The following is a guest post by Sara W. Duke, Curator of Popular and Applied Graphic Arts, Prints and Photographs Division. “Exceptionally rare and believed to be previously unknown,” in the seller’s letter intrigued me. On offer, an 1836 anti-Martin Van Buren woodcut print, depicting Van Buren as a witch and riding the coattails of …
The following is a guest post by Micah Messenheimer, Curator of Photography, Prints & Photographs Division (and a photographer himself). In honor of Earth Day, we wanted to take a deeper look at some of the Library’s historic collections of landscape photographs. When many people think of landscape photographs they think of wide-open spaces, empty …
The following is an interview with Antonio Austin, who has been serving as an Archives, History and Heritage Advanced virtual intern in the Prints & Photographs Division since early February, with a goal of recommending ways to bring historical material to a larger audience in innovative ways. Antonio is working on a PhD in history …
In this entry in the occasional series where we look at portraits in the collections, I found myself, as always, fascinated by the process that creates an image, and wanting a peek into the story behind the portrait. In this case, I found examples of subjects sitting for an artist as the artist painted the …
The Farm Security Administration/Office of War Information (FSA/OWI) color photographs provide a vivid glimpse into life in the United States from 1939 to 1945 — a period more often viewed through a monochromatic lens. If you are familiar with the FSA/OWI photographs at the Library of Congress, chances are that the first images that come …