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ウーマン・アンド・キャプテンズ・ファースト+ボーナス・トラック(紙ジャケット仕様)

4.3 5つ星のうち4.3 45個の評価

曲目リスト

1 ウォット
2 ア・ナイス・カップ・オブ・ティー
3 ブレンダ(パート1&2)
4 ヤンクス・ウィズ・ガンズ
5 ハッピー・トーク
6 マーサ・ザ・マウス
7 ノーバディズ・スウィートハート
8 ザ・マン・フーズ・ガットン・エヴリシング
9 フー・イズ・メロディ・リー・シド?
10 ギミ・ア・ユニフォーム
11 クロイドン

商品の説明

内容紹介

Japanese Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.

Product Description

Japanese Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.

登録情報

  • 梱包サイズ ‏ : ‎ 13.8 x 13.6 x 0.8 cm; 40.82 g
  • メーカー ‏ : ‎ ユニバーサル インターナショナル
  • EAN ‏ : ‎ 4988005476494
  • 時間 ‏ : ‎ 1 時間 2 分
  • レーベル ‏ : ‎ ユニバーサル インターナショナル
  • ASIN ‏ : ‎ B000PDZOXK
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.3 5つ星のうち4.3 45個の評価

カスタマーレビュー

星5つ中4.3つ
45グローバルレーティング

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上位レビュー、対象国： 日本

  • amazonカスタマー
    5つ星のうち4.0 南国風リゾート・エレポップの決定版“HAPPY TALK”!
    2010年11月13日に日本でレビュー済み
    まるで英国版楳図かずおといった風貌のキャプテン・センシブル。伝説的パンク・バンド「ダムド」のメンバーだった方だが、むしろNW的に重要なのはYMOとも親交が深かったトニー・マンスフィールドがヒットメイカーとして初めてその頭角を現した点なのは周知の事実。

    古いミュージカル「南太平洋」の楽曲を80年代風に蘇らせた“HAPPY TALK”(全英1位)を収録している点でNEW WAVE好きには広く知られている本作(82年)。80年代風といってもオールディーズ特有の“緩さ”、“暖かさ”はそのまま残され、それに何より原曲の繊細なメロディーをより際立てるシンセによるアレンジメント。派手さよりもメロの良さをいかに最大まで引き出すか、これこそがまさにプロデューサー、トニマンの神髄でしょう。このスタイルをそのまま持ち越し応用したのが「ネイキッド・アイズ」であり、彼にとっては本作の続編的位置付けなのかもしれません。どうしても“HAPPY TALK”ばかり聴いてしまいますが、他のキャプテンのオリジナル曲も、出来はまちまちとはいえパンクからはかけ離れた伝統的な英国ポップで聴きやすいです。
    11人のお客様がこれが役に立ったと考えています
    役に立った
     レポート
  • bluesbeach
    5つ星のうち4.0 20年越しでゲットでき感無量！
    2007年9月21日に日本でレビュー済み
    ほんと、まさかだよな。
    これLPでも持ってなくて、もう一生手に入らないものだと思ってたんだけど、すごいね日本。
    こういう非常に狭いところにスポットライトを当てる発売元に感謝、感謝。
    だから中身は全部知ってるし、ベスト版も持ってるのであえて買う必要は無いんだけど、長年探し続けた気持ちを成仏させるために、買っちゃいました。
    Happy Talkが全英NO.1をとった頃は、ちょうどABCのルックオブラブがブレイクしているあたりで、今だに色あせないポップミュージックを堪能できます。
    14人のお客様がこれが役に立ったと考えています
    役に立った
     レポート

他の国からのトップレビュー

すべてのレビューを日本語に翻訳
  • Huelin
    5つ星のうち4.0 capitaine sensible
    2020年7月21日にフランスでレビュー済み
    Amazonで購入
    bien recu votre colis merci
    レポート
  • chuckie
    5つ星のうち5.0 a happy, silly get away tune
    2014年7月17日にカナダでレビュー済み
    Amazonで購入
    Bought this CD exclusively for the one tune "Happy Talk" ... I still consider it the most enjoyable version of this classic song from "South Pacific" ... Have since turned on a whole new generation to it's catchy lyrics and music to the point that many have watched "South Pacific for the first time ... All commercialism aside, a happy, silly get away tune ... Love It!!! ... the rest of the CD has it's ups and downs, but "Wot" is also a fav and brings back a lot of memories from the time of it's release ... Cover is special also, apart from today's horrors of being political correct ... A real jem for the collector ...
    レポート
  • Gibby
    5つ星のうち5.0 A light hearted hit record.
    2009年10月11日にアメリカ合衆国でレビュー済み
    Amazonで購入
    The good captain's two weird and wondeful chart toppers-the joke rapping "Wot" and "Happy Talk" (from the musical South Pacific) are included alongside other equally ridiculous concepts ranging from country western to cabaret. After buying this on vinyl when it first came out at Wax Trax Records in Chicago, it's great to have a remastered cd with the bonus tracks, most of them are b-sides. Also, one of the best album covers I've ever seen.
    レポート
  • P. Stanesby
    5つ星のうち5.0 Re-issued at last -after nearly three decades; Shame about Croydon...
    2008年8月22日に英国でレビュー済み
    Amazonで購入
    Waited ages for this important classic album to be released in its entirety on CD, only for it to be available on Japanese import for a very short period of time. Now independant sellers are trying to get £100's for it. But wait...
    Right, 1st of all I must say how glad I am to see this out again on CD -properly this time, thanks to Cherry Red. And the space at the end of the album (on the import CD) has now sensibly been filled up with B sides -though without the presence of producer Tony Mansfield (New Musik), they do sound a bit scrappy and rough in comparison to the original LP, but I like them. And `Strawberry dross' is the extended version.
    But there are a couple of flaws which is a shame that they slipped through quality control. A crucial one is the early fade out on the end of Croydon compared with my LP version, which goes on for about a minute longer, with laughter at the end by the Dolly Mixtures when singing `What a day'. The other one is on the front artwork, a triangle appears to have been cut and pasted slightly out above the porthole of a bloke drinking out of a tumbler. And due to the shrinkage of the artwork, details such as the tumbler can only be made out on my tatty vinyl sleeve. But even by CD booklet standards, it still looks good though (how did they do the setup for it?), and is preferable to the sleeves used on some of the Captain's later albums. Also, still no sign of the single mix of `Wot'. I'll be generous and deduct only one star for the above flaws, cos I think Cherry Red are fab.
    On the back of the case are extra track listings done in the same style as the originals, and the booklet is well done with extra artwork and comprehensive sleevenotes by the Captain himself, though I find the text a bit tricky to read on the coloured backgrounds. I am a bit colourblind though.
    And the music of course is wonderful, the mix sounding faithful to the original vinyl (which on my record label has `Women and Captain first' -no `s'), the highlight of the album being `Brenda' (part one and two), and unlike the tracks pulled off the LP for `The collection', these have the interesting `ad-lib' talky bits between most of the tracks, its nearly a minute before the music on the album starts for example.
    So to summarise this rather backward review, get it, but try and hunt down the original vinyl if you can, for the sleeve (and the single sleeves), and the unedited `Croydon' which may be tricky cos it was 27 years ago that it came out, and didn't sell too well then either. And don't forget his second CD `The Power of Love' which has also been reissued. One of its best tracks `Secrets' - also the Captain's favourite which for some reason was left off `The Collection' is on it too.
    レポート
  • Jeff_NW
    5つ星のうち4.0 A side of the Captain not seen in the Damned.
    2011年5月8日にアメリカ合衆国でレビュー済み
    Amazonで購入
    This is the first of two solo albums the Damned's guitarist Captain Sensible released on A&M in the early 80s. (This came out originally in 1982; the other release, Power of Love, followed a year later.) It finds Sensible, in collaboration with New Musik leader/producer Tony Mansfield, exploring a much more poppy style of music than would have been allowed within the confines of the Damned. The songs for the most part are synth-based, however they are arranged and played in such a way that the songs do not sound dated. There are other instruments included thoroughout: guitars by Sensible and on one tune, "Brenda", by Robyn Hitchcock, an occasional collaborator during this time. Indeed, one number, a cover of the 1920's standard "Nobody's Sweetheart", uses a trad jazz group, the Beale Street Jazz Band, as the accompaniment. The best known songs on here are the two hit singles: "Happy Talk", the Rodgers and Hammerstein song from the musical South Pacific that gave Sensible a surprise #1 UK hit in 1982, and its followup, the jokey rap "Wot?" based, according to the interview with Sensible in the liner notes, on an actual incident in Milwaukee on a Damned tour. However, the Captain saves the best for last, with "Croydon", a melancholy ode to his home town, a suburb of London. This sounds for all the world like a late 60s psych ballad updated for the synth pop 80s, Sensible showing a mixture of pride and regret about his roots. Backing vocals on this song and the rest of the album are provided by punk/pop trio Dolly Mixture. BTW, they, along with Sensible, Mansfield, and Hitchcock, all appear on the cover, a funny rendering of the album title.

    If the reissue was just the album proper it would be worth the purchase. However the bonus tracks, mostly b-sides except for one unissued song, add value here as they show a wider picture of Sensible's musical POV. "It" is a slight piece, mainly Captain thanking people for buying the "Happy Talk" single followed by an invitation to all to think about the same thing (a few seconds of silence, then Sensible saying "Great!"). The next piece, "I Can't Stand It", is terrific, a Merseybeat/punk number that Sensible recorded in his bedroom with guitars and a cheap drum machine. It wouldn't have fit on either Women and Captains First or the contemporary Damned release, Strawberries, but it's a fine number that has been deservedly resurrected here. A funny ending, as well, as he noodles on guitar to an indefinite conclusion, then the tape breaks up, followed by the reverb to the last note of "Happy Talk". Just as fascinating is "Strawberry Dross", the b-side of "Wot?". This is a collection of unfinished scraps of songs, all anywhere from 30 to 90 seconds in length, that run the gamut from guitar/drum machine raveups a la "I Can't Stand It", to piano instrumentals, to psych/folk hippy musings. There's also a running joke in that a few of the segments have Sensible saying "sounds great", apparently a reference to Chiswick Records head Roger Armstrong's standard response to the Damned while they were trying out songs for their Machine Gun Etiquette album. More wacky humor comes to the fore in "Damned On 45", a "Stars on 45" style disco medley of Damned and Sensible songs that hangs together better than you'd think. This is the one track here that's chronologically out of place, as it was the b-side of "Glad It's All Over" from the Power Of Love album, and probably should have been placed there. The disc finishes with Sensible paying tribute to two more of his childhood influences, "Jimi Hendrix's Strat" (b-side of "Croydon") and the previously unissued "Joe Meek".

    If you like the Damned, or if you like circa 1982 synth pop and want to try something that falls more on the fringes of that style, give this disc a try. You'll get to hear one of the great maverick performers of the last 30 years. Nice interview with the man in the liner notes as well.
    レポート