Big Tits, Trim Ankles, and a PeabodyBridget Everett reflects on the life and death of her TV masterpiece Somebody Somewhere: “I can’t imagine anything else being this good.”
ByRebecca Alter
profile
Trust the Kieran Culkin ProcessFirst, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
Kaytranada Owns His InfluenceOnce modern dance music’s best-kept secret, the Canadian DJ-producer is ready to go bigger.
ByConnor Garel
fall preview 2024
Garth Greenwell’s Grand RomanceThe author explores the tender side of long-term partnership amid a health crisis in his best novel yet.
BySarah Thankam Mathews
profile
Eric Goode’s Monkey BusinessHow a former nightclub impresario and reptile enthusiast became one of the most successful documentary filmmakers of our time.
Annie Baker Goes to HollywoodThe renowned playwright switches mediums with her sneakily expansive debut film, Janet Planet, about a possessive mother-daughter relationship.
ByJackson McHenry
profile
Is This Your King?House of the Dragon’s Tom Glynn-Carney is so good at playing pathetic you almost forget you’re supposed to hate him.
Emil Ferris Still Believes in MonstersThe graphic novelist’s debut, My Favorite Thing Is Monsters, was a hit. Seven years later—after a contentious lawsuit—the sequel is finally coming.
Lucy Sante: Here She Comes NowThe author of ‘Low Life’ and ‘Kill All Your Darlings’ tried to keep a safe distance from herself — and her own desires. Until, at 66, she broke free.
ByCarl Swanson
fall preview 2023
All Eyes on Lily GladstoneThe actress is the unflinching face of an American tragedy in Martin Scorsese’s historical epic, Killers of the Flower Moon.
ByAlison Willmore
the essay
Billy Porter Is Ready to Speak on ItHe spent decades dazzling in performances before he could be himself in public. He’s making up for lost time.
Tim’s TimeAfter decades of playing comedy’s finest douchebags and boneheads, what happens when Tim Heidecker starts acting like himself?
ByRebecca Alter
profile
Gerry Turner’s Rose Is TimelessAmerica’s new favorite hunk is a 72-year-old widower. He may be the best thing ever to happen to TheBachelor franchise.
ByMolly Fitzpatrick
profile
Comedy’s Scrappiest All-StarsMark Phillips and his group RDCWorld have built a DIY content empire. Everyone — from NBA icons to Hollywood producers — is taking notice.
ByHershal Pandya
fall preview 2023
Sampha’s Circle of LifeHis first album tackled loss and made him a star. On his follow-up, Lahai, he writes from a happier place: fatherhood.
Kit Connor Wasn’t ReadyThe star of Netflix’s teen rom-com Heartstopper was forced to come out by the show’s fans. He’s not letting them get to him anymore.
ByJackson McHenry
profile
Watching the RewatcherWhen the YouTuber behind Mike’s Mic recaps TV, the results are often better than the shows themselves.
ByBrad Esposito
profile
‘I Don’t Have Space to Be Tired of It’Lola Brooke had to be a master multitasker to break into rap. Now she’s the new livest one from Bedford-Stuyvesant.
ByTirhakah Love
profile
Hand Ashley Park the KeysThe actress took Broadway, then Paris. Now, she heads to Beijing for Joy Ride, this summer’s raunchiest R-rated buddy comedy.
ByMadeline Leung Coleman
profile
The Way Devery Jacobs Tells ItShe may play an impulsive teen on Reservation Dogs, but the actress, writer, and director understands the value of control.
Celine Song Is the One That Got AwayIn the director’s semi-autobiographical debut feature, Past Lives, there are two love interests and no easy choices.
`;
// integrate Sub(x) scripts and elements
if (hostname !== 'subs.nymag.com') { // do not integrate on this subdomain
document.head.appendChild(trackingScript);
document.body.insertAdjacentHTML('beforeend', subXAnimationElements);
}