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Classical Music

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  1. Review: Muti and Chicago Give a Singing Account of a Rare Verdi

    Riccardo Muti led the Chicago Symphony Orchestra at Carnegie Hall in a program that featured Verdi’s “Four Seasons” and Tchaikovsky.

     By

    Riccardo Muti leading the Chicago Symphony at Carnegie Hall on Tuesday in a program of Verdi, Bellini and Tchaikovsky.
    CreditTodd Rosenberg
  2. Review: The Philharmonic Breezes Through Wagner’s Epic ‘Ring’

    The conductor Nathalie Stutzmann led Lorin Maazel’s coolly efficient 1987 distillation, “The ‘Ring’ Without Words,” at David Geffen Hall.

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    Nathalie Stutzmann leading the New York Philharmonic in “The ‘Ring’ Without Words.”
    CreditChris Lee
  3. At Prototype Festival, Opera With Lynchian Strangeness

    This year’s Prototype, a showcase of experimental opera and theater, was stylistically broad but the focus was on the human voice in all its weirdness.

     By

    A scene from “Black Lodge,” which featured the singer Timur and a film by Michael Joseph McQuilken, also starring Timur.
    CreditMaria Baranova
  4. Claire van Kampen, 71, Playwright and Arranger of Period Music, Dies

    After she married Mark Rylance, the two often collaborated; her specialty was arranging music for Tudor-era plays.

     By

    Claire van Kampen in 2017. She was a musical arranger and composer and often collaborated with her husband, the actor Mark Rylance.
    CreditTom Jamieson for The New York Times
  5. In San Antonio, an Orchestra Was Reborn. Can It Endure?

    The San Antonio Philharmonic was formed after the demise of the city’s 83-year-old orchestra in 2022. But rebuilding has not been easy.

     By Javier C. Hernández and

    Jeffrey Kahane leads the San Antonio Philharmonic in a rehearsal at the Scottish Rite Cathedral in downtown San Antonio.
    CreditKaylee Greenlee for The New York Times
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  5. Garth Hudson: 11 Essential Songs

    The last surviving original member of the Band died on Tuesday. He was a master on keys and saxophones who could conjure a panoply of scenes and eras.

    By Jon Pareles

     
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