The aesthetics restlessness of Merleau-Ponty is the research of the body creator and its relations with the flesh. The creations of the body reveal the expressiveness and depth of the sensitive. This expressiveness is style, both in body and in the world. According to the philosopher, the artworks transform and expand this initial meaning: the body of the artwork reverberates the body of the world and the artist's body, but it is an expressiveness which is distinct with this primordial expressiveness, but answers, according to its aesthetic singularity and open field of meanings. Based on the archeology of the body creator by Merleau-Ponty, the purpose of the dissertations is to show how in some texts from the philosopher we can find elements that make possible a philosophy in the painting style and in the literature or poetic creation. Keyword: Body, perception, expression, flesh and style .

Faço um primeiro agradecimento especial aos meus professores que me acompanharam e que me permitiram transpor o limite reconhecido a partir da experiência e da experiência da obra a qual me propus estudar e aprofundar.

ABSTRACT: I am not stick to a place. Therefore, I write this essay for Boitatá Journal while traveling between April and May 2018. It is a journey for different cities without a precise final destination, although my tickets stipulate a specific place of arrival. I count on Jacques Derrida and his philosophical thoughts regarding destinerrance and adestination as accomplices of adventure. With them I make this trip crossing the country geographically and my life temporarily, tacking past and present in comings and goings through trails that constitute me as a woman, nomad, artist, researcher… In this tangle of stories and experiences that I now share with you, reader, in form of a travel journal, some unpretentious reflections emerge about the transits amongst research, travel and artistic practice, especially concerning theatrical direction. Likewise, destinerring between theory and practice, I approach the atopy which indelibly marks my doing in academia. RESUMO: Não estou cravada num lugar. Por isso, escrevo este ensaio para a Revista Boitatá enquanto viajo entre Abril e Maio de 2018. Uma jornada por diferentes cidades sem um destino final certo, apesar das passagens de avião e ônibus designarem um local de chegada específico. Conto com Jacques Derrida e o seu pensamento filosófico acerca da destinerrância e da adestinação como companheiros de aventuras. Com eles realizo esta viagem cruzando o país geograficamente e a minha vida temporalmente, alinhavando passado e presente em idas e vindas por trilhas que me constituem enquanto mulher, nômade, artista, pesquisadora... Deste emaranhado de histórias e experiências que agora divido com você, leitor, em forma de diário de viagem, emergem algumas reflexões despretensiosas sobre o trânsito entre pesquisa, viagens e prática artística, sobretudo ao que concerne a direção teatral. Assim, destinerrando por entre saberes e fazeres, abordo esta atopia que marca indelevelmente meu fazer na academia. Palavras-chave: Teatro. Destinerrância. Direção de atores. Pesquisa em artes cênicas. Nomadismo.

Música em Perspectiva, 2009

0 artigo discute ideias contidas na obra Les beaux arts réduits a un même príncipe (Paris, 1746), de Charles Batteux, a partir da tradução alemã comentada por Johann Adolf Schlegel (1770). No decorrer do texto, são discutidos os conceitos de Belas Artes, de imitação musical, a idéia de natureza e o papel da razão e das paixões na obra de Batteux (e nos comentários de Schlegel), estabelecendo relações entre idéias do autor francês, fontes clássicas e o pensamento musical luterano. A seguir, são resgatados alguns aspectos sistemáticos do discurso musical mencionados por Batteux. Com isso, torna-se possível avaliar melhor a recepção da idéia de imitação musical e da música como discurso retórico na Alemanha na segunda metade do século XVIII. Palavras-chave: poética; retórica; Batteux, música setecentista; belas artes *Mônica Lucas graduou-se em clarinete pela Universidade de São Paulo e especializou-se na interpretação de música antiga no Conservatório Real de Haia (Holanda), obtendo diplomas em flauta-doce e em clarinetes históricos. Atua regularmente como clarinetista, concentrando-se no repertório setecentista. Dedica-se tmbém ao estudo da poética e da retórica na música do século XVIII, com pesquisas de doutorado e pós-doutorado financiadas pela FAPESP. É responsável pela disciplina "História da Música" no Departamento de Música da ECA-USP, coordenando também o Conjunto de Música Antiga desta instituição.

2008

Nos últimos tempos, as pesquisas de arte na internet conseguiram realizar trabalhos com valores estéticos que se destacam da simples experimentação técnica. Fazendo convergir interação e multimidialidade com elementos herdados da tradição artística e cultural, as criações reelaboram formas passadas e novos temas, valorizando a especificidade do potencial virtual. Propomos analisar a questão da percepção e da meta-percepção gerada pelas obras de Net Arte e, portanto, a posição e/ou o percurso que elas destinam ao observador. Em particular, o grande projeto Ghost City, de Judy Zollen, segue uma concepção pós-moderna da imagem e da fruição estética, desconstrói sua própria unidade em percursos de visão sempre diferentes, a ponto de cada entrada no site gerar uma percepção diversa dele. Da apropriação de imagens precedentes à sua disposição em um políptico de janelas móveis, as relações hipertextuais se complicam em um metadiscurso que é impossível recostruir na própria inteireza. A parcialidade do percurso subjuga o observador que, apesar de seus cliques, fica em posição passiva e aleatória, perdido em uma visão labiríntica da obra.

… Based Services and …, 2009

MNISIKLIS is an integrated system aiming to provide universal, indoor location-based services focusing on navigation. This paper presents the overall MNISIKLIS architecture and certain implementation details. In the context of the Design for All approach, the system targets to the support of several types of users, including persons with disabilities as well as elderly, by exploiting multimodal interaction. Moreover, the system implements efficient path finding algorithms and provides advanced user experience through highly personalized services. MNISIKLIS adopts Semantic Web technologies (e.g., ontologies and reasoning methods) for representing and managing application models. Furthermore, MNISIKLIS exploits modern positioning techniques in order to achieve high quality positioning. The paper discusses the algorithms and the models that accommodate the services provided by the system. Additionally, an analysis of the positioning subsystem, the user interaction subsystem and the peripheral infrastructure is given. Hence, a new paradigm in the area of location-based systems is presented.

Geo-Marine Letters, 2006

After obtaining full-coverage swath bathymetry data in 1995 and very high-resolution acoustic profiles in 2002, four slides at the Balearic Margin of the Eivissa Channel in the western Mediterranean Sea were revisited in 2004 when side-scan sonar data were collected using a MAK-1M deep-towed acoustic system. These new findings, higher in resolution than those for the swath bathymetry, show two main features previously undetected within these submarine landslides: (1) a series of stepforming inclined and detached slabs oriented perpendicular to the slide movement and located in the uppermost part of the slides, and (2) arcuate regular positive ridges oriented also normal to the slide movement and located in the depositional lobes of some of the slides. The former are interpreted as extensional ridges, suggesting a retrogressive post-failure evolution of the slides. The latter are interpreted as compression ridges, related to plastic deformation of the sediment before movement freezing. Moreover, the new data show that fluid escape features are even more widespread in the Eivissa Channel than previously thought, dozens of new pockmarks less than 20 m in diameter having been identified.

Comptes Rendus De L Academie Bulgare Des Sciences Sciences Mathematiques Et Naturelles, 2012

We studied the postural stability of 176 healthy children (90 boys and 86 girls) aged between 5 and 10 years during quiet stance with eyes open and eyes closed and we measured their height and weight. The mean radius vector length of the centre-of-foot pressure (COP) in horizontal plane under the feet was used for evaluation of postural stability. The groups of boys and girls were stratified in one-year interval and the factors age, gender and vision for the standing balance were evaluated. We found that girls are swaying less than boys during age interval of 5-8 years. The adult-like use of vision for the standing balance was reached at the age of 10 years. We also found evidence that the turning point of the postural strategy of quiet stance is at the age of 8 years and it was more expressed in girls following an increase of sway with vision at the age of 7 years. At the age of 8 years we found an increased postural sway and a change in the use of vision in girls that coincides with turning points of the height and weight yearly built up between groups. The changes in the standing balance were non-monotonic, which suggests the complexity and difficulty of the development of both sensory and motor part of postural control of quiet stance during childhood.

2005

The evaluation of metric of performance is useful in the evaluation of protocols, in the improvement of applications, in the content choice, among others. The obtaining of these metrics, it continues being a complex task because most of the time there are not appropriate tools for such. The measurement infrastructures appear as a form of endowing the networks of computers with instruments that facilitate the acquisition of these metrics. This work evaluates a group of measurement infrastructures, where it is possible to observe that the treatment showed to the management of such infrastructures is varied. They do not possess a group of standardized management functions. Based on that, this article presents a proposal of a management model for measurement infrastructures. The proposed model maintains the administrative independence of the present points in the infrastructure, but it allows the interaction among them by means of specific management functions.

Concurrency and Computation: Practice and Experience, 2008

In today's Grids, files are usually managed by Grid data management systems that are superimposed on existing file and storage systems. In this position paper, we analyze this predominant approach and argue that object-based file systems can be an alternative when adapted to the characteristics of a Grid environment. We describe how we are solving the challenge of extending the object-based storage architecture for the Grid in XtreemFS, an object-based file system for federated infrastructures.