and allocates elements of urbanism and their suitability to varying environments. It’s a theory of human settlement: an “ordering system” that harnesses a geographic gradient to organize natural habitats, including human habitats. Every human activity, and its resulting element in the urban fabric, can be pegged to a locus somewhere along that gradient. These elements comprise an “interrelated continuum of natural and human habitats—natural, rural-sub-urban, and urban—with different settlement densities and opportunities for social encounter and human activity,” the authors write.

Though the concept of a transect was not defined as such until the 18th century, Duany describes it as a pattern of human settlement both timeless and cross-cultural: the rural-to-urban spectrum can be traced to settlements from ancient Pompeii to ancient China.

In the late 18th century, Alexander von Humboldt first articulated the transect in the modern sense. Joseph Meyer illustrated the concept, drawing Humboldt’s voyage to South America to include the natural habitat and conditions above and below the ground’s surface.

“Tableau Physique,” Alexander von Humboldt / Center for Applied Transect Studies

In the 19th century, Sir Patrick Geddes’ illustrated “Valley Section” incorporated human presence in varying habitat zones. The humans, per the times, always exploited their environment.

“Valley Section,” Sir Patrick Geddes / Center for Applied Transect Studies

In 1969, Ian McHarg posited the next seminal transect. Duany finds it incomplete: it failed to include, or even suggest, human habitat. Moreover, this absence perpetuated the dualism between human and nature that underpins environmental thinking — “nature is sacred, and the city profane.” This dualism ultimately produced the chasm between environmentalism and urbanism.

In practice, McHarg-inspired planning has yielded countless communities that prioritize preserved “environmental” areas at the expense of higher density. For example, South Carolina’s Hilton Head and California’s Sea Ranch sanction only single-use zoning. “The developed areas of these projects remain, in their socioeconomic and environmental performance, indistinguishable from sprawl: everyone drives everywhere for everything,” Duany and Falk write.

Ian McHarg’s Natural Transect / Center for Applied Transect Studies

In 1994, the transect was revitalized as an ordering system at the Congress for the New Urbanism (CNU), when the group — proponents of “density, connectivity, and contiguity” — sought a theory establishing connections between elements of urbanism. The Rural-to-Urban Transect did so by defining six recognizable transect zones and their interrelationships: Natural (T1), Rural (T2), Sub-urban (T3), General Urban (T4), Urban Center (T5), and Urban Core (T6).

The Rural-to-Urban Transect / Center for Applied Transect Studies

Duany asserts that the Rural-to-Urban Transect extends “the environmental protocol of McHarg into the city,” thus including people. It becomes a tool with which to design, correlating elements along a rural-to-urban continuum, enabling “the basis for a system of zoning that creates complex, contextually appropriate human environments.” Adapted from landscape ecology, each of the six transect zones contain elements that engender and amplify a place’s character.

This transect’s extension of the McHargian protocol yields arguably two of its greatest boons: its potential to unite environmentalism and urbanism and its capacity to support diverse, equitable communities. The divide between humans and nature is not new — Duany traces this chasm back to the Old Testament — and it manifests in the 20th century as environmentalism’s defensive stance toward urbanism.

The dominant ecological disposition “privileges a pristine nature and regards the presence of humans as a disturbance” to a system understood according to its pre-human condition. “A good human community can be ‘green’ only by being invisible,” Duany and Falk argue. Urbanism has thus been viewed as “a negative condition, never as an organization of positive choices for the improvement of human communities.” And as a result, environmentalism is expressed in technical and regulatory systems that promote suburbanization — from pervasive landscaping to mandated on-site stormwater treatment.

This paradigm fails communities when prioritizing nature means seeing “social space as blight.” “Whole communities of humans have been pushed aside for highway construction, but certain fish and fowl have caused even the most single-minded transportation department officials to reconsider their designs,” Duany and Falk contend. But only certain communities get pushed aside. Favoring nature also usually translates to favoring certain social and racial groups at the expense of others.

According to the authors, their Rural-to-Urban Transect can mitigate these insidious tendencies. Rather than holding economy and culture as beyond nature, this transect accommodates all elements, rooted in the belief that humans are essential to environmental discourse, in all their various lifestyles along the rural-to-urban spectrum.

Most importantly, Duany and the other authors include everyone in their conception and explicitly those who historically have had little choice in how they live. Systems based in the Rural-to-Urban Transect encourage a plurality of viewpoints and human habitats. They promote equity.

Echternach, Luxembourg, by Léon Krier (left), and Annapolis, Maryland, by Charles Barrett (right) / Center for Applied Transect Studies

Key to the Rural-to-Urban Transect is its basis in form. Many planning initiatives are based in use and therefore manifest as prohibitions and separation. Cities filter community-making through a sieve of engineering standards, zoning ordinances, and other regulatory mechanisms long before designers enter the scene. Duany asserts that this existing framework, however, can be re-imagined by their transect: zoning based in form can yield certain physical outcomes and settlement patterns. Rather than zones that simplify and separate, transect code ensures fruitful relationships and adjacencies, from the local to regional scale. Transect-inspired zones preserve character and diversity according to place.

Essays in Transect Urbanism explain how these successes of the transect can be achieved: one details how to analyze an urban transect, one discusses governance along the transect, another discusses retail models within it. Duany includes a chapter describing the transect-based SmartCode that he has developed and implemented across various cities. Another chapter gives hope that existing sprawl can be repaired into a paradigm more resilient. Other essays consider the Rural-to-Urban Transect ontologically: the reason for six zones, and whether it qualifies as natural law, as certain people — Duany included — claim. The range of essays, from the practical to the theoretical, and the extensive illustrations make it a book suited for the student and the professional, for the planner, the landscape architect, and others thinking critically about the built environment.

As of 2019, the Form-Based Codes Institute identified 439 transect-based codes that had been adopted worldwide. Clearly, more communities do not embrace such thinking than do, and our society has much work to accomplish before divorcing itself from suburban sprawl. Duany in part blames the theory of landscape urbanism, which he claims perpetuates sprawl through the guise of aesthetics. He argues: “human biophilia is such that an image of anything with leaves will tilt the selection in its favor.”

Certainly, though, criticisms of the Rural-to Urban Transect arise: it is too simplified; its mere six zones are insufficient to account for all settlement and natural area types; the intentional rules of its zones are undesirably prescriptive; or it lacks consideration of urban ecology and biodiversity.

Yet, as made by the case presented in Transect Urbanism, the Rural-to-Urban Transect can serve as a noble tool in the reformation of our urban fabric. In one of his essays, written in 2005, Duany warns that a failure to square environmental ethos and social equity concerns with free market choice as perpetuated by the status-quo sprawl may only be solved by “a long economic emergency…that none of us should wish upon the nation.”

As millions of Americans grapple with job and home losses, among many other kinds of loss, we’re in the midst of an emergency. Released into a pandemic climate that has made us skeptical of dense urbanism, this book arrives with special urgency.

Now is as ripe a time as ever to give a different paradigm a chance, even if doing so will also require specific and convincing accommodations to the moment.

Grace Mitchell Tada, Associate ASLA, is with Hood Design Studio and co-editor of the new book Black Landscapes Matter.

Revisiting the Miasma Theory

Cholera “tramples the victors & the vanquished both.” Robert Seymour. 1831. U.S. National Library of Medicine / Wikipedia, Public Domain.

19th century sanitation engineer George E. Waring, Jr. was a miasmaist. He believed in the miasma theory, which holds that toxic vapors emanated from damp soil, rotted vegetation, and pools of standing water. These toxic vapors were understood to be created by the Earth and interact with the atmosphere and cause disease in American cities.

According to Catherine Seavitt Nordenson, FASLA, a professor of landscape architecture at the Bernard & Anne Spitzer School of Architecture at the City College of New York, Waring was a “marginal figure,” but he had interesting ideas about how to “modify the climate to improve health.” In a virtual lecture hosted by the Harvard Graduate School of Design, Seavitt Nordenson said Waring was incorrect about the mechanisms for spreading disease — he didn’t understand the concept of vectors, like mosquitoes — but his drainage and sanitation solutions were “surprisingly successful.” A year into the coronavirus pandemic, it’s worth revisiting Waring’s ideas about the connections between the Earth, atmosphere, disease — and the maintenance of public spaces.

Colonel George E. Waring, Jr., full-length seated portrait, New York, NY, 1897. Photo by Hollinger & Rockey. / Library of Congress

Waring wrote numerous books, created the drainage plan for Central Park, and later became an influential sanitation commissioner of New York City. Born in Pound Ridge, New York, in 1833, he studied agricultural chemistry. In his early 20s, he wrote a book on scientific farming that explored “atmospheric and molecular matter, the interchange of Earth and air,” Seavitt Nordenson explained. He called for “mechanical cultivation to reduce water in soil” through the use of “thorough under draining, deep disturbance of the soil, and trenches.”

Because of this book, he was later hired by former U.S. presidential candidate Horace Greeley to create a drainage system for his farm in Chappaqua, New York. At his estate, Waring created an elaborate herringbone-patterned drainage system that directed water to streams, with the goal of improving the marshy soil for farming, but he would soon also use for eradicating imagined wet soil-borne disease.

Later, in 1857, Waring apprenticed as a drainage engineer with Egbert L. Viele, who had previously created a comprehensive survey and study of Manhattan, examining the marsh, meadow, and constructed lands of the island. The study included the land that would make up the future Central Park, a land that had been home to the freed Black community of Seneca Village, which was later cleared by the city government to make way for the park. Waring’s early drainage studies of Manhattan informed the many entries submitted as part of a design competition for the new Central Park.

In 1858, Waring was promoted to drainage engineer by landscape architect Frederick Law Olmsted and architect Calvert Vaux, who won the design competition for Central Park. Waring created an elaborate drainage system for the park landscape, which included low-lying wetlands. Waring had found favor with Olmsted. “Olmsted too was a miasmaist. Draining the park was framed as disease suppression.”

Men Standing on Willowdale Arch, Central Park, New York, NY, 1862. Waring is second from left. Photo by Victor Prevost. / New York Public Library

Considered the largest drainage project of his time, Waring designed a comprehensive system that directed water to constructed lakes and reservoirs. By 1859, the lower part of the park had been drained through a series of ceramic tubes buried deep into the soil that piped water directly to streams and ponds. “There was a mechanical movement to the low points,” where water would flow to.

George E. Waring, Jr., Map of Drainage System on Lower Part of the Central Park, New York, NY, 1859. / New York Historical Society.

With the onset of the Civil War in 1861, Olmsted left his position at Central Park and became executive secretary of the U.S. Sanitary Commission, where he was charged with reducing the death rate from disease for 8,000 sick and wounded soldiers. Olmsted created field hospitals in places he thought free of dangerous miasmas. Meanwhile, Waring resigned from Central Park work to become a major and lead cavalry in the Civil War.

After the Civil War and the publication of his book Drainage for Profit, Drainage for Health, Waring took up a post in Memphis, Tennessee, a city that had suffered severe epidemics of cholera and yellow fever, killing some 5,000 people in 1878 alone. While Waring didn’t understand the mosquito was a key disease vector, his plan for attacking standing water in building basements and streets had a positive effect on reducing disease. His comprehensive plan to separate the conveyance of stormwater and sewage, which was eventually implemented by the city, ended the health crisis.

Upon returning to New York City as sanitation commissioner, Waring applied his miasma theory to cleaning up the streets of the city. At the time, horses were leaving millions of pounds of manure and urine on the streets each day. Horse corpses were also left to rot. Garbage piles ran feet-deep and were cleared by ad hoc groups of unemployed.

Seavitt Nordenson thinks Waring elevated street cleaning and maintenance into a “performance,” targeting garbage as contributing to disease and declining morals. Taking a “militaristic approach,” he hired an army of sanitation workers that he dressed in all white. Nicknamed the “white wings,” they were given hand carts and brooms and also took on snow removal.

“White wings” sanitation workers, during Waring’s era / The Bowery Boys, NYC History

Waring would lead parades on horseback, with thousands of sanitation workers in army formation marching down the street. “It was a triumph of sanitation.”

Sanitation workers on parade, 1896. Organized by George Waring / Discovering NYC Twitter

After leaving the sanitation department of New York, Waring was dispatched to Havana, Cuba, by President McKinley to help solve their yellow fever epidemic. Until 1902, the U.S. had a colonial presence in Cuba, and American soldiers were dying of disease. While establishing Havana’s department of street cleaning, Waring contracted yellow fever from a mosquito. A day after his return to New York, he died, his remains quarantined on an island in New York Harbor.

Seavitt Nordenson said the legacy of miasmaists like Waring and Olmsted is the public health focus on the air — the intermixing of atmosphere and Earth. While Waring was a “brilliant failure” in terms of his scientific theories, a “great mind but incorrect,” Seavitt Nordenson also wondered: was he right?

During the pandemic, everyone has become a miasmaist to a degree, imagining the invisible droplets we know are floating in the air.

Seavitt Nordenson is currently completing a book on this topic with the University of Texas Press, with support from the Graham Foundation and the Foundation for Landscape Studies.

Miami’s Underline Re-imagines Space Below a Metrorail Line

The Underline / © Miami-Dade County

Highways and elevated train and subway lines that cut through cities can be seen as barriers. But through innovative landscape design, the spaces beneath these transportation systems are becoming new linear parks that help bring communities back together. Offering built-in shelter for rain and snow and shade during warmer months, elevated infrastructure provides communities and landscape architects an opportunity to create new forms of public space.

After more than six years of planning, design, and construction, the first half-mile-long segment of The Underline, Miami’s 10-mile-long linear park, has opened below the city’s Metrorail system. Designed by a multidisciplinary team led by James Corner Field Operations (JCFO), a landscape architecture and urban design firm, The Underline is a model for how to separate pedestrian and bicycle networks and incorporate exercise facilities and outdoor spaces — all while leveraging existing infrastructure.

When The Friends of the Underline, a non-profit organization, and JCFO complete the project, the new park will span from the Miami River in Brickell to the Dadeland South Metrorail station and create more than 120 acres of multi-use public space. Restored natural habitats will mix with public spaces of all kinds along with pedestrian and bicycle paths that link directly to the Metrorail’s stations.

The Underline / © Miami-Dade County

The first segment is already a far cry from what was once there. Isabel Castilla, ASLA, design principal-in-charge for The Underline at JCFO, said: “I still remember one of our first site visits when we had to strategically run between oncoming traffic to cross the street because there was no safe way to cross the SW 7th or SW 8th Street intersections!”

Through outreach sessions, Castilla’s team discovered that improving pedestrian and bicycle access below the Metrorail lines was a priority for the community. “We learned there was a strong desire to create separate paths as some cyclists wanted to travel fast while using The Underline for commuting while others desired a space for strolling,” she said.

To reduce conflicts between pedestrians and bicyclists, JCFO implemented a few strategies: “First and foremost, we added traffic lights, pedestrian signals, and crosswalks. Second, the path geometry is always straight and perpendicular to intersection crossings in order to ensure cyclists have proper visibility.”

Two way bike lane graphics at The Underline / Ana Ruiz

Furthermore, “all intersections feature designated crosswalks for pedestrians and cyclists in order to give room to everyone and minimize conflicts. Lastly, we implemented bold pavement graphics — not only at intersections to make drivers aware of those crossing on bike or by foot, but also along the bike path to alert cyclists of an upcoming intersection so they can reduce speeds,” Castilla explained.

The Underline trail graphics / Sam Perzan

For Alejandro Vazquez, ASLA, design project manager for The Underline at JCFO, the project’s transportation safety benefits are personal: “My grandparents lived in Little Havana and their street didn’t even have a sidewalk to walk on. I remember my grandfather being one of the few people riding a bike in Miami in the 80’s and 90’s, and we were always worried that he would get hit by a car. In a county that has the highest number of pedestrian and bicycle crashes in the state of Florida, the simple act of creating connections through Miami with The Underline’s safe bike trail and pedestrian paths is quite revolutionary. The Underline and its connections to the Metrorail, Metromover, bus transport system, and projected trails—including the future Ludlam trail and the Miami Riverwalk extension—will contribute to a robust network of sustainable mobility corridors.”

The Underline has also become part of the greater East Coast Greenway, which runs 2,900 miles from Maine to Florida. Phase one of The Underline links with the Miami River Greenway, and the completed linear park will connect to six major trails in Miami-Dade county.

Beyond the street-level transportation network, JCFO incorporated a range of public spaces, all designed with a bold green brand identity and way-finding system designed by Hamish Smyth of Order Design. Brickell Backyard, the first phase of The Underline, found at the northernmost portion, is organized into a “procession of rooms” — the River Room, Gym, Promenade, and Oolite Room. Many of these spaces will also eventually be populated by public art, selected in collaboration with Miami-Dade County Art in Public Places.

The River Room offers views of the Miami River, native and South Florida-friendly plants, and space for residents and their dogs.

The River Room at The Underline / © Robin Hill, courtesy of The Underline
The River Room at The Underline / © Robin Hill, courtesy of The Underline

The Gym is designed for fitness, with a flexible court for basketball and soccer surrounded by exercise spaces that have strength training equipment, stretch and balance areas, and a running track.

The Gym at The Underline / © Miami-Dade County
The Gym at The Underline / © Miami-Dade County

The Promenade area, which includes the multi-modal Brickell Metrorail station, features wide sidewalks for bus and trolley commuters, a pedestrian path, and a separate bike path between the Metrorail columns that increases safety, JCFO notes.

Social spaces in the Promenade include a Station Grove, which offers moveable tables and chairs and bicycle parking for commuters; a game area with tables for chess and dominoes; a 50-foot-long communal dining table; and a plaza and stage that hosts activities organized by the Friends of the Underline.

The Promenade at The Underline / © Robin Hill, courtesy of The Underline

The Oolite Room, named after the Oolite sedimentary limestone of Miami that naturally compresses into ooid forms, frames native plant gardens designed to attract butterflies.

The Oolite Room at The Underline / © Robin Hill, courtesy of The Underline
The Oolite Room at The Underline / © Robin Hill, courtesy of The Underline
The Oolite Room at The Underline / © Field Operations, courtesy of The Underline

Castilla explained that The Underline is found in the monarch butterfly migration corridor. “The park has already seen a resurgence of butterflies that include the Atala butterfly, an endangered endemic South Florida species that thrives with plants such as Coontie and Lantana involucrate,” she said.

Butterfly at The Underline / © Robin Hill, courtesy of The Underline

As Miami faces climate impacts such as extreme heat, sea level rise, and increased ground-up flooding through its limestone landscape, the entire project was also designed to be climate resilient.

To reduce heat gain, Castilla tells us “the project is carefully designed around existing mature trees to preserve them while also carving out sizable new planting areas, minimizing hard surfaces, and, in turn, minimizing heat gain. All hardscapes use light-colored materials. In particular, the bike path asphalt paving was coated with a light-colored finish.”

The landscape architects also made sure the project did its part to reduce flooding from stormwater. “The Underline corridor sits on the Miami Rock Ridge, benefiting from some of the highest elevations in Miami. As such, it is not as prone to flooding or sea level rise as other parts of Miami. That said, we have carefully graded the site to direct all surface water to planting beds in order to minimize direct runoff to the city’s sewers.”