%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % This is a brief passage from Enrique Granados % % Goyescas, "Coloquio en la Reja." % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.19.83" \include "example-header.ily" #(set-global-staff-size 14) \paper { paper-height = 82\mm } csh = \change Staff = "high" csm = \change Staff = "middle" csl = \change Staff = "low" crmolto = \markup { \italic "cresc. molto" } appassmolto = \markup { \whiteout \italic "appassionato molto" } #(ly:set-option 'point-and-click #f) global = { \time 3/4 } upperVoiceOne = \relative { \override TupletBracket.bracket-visibility = ##t \override TupletBracket.tuplet-slur = ##t \override TupletNumber.padding = #0 \override TupletBracket.padding = #0.9 % 1 \voiceOne 8\tweak height-limit #4 ([ \tuplet 5/4 { g'32 aes g f g] } 8[ \tuplet 5/4 { 32 c' bes aes bes] } 8 ) | % 2 4( \voiceTwo 4)\arpeggio 16^( 8) | % 3 \voiceOne 8\tweak height-limit #4 ([ \tuplet 5/4 { 32 aes' g f g] } 16 \set stemRightBeamCount = #1 \set stemLeftBeamCount = #1 \tuplet 5/4 { bes'32 c bes aes bes] } \ottava #1 16 \slashedGrace f8 16) | } upperVoiceTwo = \relative { % 1 \voiceTwo s8 c''8\< [ c' \!] | % 2 s4_\tweak X-offset #1 -\appassmolto \voiceOne a'''8\rest -> s4 | % 3 s8 \voiceTwo \crossStaff { g,8 aes4 } } middleVoiceOne = \relative { % 1 \crossStaff { d'!8 } s8 s8 s8\offset Y-offset #-2 _\crmolto s4 | % 2 s4 8[ ] \voiceOne e,8( dis16 e) | % 3 \once \override VoiceFollower.bound-details.left.Y = 1 \showStaffSwitch \csh \stemUp f4 } middleVoiceTwo = \relative { % 1 s2. | % 2 s4 \hideNotes \stemUp bes'\arpeggio \unHideNotes \voiceTwo \crossStaff { e,!4 } | % 3 s4 8 16 d' 8 | } lowerVoiceOne = \relative { \mergeDifferentlyHeadedOn \mergeDifferentlyDottedOn % 1 \once \override Beam.damping = #5 bes,,8 \csm \stemDown 8 s2 | % 2 \csl \stemUp s8 \hideNotes \stemDown es,,64\tweak eccentricity #-1 \tweak height-limit #5 ^( s64 s \unHideNotes \stemUp g'64\offset positions #'(-0.7 . -0.7) \tweak damping #3 [ \set stemLeftBeamCount = #1 bes c d c]) s2 | % 3 \once \override Beam.damping = #5 bes,,8 \csm \stemDown 8 s2 | } lowerVoiceTwo = \relative { % 1 \voiceTwo bes,,2. | % 2 \csh \once \override Beam.damping = #+inf.0 % XXX Currently, cross-staff beaming support is partially broken. This % means we have to adjust the vertical beam position manually. \once \override Beam.positions = #'(-30 . -30) 8 \csl es,,64 bes' es g s32. c64 s4 4 % 3 bes,,2. } \score { \new PianoStaff << \set PianoStaff.connectArpeggios = ##t \override PianoStaff.Arpeggio.stencil = #ly:arpeggio::brew-chord-bracket \override PianoStaff.Arpeggio.padding = #-0.5 \new Staff = "high" << \global \context Voice = "upperVoiceOne" { \upperVoiceOne } \context Voice = "upperVoiceTwo" { \upperVoiceTwo } >> \new Staff = "middle" << \global \context Voice = "middleVoiceOne" { \middleVoiceOne } \context Voice = "middleVoiceTwo" { \middleVoiceTwo } >> \new Staff = "low" << \clef bass \global \context Voice = "lowerVoiceOne" { \lowerVoiceOne } \context Voice = "lowerVoiceTwo" { \lowerVoiceTwo } >> >> \layout { \context { \Score \omit TimeSignature \remove Bar_number_engraver } \context { \PianoStaff \consists #Span_stem_engraver } \context { \Staff \override Accidental.extra-spacing-width = #'(0 . 0) } } }