‘When CG Came Along, We Couldn’t Escape’How Lilo & Stitch co-director Chris Sanders found a sweet spot between hand-drawn and CG animation for his new film, The Wild Robot.
Nothing on TV Felt Like My So-Called LifeWinnie Holzman reflects on writing the pilot more than 30 years ago: “Every character was trying to figure out who they were.”
The Action Sofia Boutella Wants to SeeThe busiest woman in genre film is asking writers and editors to treat her face-smashing characters as seriously as she does.
Gus Van Sant’s Maysles MasqueradeThe director imagined a reality where the brothers documented — then scrapped — footage of the Black and White Ball for Feud: Capote vs. the Swans.
ByMatt Zoller Seitz
a long talk
Victoria Monét Was Built for ThisThe Grammy-winning songwriter has been on the cusp of stardom for years. Jaguar II should change that.
‘This Is Not a Blip’Dallas Goldtooth considers the post–Reservation Dogs future, for himself and for an industry that’s finally making space for Native creators.
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