The best idea everâbar noneâis that games are really important, actually. And that idea will be embedded in your head after reading Kelly Clancyâs Playing with Reality. Clancy, a neuroscientist, ranges across historyâfrom Renaissance mathematiciansâ experiments with dice and cards to artificial intelligencesâ adventures in chessâto show that these things so often dismissed as fripperies have actually had a significant effect upon the world. Play on, as Duke Orsino once said.
But what if the AIs keep on getting better at chess? The Singularity is Nearer by Ray Kurzweil is a follow-up to his 2005 globe-shaker The Singularity is Near. Kurzweilâs grand predictions have barely changed in the intervening yearsâhe still reckons that computers will be as clever as people by 2029, and that they and we will merge into cyborg-superbeings by 2045âbut they are lent more power by the greater proximity of those dates. This is one of the best books to read to understand the urgent now.
David McWilliamsâs Money tells an older storyâbut not one without modern-day relevance. This history of money itself, from many thousands of years BC to the crypto-future, is both economically literate (McWilliams is a former employee of the Bank of Ireland) and, more surprisingly, literate-literate (he also knows how to turn a phrase). Thereâs currently a vogue for millennia-spanning historiesâMoney is one of the most enjoyable.
The Story of Nature by Jeremy Mynott also spans millennia but may be even more ambitious. Here is an attempt to grapple with the idea of nature itselfâand how we have approached it throughout history. Do we belong to nature? Or is it apart from us? And what implications follow on from the answers? Mynott wears his scholarship heavily, but perhaps that is only right for a subject as complicated and under-written-about as this.
Questions of nature and humanity also arise in Kapka Kassbovaâs Anima. The author spent time with one of Europeâs last pastoralist communities, in Bulgaria, moving sheep from mountaintop to mountain valley, and writes both wistfully and incisively about the experience. James Bradleyâs Deep Water is a more straightforward read, though no less poignant, as it catalogues how cruelly we have treated the oceans.
Do not despair, however. Hannah Ritchieâs Not the End of the World is a bracing, optimistic response to our planetâs various environmental crisesâbut not because it is denialist. Ritchie, a data scientist who is lead researcher for the Our World in Data website, highlights oft--ignored, long-term positive trends, not so that we might be complacent, but so that we can concentrate on whatâs needed and what works.
In an age of degrowth and Marie Kondo, there is something iconoclastic about Becca Rothfeldâs All Things Are Too Small, a collection of essays organised around the principle that we need a bit more excess in our lives. Though Rothfeld doesnât mean materialistic excess so much as she means artistic, literary, emotional excess. Her range of referenceâfrom Moby-Dick to Troll 2âis immense, as is her intelligence, though itâs all leavened by a wonderful sense of humour.
The academic Richard Sennett also wants more art in our livesâspecifically in our public lives. The Performer, his latest book, is cast as a sort of riposte to the performance-politics of Trump and other modern populists; how can others use artistic techniques for the good? In truth, the text that follows is less a manual for progressives and more a discursive ramble through the history, philosophy and sociology of performance, and is all the better for it. We look forward to the next two books in Sennettâs proposed trilogy on art in society.
And we can only genuflect before the ambition of William Eggintonâs The Rigor of Angels. It takes three terrifyingly great mindsâthose of Immanuel Kant, Jorge Luis Borges and Werner Heisenbergâand explores how they all prodded at the bounds of human knowledge and even at reality itself. What can we know? Everything and nothing, it turns out.
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