SCENE PARTICOLARI ESALTATE DA UNA BELLA FOTOGRAFIA. FILM PER CHI AMA ANCHE ALCUNE VISIONI NON PROPRIO REALI , SONO QUELLE IMMAGINATE DAL BAMBINO. NEL COMPLESSO MI E' PIACIUTO.
5つ星のうち4.0"Thou Shall Not Live of Bread Alone." True, but in this case..
2018年6月23日にカナダでレビュー済み
Amazonで購入
The film has been edited in order to avoid the X rating, which would have excluded the large public market. I saw the full versions over 10 years ago on TV late at night. A torrid sequence of circa 4 mn has been removed. It showed Matilda May doing an unbelievably candid " blow job" on her middle-aged partner, whose erected penis has been "dressed" in a long, narrow loaf of bread (known as baguette in Europe) cut in half for this unusual sandwhich, NOT available at Subway. She munches away at the baguette with youthful appetite, vigourously sinking her beautiful teeth into the baguette, which is visibly shrinking in length, while gentle Mathilda is oblivious of the fact that she might at any time sink her teeth not only through the bread, but through the erected penis, which she cannot see, but only guess the moment when she would inflict a terrible wound causing hemorraghia . and her having a piece of human flesh in her mouth. She does this scene with perfect innocence and enthusiasm. She still is frightfully hungry when the fearful moment arrives; guided by the supplications from her lover, she avoids bloodshed, but the pain nevertheless causes a howl, and the Mother of all orgasms, as Saddham Hussein could have called it. The unedited portion of the film is spiced with humour and lots, lots of bare breasts, as the theme of the picture is a 7 year old boy still hurting to be nursed at the breast, causing the (beautiful) village girls to mock him or manipulate him through breast exposure. "Pepe" takes it as a stoic. Humour saves this picture.
Wow. Life is really very simple. This movie condenses human life into three stages: 1) the need for food (milk from the breast); 2)the need for sex (motivated by LOVE); and 3) the need for companionship (which for practical purposes ties all three needs together). Oversimplified of course. But "La Teta y la Luna" shows this beautifully! The young boy having the simple need to have a breast of his own; the driven young man to have the woman of his desires; and the realistic compromises of an older man to have the simple companship of a woman he wants to posess for his own. Highly recommend for a study of human nature.
In Bigas Lunas' final part of his 'Iberian passion trilogy', The Tit & the Moon is both a refreshingly open foray into the fantasies of the female flesh by a young boy, Tete (Biel Duan) but also one with more of a message.
In his mind, breast milk means love, as his mother's maternal affections turn totally to his baby brother. When she breast-feeds him and he nuzzles up and is content and happy - and Tete is not, Tete soon decides that what he needs from Life is a breast all to himself.
On a silvery, moonlit beach, one night, he prays for such and soon a French couple, a cabaret double act, move in locally and his fascinations and fantasies turn to her. She's (Mathilda May) a knowing and sexy sort of circus dancer - dark and seductive.
Whilst the film deals openly and slightly naughtily about sex, desire and womanly seduction, it never feels dirty or squalid, though you wouldn't make it the no. 1 choice to show to your Granny. The humour is earthy and natural, whilst as with the best of European cinema, there's that hint of fantasy and a heightened, fiery emotion.
The Tit &... is gentler and less charged than the other two of Luna's trilogy - arguably Jamon Jamon is better, Goldenballs a bit of a bad mistake and this, with its narration by the young boy, it's more akin to Cinema Paradiso. It also has a certain charm about it and in some ways, The Tit &... could be my favourite of Lunas' trilogy.