Journal tags: reviews

I read 25 books in 2023. That’s exactly the same amount that I read in 2022.

15 of the 25 books were written by women—a bit of a dip from last year.

I read a lot more fiction than non-fiction this year. I’m okay with that.

There was plenty of sci-fi as usual, but 2023 was also the year I went down a rabbit hole of reading retellings of the Homeric epics. I’ve had a copy of The Odyssey on my coffee table while I’ve been diving into the works of Madeline Miller, Natalie Haynes, Pat Barker, and more. I’m really enjoying this deep dive and I don’t intend to stop anytime soon.

It’s funny; reading different takes on the same characters and interweaving storylines is kind of like dipping into the Marvel Cinematic Universe, just a few millennia older. In some ways, it feels like reading fantasy, but as Ursula Le Guin points out, things aren’t so black and white:

The Trojan war is not and you cannot make it be the War of Good vs. Evil. It’s just a war, a wasteful, useless, needless, stupid, protracted, cruel mess full of individual acts of courage, cowardice, nobility, betrayal, limb-hacking-off, and disembowelment. Homer was a Greek and might have been partial to the Greek side, but he had a sense of justice or balance that seems characteristically Greek—maybe his people learned a good deal of it from him? His impartiality is far from dispassionate; the story is a torrent of passionate actions, generous, despicable, magnificent, trivial. But it is unprejudiced. It isn’t Satan vs. Angels. It isn’t Holy Warriors vs. Infidels. It isn’t hobbits vs. orcs. It’s just people vs. people.

I’ve been reading some Ursula Le Guin this year too, and that’s something else I intend to keep on doing. Like the retellings of Troy, her work just keeps on giving.

Anyway, in my usual manner, here’s my end-of-year summary of what I’ve read, along with a pointless rating out of five.

To recap, here’s my scoring system:

• One star means a book is meh.
• Two stars means a book is perfectly fine.
• Three stars means a book is a good—consider it recommended.
• Four stars means a book is exceptional.
• Five stars is pretty much unheard of.

The Star Of The Sea by Joseph O’Connor

A nautical tale of The Great Hunger. It’s a tricky subject but this book mostly tackles it well. It’s fairly dripping in atmosphere.

★★★☆☆

Who Fears Death by Nnedi Okorafor

Another rivetting tale from Nnedi Okorafor, this one set in a world that seems quite different from ours, where magic is a powerful force.

★★★☆☆

The Rosewater Insurrection by Tade Thompson

The second book in the trilogy—this time it’s war. Once again, the setting and the vibe are unlike any other alien invasion story. I’m looking forward to reading the final installment.

★★★☆☆

Understanding Privacy by Heather Burns

On the one hand, this book feels like homework because it really is required reading for any web designer or developer. On the other hand, Heather does an excellent job in making what could be a very dry topic as interesting as possible. The contrasts between the US and Europe are particulary eye-opening.

★★★☆☆

Children Of Time by Adrian Tschaikovsky

Absolutely top-notch hard sci-fi! It feels like two of the biggest characters in the book are time and evolution. For a tale that’s told over thousands of years, the pace never lets up. Now I get why this book won so many awards. It’s quite a feat of story-telling. I loved it!

★★★★☆

The Hacker Crackdown: Law and Disorder on the Electronic Frontier by Bruce Sterling

A fairly by-the-numbers retelling of the early days of computer hackers. To be honest, I found the pre-computer part (detailing telephone hacks) to be the most interesting bit.

★★☆☆☆

Circe by Madeline Miller

Everyone was going on about how great this book was so my expectations were high. They were exceeded. This book is just wonderful. When I finished it, I found myself craving more. That set me on the path of reading other retellings of Homeric characters, but none of them could quite match the brilliance of Circe.

★★★★☆

Make Something Wonderful: Steve Jobs in his own words by The Steve Jobs Archive

An assembly of speeches, memos, and emails. It’s refreshingly un-hagiographic, given the publisher. And of course it’s beautifully typeset.

★★★☆☆

The Song Of Achilles by Madeline Miller

After reading and loving Circe, I went back to Madeline Miller’s previous story of the Trojan War. The Song Of Achilles didn’t quite match Circe for me, but it came very close. Once again, everything is described vividly and once again, it stayed with me long after I finished reading it.

★★★★☆

A Thousand Ships by Natalie Haynes

Another retelling of the Trojan war. This is an episodic book that weaves its threads together nicely. Sometimes it’s a little on-the-nose about its intentions but it mostly works very well.

★★★☆☆

Rocannon’s World by Ursula K. Le Guin

Le Guin’s first novel is far from her best work but it’s still better than most sci-fi. A good planetary romance.

★★★☆☆

The Intelligence Illusion by Baldur Bjarnason

Refreshingly level-headed and practical. If you work somewhere that’s considering using generative tools built on large language models, read this before doing anything.

★★★☆☆

Planet Of Exile by Ursula K. Le Guin

The second of Le Guin’s Hainish books. Another planetary romance that’s perfectly fine but not in the same league as her later work.

★★★☆☆

City Of Illusions by Ursula K. Le Guin

The third of the Hainish novels, this one gets pretty trippy. I enjoyed the sensation of not knowing what was going on (much like the protaganist).

★★★☆☆

Babel by R.F. Kuang

This was such a frustrating read! On the one hand, the world-building as absolutely superb. The idea of magic being driven translation is brilliant. So is the depiction of a British empire that exploits and colonises foreign languages. But then the characters in this world are not well realised. The more the book went on, the less believable they seemed.

There’s also a really strange disconnect in the moods of the book; one minute it’s gritty revolutionary fare, the next it’s like Harry Potter goes to Oxford.

It didn’t work for me. And I know that my opinion can be easily dismissed as that of a mediocre middle-aged white man, but I really wanted to like this. I was totally on board with the politics of the book, but the way it hammered me over the head constantly didn’t do it any favours.

A message like “racism is bad” or “colonialism is bad” might work as subtext, but here, where it’s very much the text-text, it doesn’t succeed.

★★☆☆☆

That Old Country Music by Kevin Barry

A collection of short stories set in the west of Ireland. Good stuff.

★★★☆☆

The Silence Of The Girls by Pat Barker

Back to the Trojan war in the first of a series by Pat Barker. She takes a naturalistic tone with the dialogue, modernising it. It works quite well. By this time, having read Madeline Miller’s The Song Of Achilles and Natalie Hayne’s A Thousand Ships, I really felt like I was looking at the same series of events from different angles.

★★★☆☆

An Immense World by Ed Yong

Another great accessible science book from Ed Yong, this time about senses in the animal world. It sometimes feels a bit like a series of articles rather than a single book, but when the articles are this good, that’s absolutely fine.

★★★☆☆

The Water Knife by Paolo Bacigalupi

Okay, this might get a bit ranty…

The plot and the writing style in this book are perfectly fine, gripping even. It’s got that Gibsonesque structure of having two or three different characters in very different settings being propelled towards an inevitable meeting point (it happens pretty much exactly at the half-way point in this book).

But this is a cli-fi book that fails. It will not encourage anyone to take action other than turn into a doomer. Instead of asking what the future might actually be like, it instead asks “what’s the absolute worst that could happen?” Frankly, it’s a cop-out.

The book takes a similar tack with its characters. It assumes everyone’s terrible and will do terrible things. It’s lazy.

So you’ve got an unrelenting series of people behaving terribly in a horrific setting. It gets boring.

I was trying to cut the book some slack, but when there was a rare scene of actual consensual sex, it quickly turned into an adolescent male fantasy.

Reading this was like reading the opposite of Kim Stanley Robinson. Avoid.

★★☆☆☆

The Women Of Troy by Pat Barker

Back to Troy we go for the second in Pat Barker’s series. More good stuff.

★★★☆☆

How to Make the World Add Up: Ten Rules for Thinking Differently About Numbers by Tim Harford

A recommendation from Chris. He thought I’d enjoy this and he was not wrong. Tim Harford strikes just the right tone as he relays stories of statistics gone wrong as well as statistics done right.

★★★☆☆

Translation State by Ann Leckie

I’ll read anything by Ann Leckie. I loved her Imperial Radch series and this book is set in the same universe. There’s a strange juxtaposition of body horror in places with a Becky Chambers style cosiness. It’s partly a courtroom drama, but one where the courtroom gets very dramatic indeed. And there are lots of questions around identity and belonging. I liked it.

★★★☆☆

Trespasses by Louise Kennedy

Full disclosure: the author is a cousin of a friend of mine. She told me how much of this book was based on actual family history. It’s set in Belfast in the 70s and it is very vivid in a very kitchen-sink kind of way. It feels all-too real. Recommended.

★★★☆☆

Children Of Ruin by Adrian Tchaikovsky

The sequel to Children Of Time doesn’t quite hit the same high bar, but it’s still an excellent rip-roaring space adventure that continues the themes of evolution and time. Thoroughly enjoyable.

★★★☆☆

Clytemnestra by Costanza Casati

My final foray to ancient Greece for the year. This is a debut novel that’s absolutely on par with the other Homeric writers I’ve been reading. Even though you know where things are headed, you can’t turn away. In other words, it’s a classic Greek tragedy.

★★★☆☆

Extra(ordinary) People by Joanna Russ

I had’t read any Joanna Russ before, which was something I’ve been meaning to rectify. I picked up a second-hand copy of this slim volume of short stories that was published by The Women’s Press back in the 80s but which is now out of print. Stories are vaguely connected and they all explore identity, gender, disguises and passing. But it’s the opening award-winning story Souls that’s the real stand-out. Well worth reading.

★★★☆☆

So that was my reading year. There were some disappointments in the sci-fi category, with both Babel and The Water Knife, but generally the quality was high.

I didn’t really read enough non-fiction to choose a best one of the year.

When it came to fiction, there was a clear winner: Circe by Madeline Miller.

If you fancy reading any of the books I’ve reviewed here, there’s a list of them on bookshop.org. Or go to your local library.

If you’re interested in my round-ups from previous years, here they are:

• Books I read in 2022,
• Books I read in 2021,
• Books I read in 2020,
• Books I read in 2019,
• Books I read in 2018, and
• Books I read in 2017.

I read 25 books in 2022. I wish I had read more, but I’m not going to beat myself up about it. I think no matter how many books I read in any given year, I’ll always wish I had read more.

18 of the 25 books were written by women. I think that’s a pretty good ratio. But only 6 of the 25 books were written by Black authors. That’s not a great ratio.

Still, I’m glad that I’m tracking my reading so at least I can be aware of the disparity.

For the first half of the year, I stuck with my usual rule of alternating between fiction and non-fiction, never reading two non-fiction books or two fiction books back-to-back. Then I fell off the wagon. In the end, only 7 of the 25 books I read were non-fiction. We’ll see whether the balance gets redressed in 2023.

As is now traditional, I’m doing my end-of-year recap, complete with ridiculous star ratings.

I’m very stingy with my stars:

• One star means a book is meh.
• Two stars means a book is perfectly fine.
• Three stars means a book is a good—consider it recommended.
• Four stars means a book is exceptional.
• Five stars is pretty much unheard of.

Cowboy Feng’s Space Bar And Grille by Steven Brust

★★☆☆☆

Even the author doesn’t think this is a particularly good book, and he’s not wrong. But I have a soft spot for it. This was a re-read. I had already read this book years before, and all I rememberd was “sci-fi with Irish music.” That’s good enough for me. But truth be told, the book is tonally awkward, never quite finding its groove. Still a fun romp if you like the idea of a teleporting bar with a house band playing Irish folk.

A Ghost In The Throat by Doireann Ní Ghríofa

★★★★☆

Stunning. I still don’t know whether it’s fiction, autobiography, translation, or some weird mix of all of the above. All that matters is that the writing is incredible. It’s so evocative that the book practically oozes.

Parable Of The Talents by Octavia E. Butler

★★★★☆

A terrific follow-up to The Parable Of The Sower. It seems remarkably relevant and prescient. So much so that I’m actually glad I didn’t read this while Trump was in power—I think it would’ve been too much. It’s a harrowing read, but always with an unwavering current of hope throughout.

About Time: A History of Civilization in Twelve Clocks by David Rooney

★★★☆☆

A great examination of history and colonialism through the lens of timekeeping. Even for a time-obsessed nerd like me, there are lots of new stories in here.

The Lathe Of Heaven by Ursula Le Guin

★★★★☆

While I was reading this, I distinctly remember thinking “Oh, so this is what Philip K. Dick was trying to do!” And I say that as a huge fan of Philip K. Dick. But his exuction didn’t always match up to his ideas. Here, Le Guin shows how it’s done. Turns out she was a fan of Philip K. Dick and this book is something on an homage. I found its central premise genuinely disconcerting. I loved it.

Orwell’s Roses by Rebecca Solnit

★★★★☆

When someone asked me what I was reading, I was honestly able to respond, “It’s a book about George Orwell and about roses.” I know that doesn’t sound like a great basis for a book, but I thought it worked really well. As a huge fan of Orwell’s work, I was biased towards enjoying this, but I didn’t expect the horticultural aspect to work so well as a lens for examining politics and power.

The Testaments by Margaret Atwood

★★★☆☆

A solid sequel to the classic The Handmaid’s Tale. It’s not more of the same: we get a different setting, and a very different set of viewpoints. It didn’t have quite the same impact as the first book, but then very little could. As with The Handmaid’s Tale, Margaret Atwood stuck with her rule of only including shocking situations if they have actually occurred in the real world.

On Tyranny by Timothy Snyder

★★☆☆☆

I wrote about this book in more detail:

For a book that’s about defending liberty and progress, On Tyranny is puzzingly conservative at times.

No One Is Talking About This by Patricia Lockwood

★★★★☆

Astonishing. I know that a person’s reaction to a book is a personal thing, but for me, this book had a truly emotional impact. I wrote about it at the time:

When I started reading No One Is Talking About This, I thought it might end up being the kind of book where I would admire the writing, but it didn’t seem like a work that invited emotional connection.

I couldn’t have been more wrong. I can’t remember the last time a book had such an emotional impact on me. Maybe that’s because it so deliberately lowered my defences, but damn, when I finished reading the book, I was in pieces.

East West Street by Philippe Sands

★★★☆☆

An absorbing examination of the origins of international war crimes: genocide and crimes against humanity. The book looks at the interweaving lives of the two people behind the crime’s definitions …and takes in the author’s own family history on the way. A relative of mine ran in the same legal circles in wartime Lviv, and I can’t help but wonder if their paths crossed.

A Desolation Called Peace by Arkady Martine

★★★☆☆

Just as good as A Memory Called Empire, maybe even more enjoyable. Here we get a first contact story, but there’s still plenty of ongoing political intrigue powering the plot. I can’t wait for the next book in this series!

The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win by Maria Konnikova

★★★☆☆

A thoroughly enjoyable piece of long-form journalism. It’s ostensibly about the world of high-stakes poker, but there are inevitable life lessons along the way. The tone of this book is just right, with the author being very open and honest about her journey. Her cards are on the table, if you will.

The Long Tomorrow by Leigh Brackett

★★★☆☆

I wonder how much of an influence this book had on Walter M. Miller’s A Canticle For Leibowitz? They’re both post-apocalyptic books of the Long Now. While this is no masterpiece, Brackett writes evocatively of her post-nuclear America.

Being You: A New Science of Consciousness by Anil Seth

★★★☆☆

A compelling and accessible examination of a big subject. It doesn’t shy away from inherently complex topics, but manages to always be understable and downright enjoyable. I liked this book so much, I asked Anil to speak at dConstruct.

All Systems Red by Martha Wells

★★★☆☆

A good fast-paced sci-fi story that acts as a vehicle for issues of identity and socialisation. It’s brief and peppy. I’ll definitely be reading the subsequent books in the Murderbot Diaries series.

The Glass Hotel by Emily St. John Mandel

★★★☆☆

Not in the same league as Station Eleven, but a solid work, looking at the events before and after the collapse of a Ponzi scheme. It’s not a ghost story, but it’s also not not a ghost story. And it’s not about crypto …but it’s not not about crypto.

The Alchemy Of Us by Ainissa Ramirez

★★☆☆☆

I was really looking forward to reading this, but I ended up disappointed. All the stories about historical inventions were terrifically told, but then each chapter would close with an attempt to draw parallels with modern technology. Those bits were eye-rollingly simplistic. Such a shame. I wonder if they were added under pressure from the publisher to try to make the book “more relevant”? In the end, they only detracted from what would’ve otherwise been an excellent and accessible book on the history of materials science.

Looking back, I notice that The Alchemy Of Us was the last non-fiction book I read this year.

Wild Seed by Octavia E. Butler

★★★☆☆

After reading this, I decided to read the rest of the Patternist series in one go. This scene-setter is almost biblical in scope. The protagonist is like an embodiment of matriarchy, and the antogonist is a frightening archetype of toxic masculinity.

Mind Of My Mind by Octavia E. Butler

★★★☆☆

All of Butler’s works are about change in some way (as exemplified in the mantra of Earthseed: “God is change”). Change—often violent—is at the heart of Mind Of My Mind. As always, the world-building is entirely believable.

Clay’s Ark by Octavia E. Butler

★★★☆☆

This works as a standalone novel. Its connection to the rest of the Patternist series is non-existient for most of the book’s narrative. That sense of self-containment is also central to the tone of the novel. You find yourself rooting for stasis, even though you know that change is inevitable.

Pattern Master by Octavia E. Butler

★★★☆☆

By the final book in the Patternist series, the world has changed utterly. But as always, change is what drives the narrative. “The only lasting truth is Change.”

The Unreal And The Real: Selected Stories Volume 2: Outer Space, Inner Lands by Ursula K. Le Guin

★★★★☆

I’ve read quite of few of Le Guin’s novels, but I don’t think I had read any of her short stories before. That was a mistake on my part. These stories are terrific! There’s the classic The Ones Who Walk Away From Omelas to kick things off, and the quality is maintained with plenty of stories from the Hainish universe. I was struck by how many of the stories were anthropological in nature, like the centrepiece story, The Matter of Seggri.

The Galaxy, and the Ground Within by Becky Chambers

The fourth and final book in the Wayfarers series was a satisfying conclusion. I still preferred Record Of A Spaceborn Few, but that’s probably just because I preferred the setting. As always, it’s a story of tolerance and understanding. Aliens are people too, y’know.

★★★☆☆

The Táin translated by Ciaran Carson

As a story, this is ludicrous and over the top, but that’s true of any near-mythological national saga. Even though this is an English translation, a working knowledge of Irish pronunciation is handy for all the people and places enumerated throughout. In retrospect, I think I would’ve liked having the source text to hand (even if I couldn’t understand it).

★★★☆☆

The Star Of The Sea by Joseph O’Connor

I’m less than half way through this, but I’m enjoying being immersed in its language and cast of characters. You’ll have to wait until the end of 2023 for an allocation of stars for this nautical tale of the Great Hunger.

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There we have it. I think the lesson this year is: you can’t go wrong with Octavia E. Butler or Ursula K. Le Guin.

And now it’s time for me to pick one favourite fiction and one favourite non-fiction book that I read in 2022.

The pool is a bit smaller for the non-fiction books, and there were some great reads in there, but I think I have to go for Rebecca Solnit’s Orwell’s Roses.

Now I have to pick a favourite work of fiction from the 18 that I read. This is hard. I loved The Lathe Of Heaven and Ghost In The Throat, but I think I’m going to have choose No One Is Talking About This by Patricia Lockwood.

If you want to read any of the books I’ve mentioned, you can find them all in this list on Bookshop.org—support independent bookshops! I bought Octavia Butler’s Patternist books at Brighton’s excellent Afori Books, located in Clearleft’s old building at 28 Kensington Street. Do swing by if you’re in the neighbourhood.

Or try your local library. Libraries are like a sci-fi concept made real.

If you’re interested in previous installments of my annual reading updates, you can peruse:

• Books I read in 2021,
• Books I read in 2020,
• Books I read in 2019,
• Books I read in 2018, and
• Books I read in 2017,

I added a “notes” section to this website eight years ago. I set it up so that notes could be syndicated to Twitter. Ever since then, that’s the only way I post to Twitter.

A few months later I added photos to my notes. Again, this would get syndicated to Twitter.

Something’s bothered me for a long time though. I initially thought that if I posted a photo, then the accompanying text would serve as a decription of the image. It could effectively act as the alt text for the image, I thought. But in practice it didn’t work out that way. The text was often a commentary on the image, which isn’t the same as a description of the contents.

I needed a way to store alt text for images. To make it more complicated, it was possible for one note to have multiple images. So even though a note was one line in my database, I somehow needed a separate string of text with the description of each image in a single note.

I eventually settled on using the file system instead of the database. The images themselves are stored in separate folders, so I figured I could have an accompanying alt.txt file in each folder.

Take this note from yesterday as an example. Different sizes of the image are stored in the folder /images/uploaded/19077. Here’s a small version of the image and here’s the original. In that same folder is the alt text.

This means I’m reading a file every time I need the alt text instead of reading from a database, which probably isn’t the most performant way of doing it, but it seems to be working okay.

Here’s another example:

• the original image,
• the alt.txt file, and
• the note itself.

In order to add the alt text to the image, I needed to update my posting interface. By default it’s a little textarea, followed by a file upload input, followed by a toggle (a checkbox under the hood) to choose whether or not to syndicate the note to Twitter.

The interface now updates automatically as soon as I use that input type="file" to choose any images for the note. Using the FileReader API, I show a preview of the selected images right after the file input.

Here’s the code if you ever need to do something similar. I’ve abstracted it somewhat in that gist—you should be able to drop it into any page that includes input type="file" accept="image/*" and it will automatically generate the previews.

I was pleasantly surprised at how easy this was. The FileReader API worked just as expected without any gotchas. I think I always assumed that this would be quite complex to do because once upon a time, it was quite complex (or impossible) to do. But now it’s wonderfully straightforward. Story of the web.

My own version of the script does a little bit more; it also generates another little textarea right after each image preview, which is where I write the accompanying alt text.

I’ve also updated my server-side script that handles the syndication to Twitter. I’m using the /media/metadata/create method to provide the alt text. But for some reason it’s not working. I can’t figure out why. I’ll keep working on it.

In the meantime, if you’re looking at an image I’ve posted on Twitter and you’re judging me for its lack of alt text, my apologies. But each tweet of mine includes a link back to the original note on this site and you will most definitely find the alt text for the image there.

I read 26 books in 2021, which is a bit more than I read in 2020. That said, some of them were brief books. I don’t think I actually read any more than my usual annual allotment of words.

I’m glad that I’m tracking my reading here on my own site. About halfway through the year I thought that I was doing a pretty good job of reading a mix of books from men and women, but a glance at my reading list showed that wasn’t the case at all and I was able to adjust my intake accordingly. I wasn’t doing as badly as some but by just keeping an ongoing reading list is a handy to spot any worrying trends.

I continued my practice of alternating between fiction and non-fiction. It’s working for me.

Now that the year is at an end, I’m going to my traditional round-up and give a little review of each book. I’m also going to engage in the pointless and annoying practice of assigning a rating out of five stars for each book.

To calibrate:

• a one-star book would be rubbish,
• a two-star book would be perfectly fine,
• a three-star book would be good,
• a four-star book would be excellent, and
• a five-star book is unheard of.

This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

★★★☆☆

I was reading this at the end of 2020 and finished it at the start of 2021. I let it wash over me, which I think is how this impressionistic and rightly short book is meant to be enjoyed. But I might just be telling myself that because I wasn’t following it closely enough.

Humankind: A Hopeful History by Rutger Bregman

★★★★☆

A terrific book about human nature. As I wrote at the time, it makes a great companion piece to—and is influenced by—Rebecca Solnit’s excellent A Paradise Built In Hell.

The only frustrating facet of Bregman’s book is that it’s also influenced by Yuval Noah Harari’s mess Sapiens. That’s probably where it gets its wrong-headed fantasy about the evils of the agricultural revolution and the glories of a pre-civilisational nomadic lifestyle. Fortunately it sounds like this pernicious myth is in for a well-earned skewering in Davids Graeber and Wengrow’s new book The Dawn of Everything

Apart from that though, Humankind is pretty darn wonderful.

The Stinging Fly Issue 43/Volume Two Winter 2020-21 — The Galway 2020 Edition edited by Lisa McInerney and Elaine Feeney

★★★☆☆

Reading this collection of stories, poems and essays was my way of travelling to Galway when a global pandemic prevented me from actually going there. The quality was consistently high and some of the stories really stayed with me.

The Moment of Eclipse by Brian Aldiss

★★☆☆☆

Another pulp paperback of short stories from Brian Aldiss. I wrote about reading this book.

Sustainable Web Design by Tom Greenwood

★★★☆☆

Reading a title from A Book Apart almost feels like a cheat—the books are laser-focused into a perfectly brief length. This one is no exception and the topic is one that every web designer and developer needs to be versed in.

Lagoon by Nnedi Okorafor

★★★☆☆

A thoroughly enjoyable first-contact story set in Nigeria. It’s absolutely dripping in atmosphere and features fully-formed characters that feel grounded even when in the middle of fantastical events.

Broad Band: The Untold Story of the Women Who Made the Internet by Claire L. Evans

★★★★★

Yeah, that’s right: five stars! This books is superb, the perfect mix of subject matter and style as I wrote as soon as I finished it. What a writer!

British Ice by Owen D. Pomery

★★☆☆☆

This is a bit of a cheat on my part. It’s a short graphic novel, and the story is told more through pictures than words. The story is somewhat slight but the imagary, like the landscape being described, is hauntingly sparse.

Klara and the Sun by Kazuo Ishiguro

★★★☆☆

This one divided opinion. I thought that, on the whole, the novel worked. There are moments of seeing the world through a robot’s eyes that feel truly alien. It’s not in the same league as Never Let Me Go, but it does share the same feeling of bleak inevitability. So not a feelgood book then.

It pairs nicely with Ian McEwan’s recent Machines Like Us to see how two respected mainstream authors approach a genre topic.

Invisible Women: Exposing Data Bias in a World Designed for Men by Caroline Criado Perez

★★★☆☆

Sharp and scathing, this is a thorough exposé. Sometimes it feels a little too thorough—there are a lot of data points that might have been better placed in footnotes. Then again, the whole point of this book is that the data really, really matters so I totally get why it’s presented this way.

A Memory Called Empire by Arkady Martine

★★★☆☆

Properly good human-level space opera with oodles of political intrigue. I will definitely be reading the next book in the series.

My Rock ‘n’ Roll Friend by Tracey Thorn

★★★☆☆

I really enjoyed this account of the friendship between Tracey Thorn and Lindy Morrison. I’m a huge Go-Betweens fan, but the band’s story is almost always told from the perspective of the boys, Grant and Robert. You could say that those narratives have (puts on sunglasses) …Everything But The Girl.

Anyway, this was a refreshing alternative. Writing about music is notoriously tricky, but this might be the best biography of a musician I’ve read.

Piranesi by Susanna Clarke

★★★★☆

I loved this! If I tried to give a plot synopsis, it would sound ridiculous, like someone describing their dreams. But somehow this works in a way that feels cohesive and perfectly internally consistent. Just read it—you won’t regret it.

On Writing: A Memoir of the Craft by Stephen King

★★★☆☆

I enjoy reading books about the craft of writing and this is one that I had been meaning to read for years. It didn’t disappoint. That said, I think I might have enjoyed it more as an autobiography of an American childhood than as a guide to writing. Some of the writing advice is dispensed as gospel when really, that’s just like your opinion, man.

A Brilliant Void: A Selection of Classic Irish Science Fiction edited by Jack Fennell

★★☆☆☆

A quirky collection of 19th century and early 20th century short stories. Today we’d probably classify them as fantasy more than science fiction. What was really interesting was reading the biographies of the writers. The collection has an impressive amount of stories by fascinating women. Kudos to Jack Fennell for the curation.

Let The Game Do Its Work by J.M. Berger

★★☆☆☆

An enjoyable little study of dystopian film sports (I’ve always wanted to do a movie marathon on that theme). The format of this work is interesting. It’s not a full-length book. Instead it’s like a quick exploration of the topic to see whether it should be a full-length book. Personally, I think this is enough. Frankly, I can think of plenty of full-length non-fiction books that should’ve been more like this length.

The City We Became by N. K. Jemisin

★★★☆☆

Sci-fi? Fantasy? Magical realism? This has a premise that’s tricky to pull off, but it works. That said, I think it could’ve been shorter. I enjoyed this but I’m not sure if I’ll be reading any sequels.

Factfulness: Ten Reasons We’re Wrong About The World - And Why Things Are Better Than You Think by Hans Rosling with Ola Rosling and Anna Rosling Roennlund

★★★★☆

Wonderful! A book about facts and figures with a very human soul. It can be summed up in this quote:

The world cannot be understood without numbers. And it cannot be understood with numbers alone.

Sometimes the self-effacing style of the late Hans Rosling can be a little grating, but overall this is a perfectly balanced book.

The Sunken Land Begins to Rise Again by M. John Harrison

★★★☆☆

Dripping with creepy Brexity atmosphere, this is more of a slow rising damp than a slow burn. But while the writing is terrific at the sentence level, it didn’t quite pull me in as a book. I admired it more than I enjoyed it.

The Relentless Moon by Mary Robinette Kowal

★★★☆☆

More escapist wish fulfilment in the Lady Astronaut series. These books aren’t great literature by any stretch, but I find the premise of an alternative history of the space race very appealing (like For All Mankind). This third book has a change of narrator and a change of scene: the moon.

Let It Go: My Extraordinary Story - From Refugee to Entrepreneur to Philanthropist by Dame Stephanie Shirley

★★★★☆

Absolutely brilliant! Both the book and the author, I mean. Steve Shirley is a hero of mine so it’s gratifying to find that she’s a great writer along with being a great person. Her story is by turns astonishing and heartbreaking. She conveys it all in an honest, heartfelt, but matter-of-fact manner.

I didn’t expect to find resonances in here about my own work, but it turns out that Clearleft wouldn’t have been able to become an employee-owned company without the groundwork laid down by Steve Shirley.

If you’re ever tempted to read some self-help business autobiography by some dude from Silicon Valley, don’t—read this instead.

Binti: The Night Masquerade by Nnedi Okorafor

★★★☆☆

The third in the Binti series of novellas is just as good as the previous two. This is crying out to be turned into a television show that I would most definitely watch.

Design For Safety by Eva PenzeyMoog

★★★☆☆

Another excellent addition to the canon of A Book Apart. I found myself noting down quotations that really resonated.

Parable of the Sower by Octavia E. Butler

★★★★☆

Excellent writing once again from Octavia Butler. Like Kindred, this can be harrowing at times but there’s a central core of humanity running through even the darkest moments. I’ll definitely be reading Parable of the Talents.

Responsible JavaScript by Jeremy Wagner

★★★☆☆

It will come as a surprise to absolutely no one that this book was right up my alley. I was nodding my head vigorously at many passages. While I might talk about progressive enhancement at the theoretical level, my fellow Jeremy dives deep into the practicalities. If you write JavaScript, you have to read this book.

Record of a Spaceborn Few by Becky Chambers

★★★☆☆

I wasn’t that into the first book in the Wayfarers series. I enjoyed the second one more. When it came to this third installment, I was completely won over. I was in just the right mood for it after the heaviness of Parable of the Sower. There’s not much in the way of threat, but plenty in the way of warmth. I’m also a sucker for stories of generation starships.

The Road from Castlebarnagh: Growing Up in Irish Music, A Memoir by Paddy O’Brien

★★★☆☆

An enjoyable series of vignettes told from the viewpoint of a young boy growing up in rural Ireland. I was hoping for more stories of the music, but if you’re involved in trad music in any way, this is well worth a read.

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Now it’s time to choose one book of the year from the fiction stack and one book of the year from non-fiction.

In any other year I think Parable of the Sower would be the fiction winner, but this year I’m going to have to go for Piranesi.

There’s stiff competition in the non-fiction category: Humankind, Factfulness, and Let It Go are all excellent. But it’s got to be Broad Band.

Most of these books are available on Bookshop if you fancy reading any of them.

And for context, here’s:

• Books I read in 2020,
• Books I read in 2019,
• Books I read in 2018, and
• Books I read in 2017.

I only read twenty books this year. Considering the ample amount of free time I had, that’s not great. But I’m not going to beat myself up about it. Yes, I may have spent more time watching television than reading, but I’m cutting myself some slack. It was 2020, for crying out loud.

Anyway, here’s my annual round-up with reviews. Anything with three stars is good. Four stars is really good. Five stars is practically unheard of. As usual, I tried to get an equal balance of fiction and non-fiction.

Raven Stratagem by Yoon Ha Lee

★★★☆☆

An enjoyable sequal to Ninefox Gambit. There are some convoluted politics but that all seems positively straightforward after the brain-bending calendrical warfare introduced in the first book.

The Human Use Of Human Beings: Cybernetics And Society by Norbert Wiener

★★★☆☆

The ur-text on systems and feedback. Reading it now is like reading a historical artifact but many of the ideas are timeless. It’s a bit dense in parts and it tries to cover life, the universe and everything, but when you remember that it was written in 1950, it’s clearly visionary.

The Word For World Is Forest by Ursula K. Le Guin

★★★☆☆

Simultaneously a ripping yarn and a spiritual meditation. It’s Vietnam and the environmental movement rolled into one (like what Avatar attempted, but this actually works).

Abolish Silicon Valley by Wendy Liu

★★★★☆

Here’s my full review.

A Short History Of Irish Traditional Music by Gearóid Ó hAllmhuráin

★★☆☆☆

A perfectly fine and accurate history of the music, but it’s a bit like reading Wikipedia. Still, it was quite the ego boost to see The Session listed in the appendix.

Machines Like Me by Ian McEwan

★★★☆☆

McEwan’s first foray into science fiction is a good tale but a little clumsily told. It’s like he really wants to show how much research he put into his alternative history. There are moments when characters practically turn to the camera to say, “Imagine how the world would’ve turned out if…” It’s far from McEwan’s best but even when he’s not on top form, his writing is damn good.

The Fabric Of Reality by David Deutsch

★★★☆☆

I’ve attempted to read this before. I may have even read it all before and had everything just leak out of my head. The problem is with me, not David Deutsch who does a fine job of making complex ideas approachable. This is like a unified theory of everything.

Helliconia Winter by Brian Aldiss

★★★☆☆

The third and final part of Aldiss’s epic is just as enjoyable as the previous two. The characters aren’t the main attraction here. It’s all about the planetary ballet.

Uncanny Valley by Anna Wiener

★★★★☆

A terrific memoir. It’s open and honest, and just snarky enough when it needs to be.

A Wizard Of Earthsea, The Tombs Of Atuan, and The Farthest Shore by Ursula K. Le Guin

★★★★☆

There’s a real pleasure in finally reading books that you should’ve read years ago. I can only imagine how wonderful it would’ve been to read these as a teenager. It’s an immersive world but there’s something melancholy about the writing that makes the experience of reading less escapist and more haunting.

Superior: The Return of Race Science by Angela Saini

★★★★★

Absolutely superb! I liked Angela Saini’s previous book, Inferior, but I loved this. It’s a harrowing read at times, but written with incredible clarity and empathy. I can’t recommend this highly enough.

Purple People by Kate Bulpitt

★★★★☆

Full disclosure: Kate is a friend of mine, so I probably can’t evaluate her book in a disinterested way. That said, I enjoyed the heck out of this and I think you will too. It’s very hard to classify and I think that’s what makes it so enjoyable. Technically, it’s sci-fi I suppose—an alternative history tale, probably—but it doesn’t feel like it. It’s all about the characters, and they’re all vividly realised. Honestly, I’m not sure how best to describe it—other then it being like the inside of Kate’s head—but the description of it being “a jolly dystopia” comes close. Take a chance and give it a go.

How to Argue With a Racist: History, Science, Race and Reality by Adam Rutherford

★★★☆☆

Good stuff from Adam Rutherford, though not his best. If I hadn’t already read Angela Saini’s Superior I might’ve rated this higher, but it pales somewhat by comparison. Still, it was interesting to see the same subject matter tackled in two different ways.

Agency by William Gibson

★★☆☆☆

There’s nothing particularly wrong with Agency, but there’s nothing particularly great about it either. It’s just there. Maybe I’m being overly harsh because the first book, The Peripheral, was absolutely brilliant. This reminded me of reading Gibson’s Spook Country, which left me equally unimpressed. That book was sandwiched between the brilliant Pattern Recognition and the equally brilliant Zero History. That bodes well for the forthcoming third book in this series. This second book just feels like filler.

Last Night’s Fun: In And Out Of Time With Irish Music by Ciaran Carson

★★★☆☆

It’s hard to describe this book. Memoir? Meditation? Blog? I kind of like that about it, but I can see how it divides opinion. Some people love it. Some people hate it. I thought it was enjoyable enough. But it doesn’t matter what I think. This book is doing its own thing.

Revenant Gun by Yoon Ha Lee

★★★☆☆

The third book in the Machineries of Empire series has much less befuddlement. It’s even downright humourous in places. If you liked Ninefox Gambit and Raven Strategem, you’ll enjoy this too.

A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster by Rebecca Solnit

★★★☆☆

The central thesis of this book is refuting the Hobbesian view of humanity as being one crisis away from breakdown. I feel like that argument was made more strongly in Critical Mass: How One Thing Leads to Another by Philip Ball. But where this book shines is in its vivid description of past catastrophes and their aftermaths: the San Francisco fire; the Halifax explosion; the Mexico City earthquake; and the culmination with Katrina hitting New Orleans. I was less keen on the more blog-like personal musings but overall, this is well worth reading.

Blindsight by Peter Watts

★★☆☆☆

I like a good tale of first contact, and I had heard that this one had a good twist on the Fermi paradox. But it felt a bit like a short story stretched to the length of a novel. It would make for a good Twilight Zone episode but it didn’t sustain my interest.

This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

I’m still reading this Hugo-winning novella and enjoying it so far.

---

Alright, time to wrap up this look back at the books I read in 2020 and pick my favourites: one fiction and one non-fiction.

My favourite non-fiction book of the year was easily Superior by Angela Saini. Read it. It’s superb.

What about fiction? Hmm …this is tricky.

You know what? I’m going to go for Purple People by Kate Bulpitt. Yes, she’s a friend (“it’s a fix!”) but it genuinely made an impression on me: it was an enjoyable romp while I was reading it, and it stayed with me afterwards too.

Head on over to Bookshop and pick up a copy.

I read 26 books in 2019. That’s not as many as I’d like, but it is an increase on 2018.

Once again, I tried to maintain a balance between fiction and non-fiction. It kinda worked.

Here, in order of reading, are the books I read in 2019. For calibration, anything with three stars or more means I enjoyed (and recommend) the book. I can be pretty stingy with my stars. That said…

Kindred by Octavia Butler

★★★★★

Kindred is a truly remarkable work. Technically it’s science fiction—time travel, specifically—but that’s really just the surface detail. This is a study of what makes us human, and an investigation into the uncomfortable reach of circumstance and culture. Superbly written and deeply empathic.

The Soul Of A New Machine by Tracy Kidder

★★☆☆☆

This is a well-regarded book amongst people whose opinion I value. It’s also a Pulitzer prize winner. Strange, then, that I found it so unengaging. The prose is certainly written with gusto, but it all seems so very superficial to me. No matter how you dress it up, it’s a chronicle of a bunch of guys—and oh, boy, are they guys—making a commercial computer. Testosterone and solder—not my cup of tea.

Binti by Nnedi Okorafor

★★★☆☆

A thoroughly entertaining space adventure, although my favourite parts are the descriptions of the inner magic of mathematics. This is a short read too, so go ahead and give it a whirl. Recommended.

The Order Of Time by Carlo Rovelli

★★★☆☆

The writing is entertaining, sometimes arresting, though it definitely spills over into purple prose at times. As a meditation on the nature of time, it’s a thought-provoking read, but I think I prefer the gentler musings of James Gleick’s Time Travel: A History.

Lincoln in the Bardo by George Saunders

★★☆☆☆

Another highly-regarded book that I just couldn’t get into. That’s probably more down to me than the book. I can see how the writing is imaginative and immersive, but the end result—for me, at least—was no more than perfectly fine.

Reading this kind of reminded me of reading David Mitchell’s Cloud Atlas. They’re both perfectly fine books that were lavished with heaps of praise for their levels of imagination …which makes me think that people need to read more sci-fi and fantasy.

A Mind At Play: How Claude Shannon Invented The Information Age by Jimmy Soni and Rob Goodman

★★★★☆

A terrific biography! Admittedly you’ll probably want to be interested in information theory in the first place, but how could you not?

This book could probably have been a little shorter without losing too much, but I thoroughly enjoyed reading it. It’s a great companion to James Gleick’s The Information.

Mr. Penumbra’s 24-Hour Bookstore by Robin Sloan

★★★☆☆

This is like the love child of Craig Mod and Umberto Eco …and I mean that in the nicest possible way. A thoroughly entertaining genre-crossing jaunt that isn’t going to stress you out. Fun!

Inferior: The True Power Of Women and the Science that Shows It by Angela Saini

★★★☆☆

Superbly researched and deftly crafted. This is an eye-opening journey into the cultural influences on experimental science.

Resilient Management by Lara Hogan

★★★★☆

I’m getting kind of cross with Lara now. First she writes the definitive book on web performance. Then she writes the definitive book on public speaking (I’ve loaned it out so many times, I’ve lost track of it). Now she’s gone and written the definitive book on being a manager. It hardly seems fair!

Seriously, this book is remarkably practical, right from the get-go. And the one complaint I have about most management books—that they’re longer than they need to be—definitely doesn’t apply here. If your job involves managing humans in any way, read this book!

The Future Home Of The Living God by Louise Erdrich

★★☆☆☆

There’s nothing wrong with this book, per se. But I think it’s situated too much in the shadow of Margaret Atwood’s The Handmaid’s Tale to stand on its own merits.

Binti Home by Nnedi Okorafor

★★★☆☆

The second novella in the Binti series. Just as much fun as the first. I’m looking forward to reading the third and final book in the series.

Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness by Peter Godfrey-Smith

★★★☆☆

I really enjoyed this evolutionary tale. It’s equal parts biology and philosophy. I will never look at cephalopods quite the same way again.

Sourdough by Robin Sloan

★★★☆☆

Just as entertaining as Robin’s first book, this has a fun vibe to it.

By pure coincidence, I followed Sourdough with…

I Contain Multitudes: The Microbes Within Us and a Grander View of Life by Ed Yong

★★★★☆

I wrote:

There’s a lovely resonance in reading @RobinSloan’s Sourdough back to back with @EdYong209’s I Contain Multitudes. One’s fiction, one’s non-fiction, but they’re both microbepunk.

To which Robin responded:

OMG I’m so glad these books presented themselves to you together—I think it’s a great pairing, too. And certainly, some of Ed’s writing about microbes was in my head as I was writing the novel!

I Contain Multitudes is a thoroughly engaging and entertaining work. You might not think you want to read a book all about microbes, but trust me, you do.

I stand by this appraisal:

They’re both such wonderful books—apart from the obvious microbial connection, there’s a refreshingly uncynical joy infusing the writing of each of them!

Rosewater by Tade Thompson

★★★☆☆

An first-contact novel with a difference. The setting, the characters, the writing—everything is vivid and immersive. I’m looking forward to reading more in this series.

Skyfaring by Mark Vanhoenacker

★★★☆☆

The sheer joy of the writing is infectious. If you’ve got some long-haul flights ahead of you, this is the perfect reading material.

The Raven Tower by Ann Leckie

★★★★☆

This has stayed with me. This is Ann Leckie’s first foray into more of a fantasy realm, and it’s just as great as her superb science fiction.

Internal consistency is key to world-building in works of fantasy, and this book has a deeply satisfying and believable system that is only gradually and partially revealed. Encore!

The Science of Storytelling by Will Storr

★★★☆☆

This book has an unusual structure. At times, it’s like a masterclass in writing. At other times, it’s deeply personal. I don’t know quite how to classify it, but I like it!

Exhalation by Ted Chiang

★★★★☆

Brilliant, as expected. Some of the stories in here have stayed with me long after I finished reading them. If you haven’t already read this or Stories of Your Life and Others, you’re in for a real treat.

Is Exhalation quite as brilliant as Ted Chiang’s debut book of short stories? Maybe not. But that bar is so high as to be astronomical.

Now we just have to wait a few more decades for his third collection.

Motherfoclóir: Dispatches From A Not So Dead Language by Darach O’Séaghdha

★★★☆☆

I don’t know if this will be of any interest if you don’t already understand some Irish, but I found this to be good fun. There were times when an aside was repeated more than once, which made me wonder if the source material was originally scattered in other publications.

The Calculating Stars by Mary Robinette Kowal

★★★☆☆

An alternative history novel with a thought-provoking premise. The result is like a cross between Mercury 13 and Seveneves. There’s a dollop of wish fulfillment in here that feels like a guilty pleasure, but that’s no bad thing.

1666: Plague, War, and Hellfire by Rebecca Rideal

★★★☆☆

This is how you bring history to life! The style of writing feels much more like a historical novel than a dry academic work, but all of the events are relayed from contempary source material. The plague is suitably grim and disgusting; the sea battles are appropriately thrilling and frightening; the fire is unrelentingly devestating. I know that doesn’t sound like there’s much enjoyment to be had, but this is the best history book I’ve read in a while.

Helliconia Summer by Brian Aldiss

★★★☆☆

I know I joke about seeing pace layers everywhere but seriously, Brian Aldiss’s Heliconia series is all about pace layers. Each book deals with one point in time, where we’re concerned with the dynastic concerns of years and decades, but the really important story is happening on the scale of centuries and millennia as the seasons slowly change.

This one was just as good as Helliconia Spring and I’m looking forward to rounding out the series with Helliconia Winter.

The Canopy Of Time by Brian Aldiss

★★☆☆☆

I decided to stay on a Brian Aldiss kick, and grabbed this pulpy collection of short stories. It’s not his best work, and there’s an unnecessary attempt to tie all the stories together into one narrative, but even a so-so Brian Aldiss book has got a weird and slightly haunting edge to it.

The Fated Sky by Mary Robinette Kowal

★★★☆☆

The sequel to The Calculating Stars and the last in the Lady Astronaut series. Good space-race entertainment.

Raven Stratagem by Yoon Ha Lee

I’ve just picked up this sequel to Ninefox Gambit. So far it’s not as bewildering as the first book—where the bewilderment was part of its charm. I’m into it. But I won’t rate it till I’ve finished it.

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Alright, time to pick my favourite fiction and non-fiction books of the year.

Certainly the best fiction book published this year was Ted Chiang’s Exhalation. But when it comes to the best book I’ve read this year, it’s got to be Octavia Butler’s Kindred. Hard to believe it’s forty years old—it’s shockingly relevant today.

As for the best non-fiction …this is really hard this year. So many great books: A Mind At Play, Inferior, 1666, Other Minds; I loved them all. But I think I’m going to have to give it to Ed Yong’s I Contain Multitudes.

Only 10 of the 26 books I read this year were by women. I need to work on redressing the balance in 2020.

I read twenty books in 2018, which is exactly the same amount as I read in 2017. Reflecting on that last year, I said “It’s not as many as I hoped.” It does seem like a meagre amount, but in my defence, some of the books I read this year were fairly hefty tomes.

I decided to continue my experiment from last year of alternating fiction and non-fiction books. That didn’t quite work out, but it makes for a good guiding principle.

In ascending reading order, these are the books I read in 2018…

A Fire Upon The Deep by Vernor Vinge

★★★☆☆

I started this towards the end of 2017 and finished it at the start of 2018. A good sci-fi romp, but stretched out a little bit long.

Time Travel: A History by James Gleick

★★★★☆

I really enjoyed this, but then, that’s hardly a surprise. The subject matter is tailor made for me. I don’t think this quite matches the brilliance of Gleick’s The Information, but I got a real kick out of it. A book dedicated to unearthing the archeology of a science-fiction concept is a truly fascinating idea. And it’s not just about time travel, per se—this is a meditation on the nature of time itself.

Traction by Gino Wickman

Andy was quite taken with this management book and purchased multiple copies for the Clearleft leadership team. I’ll refrain from rating it because it was more like a homework assignment than a book I would choose to read. It crystalises some good organisational advice into practical steps, but it probably could’ve been quite a bit shorter.

Provenance by Ann Leckie

★★★☆☆

It feels very unfair but inevitable to compare this to Ann Leckie’s amazing debut Imperial Radch series. It’s not in quite the same league, but it’s also not trying to be. This standalone book has a lighter tone. It’s a rollicking good sci-fi procedural. It may not be as mind-blowingly inventive as Ancillary Justice, but it’s still a thoroughly enjoyable read.

Visions, Ventures, Escape Velocities: A Collection of Space Futures edited by Ed Finn and Joey Eschrich, with guest editor Juliet Ulman

★★★☆☆

This book is free to download so it’s rather excellent value for money. It alternates sci-fi short stories with essays. Personally, I would skip the essays—they’re all a bit too academic for my taste. But some of these stories are truly excellent. There’s a really nice flow to the collection: it begins in low Earth orbit, then expands out to the Mars, the asteroid belt, and beyond. Death on Mars by Madeline Ashby was a real standout for me.

The Best of Richard Matheson by Richard Matheson, edited by Victor LaValle

★★★★☆

For some reason, I was sent a copy of this book by an editor at Penguin Classics. I have no idea why, but thank you, Sam! This turned out to be a lot of fun. I had forgotten just how many classics of horror and sci-fi are the work of Richard Matheson. He probably wrote your favourite Twilight Zone episode. There’s a real schlocky enoyment to be had from snacking on these short stories, occassionally interspersed with genuinely disturbing moments and glimpses of beauty.

Close To The Machine: Technophilia And Its Discontents by Ellen Ullman

★★★☆☆

Lots of ’90s feels in this memoir. A lot of this still resonates today. It’s kind of fascinating to read it now with the knowledge of how this whole internet thing would end up going.

Gnomon by Nick Harkaway

★★★★☆

This gripped me from the start, and despite its many twisty strands, it managed to keep me with it all the way through. Maybe it’s a bit longer than it needs to be, and maybe some of the diversions don’t entirely work, but it makes up for that with its audaciousness. I still prefer Goneaway World, but any Nick Harkaway book is a must-read.

Hidden Figures by Margot Lee Shetterly

★★★★☆

Terrific stuff. If you’ve seen the movie, you’ve got about one tenth of the story. The book charts a longer arc and provides much deeper social and political context.

Dawn by Octavia Butler

★★★☆☆

This is filled with interesting ideas, but the story never quite gelled for me. I’m not sure if I should continue with the rest of the Lilith’s Brood series. But there’s something compelling and unsettling in here.

Sapiens: A Brief History Of Humankind by Yuval Noah Harari

★★☆☆☆

Frustratingly inconsistent. Here’s my full review.

The Fifth Season by N.K. Jemisin

★★★★☆

The Obelisk Gate by N.K. Jemisin

★★★☆☆

The Stone Sky by N.K. Jemisin

★★★☆☆

I devoured these books back-to-back. The Fifth Season was terrific—packed to the brim with inventiveness. But neither The Obelisk Gate nor The Stone Sky quite did it for me. Maybe my expectations were set too high by that first installment. But The Broken Earth is still a fascinating and enjoyable series.

Programmed Inequality by Marie Hicks

I was really looking forward to this one, but I found its stiff academic style hard to get through. I still haven’t finished it. But I figure if I could read Sapiens through to the end, I can certainly manage this. The subject matter is certainly fascinating, and the research is really thorough, but I’m afraid the book is showing its thesis roots.

The Power by Naomi Alderman

★★★☆☆

This plays out its conceit well, and it’s a fun read, but it’s not quite a classic. It feels more like a Neil Gamain or Lauren Beukes page-turner than, say, a Margaret Atwood exploration. Definitely worth a read, though.

New York 2140 by Kim Stanley Robinson

★★★★☆

The world-building (or maybe it’s world rebuilding) is terrific. But once again, as is often the case with Kim Stanley Robinson, I find the plot to be lacking. This is not in the same league as Aurora. It’s more like 2312-on-sea. It’s frustrating. I’m torn between giving it three stars or four. I’m going to be generous because even though it’s not the best Kim Stanley Robinson book, it contains some of his best writing. There are passages that are breathtakingly good.

A Thread Across The Ocean by John Steele Gordon

★★★★☆

After (temporarily) losing my library copy of New York 2140, I picked this up in a bookstore in Charlottesville so I’d have something to read during my stay there. I was very glad I did. I really, really enjoyed this. It’s all about the transatlantic telegraphic cable, so if that’s your thing—as it is mine—you’re going to enjoy this. It makes a great companion piece to Tom Standage’s The Victorian Internet. Come for the engineering, stay for the nautical tales of derring-do.

Borne by Jeff VanderMeer

★★★★☆

Not as disturbing as the Southern Reach Trilogy, but equally unsettling in its own way. Shades of Oryx and Crake, but in a more fantastically surreal setting.

The Airs Of Earth by Brian Aldiss

★★★☆☆

A good collection of short stories from the master of sci-fi. I’ve got a backlog of old pulpy paperback Aldiss collections like this that make for good snackfood for the mind.

Algorithms to Live By: The Computer Science of Human Decisions by Brian Christian and Tom Griffiths

A Christmas present from my brother-in-law. I just cracked this open, so you’ll have to come back next year to find out how it fared.

Alright. Now it’s time to pick the winners.

I think the best fiction book I read this year was Nick Harkaway’s Gnomon.

For non-fiction, it’s a tough call. I really enjoyed Hidden Figures and A Thread Across The Ocean, but I think I’m going to have to give the top spot to James Gleick’s Time Travel: A History.

But there were no five star books this year. Maybe that will change in 2019. And maybe I’ll read more books next year, too. We’ll see.

In 2017, seven of the twenty books I read were by women. In 2018, it was nine out of twenty (not counting anthologies). That’s better, but I want keep that trajectory going in 2019.

I’m very, very happy to see that my new book Going Offline is proving to be accessible and unintimidating to a wide audience—that was very much my goal when writing it.

People have been saying nice things on their blogs, which is very gratifying. It’s even more gratifying to see people use the knowledge gained from reading the book to turn those blogs into progressive web apps!

Sara Soueidan:

It doesn’t matter if you’re a designer, a junior developer or an experienced engineer — this book is perfect for anyone who wants to learn about Service Workers and take their Web application to a whole new level.

I highly recommend it. I read the book over the course of two days, but it can easily be read in half a day. And as someone who rarely ever reads a book cover to cover (I tend to quit halfway through most books), this says a lot about how good it is.

Eric Lawrence:

I was delighted to discover a straightforward, very approachable reference on designing a ServiceWorker-backed application: Going Offline by Jeremy Keith. The book is short (I’m busy), direct (“Here’s a problem, here’s how to solve it“), opinionated in the best way (landmine-avoiding “Do this“), and humorous without being confusing. As anyone who has received unsolicited (or solicited) feedback from me about their book knows, I’m an extremely picky reader, and I have no significant complaints on this one. Highly recommended.

Ben Nadel:

If you’re interested in the “offline first” movement or want to learn more about Service Workers, Going Offline by Jeremy Keith is a really gentle and highly accessible introduction to the topic.

Daniel Koskine:

Jeremy nails it again with this beginner-friendly introduction to Service Workers and Progressive Web Apps.

Donny Truong

Jeremy’s technical writing is as superb as always. Similar to his first book for A Book Apart, which cleared up all my confusions about HTML5, Going Offline helps me put the pieces of the service workers’ puzzle together.

People have been saying nice things on Twitter too…

Aaron Gustafson:

It’s a fantastic read and a simple primer for getting Service Workers up and running on your site.

Ethan Marcotte:

Of course, if you’re looking to take your website offline, you should read @adactio’s wonderful book

Lívia De Paula Labate:

Ok, I’m done reading @adactio’s Going Offline book and as my wife would say, it’s the bomb dot com.

If that all sounds good to you, get yourself a copy of Going Offline in paperbook, or ebook (or both).

I’m not a big fan of job titles. I’ve always had trouble defining what I do as a noun—I much prefer verbs (“I make websites” sounds fine, but “website maker” sounds kind of weird).

Mind you, the real issue is not finding the right words to describe what I do, but rather figuring out just what the heck it is that I actually do in the first place.

According to the Clearleft website, I’m a technical director. That doesn’t really say anything about what I do. To be honest, I tend to describe my work these days in terms of what I don’t do: I don’t tend to write a lot of HTML, CSS, and JavaScript on client projects (although I keep my hand in with internal projects, and of course, personal projects).

Instead, I try to make sure that the people doing the actual coding—Mark, Graham, and Danielle—are happy and have everything they need to get on with their work. From outside, it might look like my role is managerial, but I see it as the complete opposite. They’re not in service to me; I’m in service to them. If they’re not happy, I’m not doing my job.

There’s another aspect to this role of technical director, and it’s similar to the role of a creative director. Just as a creative director is responsible for the overall direction and quality of designs being produced, I have an oversight over the quality of front-end output. I don’t want to be a bottleneck in the process though, and to be honest, most of the time I don’t do much checking on the details of what’s being produced because I completely trust Mark, Graham, and Danielle to produce top quality code.

But I feel I should be doing more. Again, it’s not that I want to be a bottleneck where everything needs my approval before it gets delivered, but I hope that I could help improve everyone’s output.

Now the obvious way to do this is with code reviews. I do it a bit, but not nearly as much as I should. And even when I do, I always feel it’s a bit late to be spotting any issues. After all, the code has already been written. Also, who am I to try to review the code produced by people who are demonstrably better at coding than I am?

Instead I think it will be more useful for me to stick my oar in before a line of code has been written; to sit down with someone and talk through how they’re going to approach solving a particular problem, creating a particular pattern, or implementing a particular user story.

I suppose it’s really not that different to rubber ducking. Having someone to talk out loud with about potential solutions can be really valuable in my experience.

So I’m going to start doing more code previews. I think it will also incentivise me to do more code reviews—being involved in the initial discussion of a solution means I’m going to want to see the final result.

But I don’t think this should just apply to front-end code. I’d also like to exercise this role as technical director with the designers on a project.

All too often, decisions are made in the design phase that prove problematic in development. It usually works out okay, but it often means revisiting the designs in light of some technical considerations. I’d like to catch those issues sooner. That means sticking my nose in much earlier in the process, talking through what the designers are planning to do, and keeping an eye out for any potential issues.

So, as technical director, I won’t be giving feedback like “the colour’s not working for me” or “not sure about those type choices” (I’ll leave that to the creative director), but instead I can ask questions like “how will this work without hover?” or “what happens when the user does this?” as well as pointing out solutions that might be tricky or time-consuming to implement from a technical perspective.

What I want to avoid is the swoop’n’poop, when someone seagulls in after something has been designed or built and points out all the problems. The earlier in the process any potential issues can be spotted, the better.

And I think that’s my job.