Kardashev Street
Matt has made a new website for tracking our collective progress levelling up the Kardashev scale:
Maximising energy generation, distribution and usage at street level, for as many people as possible, everyday.
Matt has made a new website for tracking our collective progress levelling up the Kardashev scale:
Maximising energy generation, distribution and usage at street level, for as many people as possible, everyday.
I really, really like this post from Matt (except for the bit where he breaks Simon’s rule).
Robin Sloan on The Culture:
The Culture is a utopia: a future you might actually want to live in. It offers a coherent political vision. This isn’t subtle or allegorical; on the page, citizens of the Culture very frequently articulate and defend their values. (Their enthusiasm for their own politics is considered annoying by most other civilizations.)
Coherent political vision doesn’t require a lot, just some sense of “this is what we ought to do”, yet it is absent from plenty of science fiction that dwells only in the realm of the cautionary tale.
I don’t have much patience left for that genre. I mean … we have been, at this point, amply cautioned.
Vision, on the other hand: I can’t get enough.
I’m really excited about John’s talk at this year’s UX London. Feels like a good time to revisit his excellent talk from dConstruct 2015:
I’m going to be opening up the second day of UX London 2024, 18th-20th June. As part of that talk, I’ll be revisiting a talk called Metadesign for Murph which I gave at dConstruct in 2015. It might be one of my favourite talks that I’ve ever given.
Everything old is new again:
In our current “information age,” or so the story goes, we suffer in new and unique ways.
But the idea that modern life, and particularly modern technology, harms as well as helps, is deeply embedded in Western culture: In fact, the Victorians diagnosed very similar problems in their own society.
Twelve short stories of solarpunk cli-fi “envisioning the next 180 years of equitable climate progress.”
Whether built on abundance or adaptation, reform or a new understanding of survival, these stories provide flickers of hope, even joy, and serve as a springboard for exploring how fiction can help create a better reality.
Hannah Steinkopf-Frank:
At its core, and despite its appropriation, Solarpunk imagines a radically different societal and economic structure.
From Mary Shelley and Edgar Rice Burroughs to John Brunner, Frank Herbert and J.G. Ballard to Kim Stanley Robinson, Paolo Bacigalupi, and Octavia Butler.
My talk on sci-fi and me for Beyond Tellerrand’s Stay Curious event was deliberately designed to be broad and expansive. This was in contrast to Steph’s talk which was deliberately narrow and focused on one topic. Specifically, it was all about solarpunk.
I first heard of solarpunk from Justin Pickard back in 2014 at an event I was hosting. He described it as:
individuals and communities harnessing the power of the photovoltaic solar panel to achieve energy-independence.
The sci-fi subgenre of solarpunk, then, is about these communities. The subgenre sets up to be deliberately positive, even utopian, in contrast to most sci-fi.
Most genres ending with the -punk suffix are about aesthetics. You know the way that cyberpunk is laptops, leather and sunglasses, and steampunk is zeppelins and top hats with goggles. Solarpunk is supposedly free of any such “look.” That said, all the examples I’ve seen seem to converge on the motto of “put a tree on it.” If a depiction of the future looks lush, verdant, fecund and green, chances are it’s solarpunk.
At least, it might be solarpunk. It would have to pass the criteria laid down by the gatekeepers. Solarpunk is manifesto-driven sci-fi. I’m not sure how I feel about that. It’s one thing to apply a category to a piece of writing after it’s been written, but it’s another to start with an agenda-driven category and proceed from there. And as with any kind of classification system, the edges are bound to be fuzzy, leading to endless debates about what’s in and what’s out (see also: UX, UI, service design, content design, product design, front-end development, and most ironically of all, information architecture).
When I met up with Steph to discuss our talk topics and she described the various schools of thought that reside under the umbrella of solarpunk, it reminded me of my college days. You wouldn’t have just one Marxist student group, there’d be multiple Marxist student groups each with their own pillars of identity (Leninist, Trotskyist, anarcho-syndicalist, and so on). From the outside they all looked the same, but woe betide you if you mixed them up. It was exactly the kind of situation that was lampooned in Monty Python’s Life of Brian with its People’s Front of Judea and Judean People’s Front. Steph confirmed that those kind of rifts also exist in solarpunk. It’s just like that bit in Gulliver’s Travels where nations go to war over the correct way to crack an egg.
But there’s general agreement about what broadly constitutes solarpunk. It’s a form of cli-fi (climate fiction) but with an upbeat spin: positive but plausible stories of the future that might feature communities, rewilding, gardening, farming, energy independence, or decentralisation. Centralised authority—in the form of governments and corporations—is not to be trusted.
That’s all well and good but it reminds of another community. Libertarian preppers. Heck, even some of the solarpunk examples feature seasteading (but with more trees).
Politically, preppers and solarpunks couldn’t be further apart. Practically, they seem more similar than either of them would be comfortable with.
Both communities distrust centralisation. For the libertarians, this manifests in a hatred of taxation. For solarpunks, it’s all about getting off the electricity grid. But both want to start their own separate self-sustaining communities.
Independence. Decentralisation. Self-sufficiency.
There’s a fine line between Atlas Shrugged and The Whole Earth Catalog.
A slot machine for speculation. Enter a topic and get a near-future scenario on that topic generated automatically.
I was supposed to be in Plymouth yesterday, giving the opening talk at this year’s Future Sync conference. Obviously, that train journey never happened, but the conference did.
The organisers gave us speakers the option of pre-recording our talks, which I jumped on. It meant that I wouldn’t be reliant on a good internet connection at the crucial moment. It also meant that I was available to provide additional context—mostly in the form of a deluge of hyperlinks—in the chat window that accompanied the livestream.
The whole thing went very smoothly indeed. Here’s the video of my talk. It was The Layers Of The Web, which I’ve only given once before, at Beyond Tellerrand Berlin last November (in the Before Times).
As well as answering questions in the chat room, people were also asking questions in Sli.do. But rather than answering those questions there, I was supposed to respond in a social medium of my choosing. I chose my own website, with copies syndicated to Twitter.
Here are those questions and answers…
The first few questions were about last years’s CERN project, which opens the talk:
Actually, I think the original WWW project got things mostly right. If anything, I’d correct what came later: cookies and JavaScript—those two technologies (which didn’t exist on the web originally) are the source of tracking & surveillance.
The one thing I wish had been done differently is I wish that JavaScript were a same-origin technology from day one:
Next question:
How excited were you when you initially got the call for such an amazing project?
It was an unbelievable privilege! I was so excited the whole time—I still can hardly believe it really happened!
Later in the presentation, I talked about service workers and progressive web apps. I got a technical question about that:
Is there a limit to the amount of local storage a PWA can use?
Great question! Yes, there are limits, but we’re generally talking megabytes here. It varies from browser to browser and depends on the available space on the device.
But files stored using the Cache API are less likely to be deleted than files stored in the browser cache.
More worrying is the announcement from Apple to only store files for a week of browser use:
Finally, there was a question about the over-arching theme of the talk…
Great talk, Jeremy. Do you encounter push-back when using the term “Progressive Enhancement”?
Yes! …And that’s why I never once used the phrase “progressive enhancement” in my talk. 🙂
There’s a lot of misunderstanding of the term. Rather than correct it, I now avoid it:
https://adactio.com/journal/9195
Instead of using the phrase “progressive enhancement”, I now talk about the benefits and effects of the technique: resilience, universality, etc.
It may be the end of the world as we know it, but other worlds are possible.
A collection of weird and wonderful design fiction.
This collection of “Souvenirs from the Future” envisions what the future looks like through the eyes of young and talented art, design and architecture students living in different parts of the world. Some are speculations on ideal tomorrows; others are projections and critiques on the present. Some reveal beautiful aesthetics, alternatives to the high tech; others bravely question critical issues around politics, religion or tradition.