Tags: graph

Sanborn Fire Maps

A complete digital archive of the famous typography from the Sanborn Fire Insurance Maps

The lettering really is lovely!

How Undersea Cables Connect the Global Internet

Cables!

My Modern CSS Reset | jakelazaroff.com

I like the approach here: logical properties and sensible default type and spacing.

2004 was the first year of the future

I enjoyed reading through these essays about the web of twenty years ago: music, photos, email, games, television, iPods, phones…

Much as I love the art direction, you’d never know that we actually had some very nice-looking websites back in 2004!

She Built a Microcomputer Empire From Her Suburban Home

The story of Lore Harp McGovern is like something from Halt And Catch Fire.

OpenFreeMap

This project, based on OpenStreetMap, looks great:

OpenFreeMap lets you display custom maps on your website and apps for free.

You can either self-host or use our public instance.

I’m going to try it out on The Session once there’s documentation for using this with Leaflet.

The Unraveling of Space-Time | Quanta Magazine

This special in-depth edition of Quanta is fascinating and very nicely put together.

Introducing TODS – a typographic and OpenType default stylesheet | Clagnut by Richard Rutter

This is a very handy piece of work by Rich:

The idea is to set sensible typographic defaults for use on prose (a column of text), making particular use of the font features provided by OpenType. The main principle is that it can be used as starting point for all projects, so doesn’t include design-specific aspects such as font choice, type scale or layout (including how you might like to set the line-length).

Nic Chan

What an excellent personal website!

PENGUIN SERIES DESIGN – the art of Penguin book covers

Exploring the graphic design history of Penguin books:

The covers presented on this site are all from my own collection of about 1400 Penguins, which have been chosen for the beauty or interest of their cover designs. They span the history of the company all the way back to 1935 when Penguin Books was launched.

First Impressions of the Pixel 9 Pro | Whatever

At this point, it really does seem like “AI” is “bullshit you don’t need or is done better in other ways, but we’ve just spent literally billions on this so we really need you to use it, even though it’s nowhere as good as what we were already doing,” and everything else is just unsexy functionality that makes what you do marginally easier or better. I’m sorry we live in a world where enshittification is being marketed as The Hot And Sexy Thing, but just because we’re in that world, doesn’t mean you have to accept it.

The Beatrice Warde Memorial Lecture - St Bride Foundation

Oh, this looks like an excellent event (in London and online):

Adventures in Episodic Type Design

With David Jonathan Ross

Thursday 17th October 2024

Frostapalooza in photos and videos | Brad Frost

These are great!!!

Openly Licensed Images, Audio and More | Openverse

A library of CC-licensed photos.

Next time you’re tempted to use a generative “AI” tool to make an image for a slide deck, use this instead.

Will Browar | Photographing Frostapalooza

Wow! The photos that Will took at Frostapalooza (and in the run-up) are absolutely fantastic!

He also shares the technical details for all you camera nerds.

Config 2024: In defense of an old pixel (Marcin Wichary, Director of Design, Figma) - YouTube

Everyone’s raving about this great talk by Marcin, and rightly so!

Should this be a map or 500 maps? - by Elan Ullendorff

This is kind of about art direction and kind of about design systems.

There is beauty in trying to express something specific; there is beauty too in finding compromises to create something epic and collective.

My only concern is whether we are considering the question at all.

I really like the newly-launched website for this year’s XOXO festival. I like that the design is pretty much the same for really small screens, really large screens, and everything in between because everything just scales. It’s simultaneously a flyer, a poster, and a billboard.

Trys has written about the websites he’s noticed using fluid type and spacing: There it is again, that fluid feeling.

I know what he means. I get a similar feeling when I’m on a site that adjusts fluidly to any browser window—it feels very …webby.

I’ve had this feeling before.

When responsive design was on the rise, it was a real treat to come across a responsive site. After a while, it stopped being remarkable. Now if I come across a site that isn’t responsive, it feels broken.

And now it’s a treat to come across a site that uses fluid type. But how long will it be until it feels unremarkable? How will it be until a website that doesn’t use fluid type feels broken?

The invisible seafaring industry that keeps the internet afloat

A fascinating in-depth look at the maintenance of undersea cables:

The industry responsible for this crucial work traces its origins back far beyond the internet, past even the telephone, to the early days of telegraphy. It’s invisible, underappreciated, analog.

Snook’s Law:

It’s a truism that people don’t think about infrastructure until it breaks, but they tend not to think about the fixing of it, either.

Some of the best free fonts | Clearleft

If you start with a high-quality, legible, free typeface and experiment with size, weight, colour, line height, and (subtle) letter spacing, you might find these free options will get you further than you’d think. These are professional fonts crafted and maintained by experts and they can help your content land the way it deserves to.