fausse suite de la maison des 1000 morts, mais qui reste dans l'ésprit du premier, cet fois, du point de vue du policier qui pourchasse la famille des rejets du diable(fireflys). très intérressant de voir que le bien peu très vite se transformer en mal. dans le bien il y a du mal et dans le mal il y a du bien. ying yang.
"The Devil's Rejects" is the sequel to Rod Zombie's "House Of 1,000 Corpses" and to appreciate it you'd certainly need to see its predecessor. The Devil's Rejects is the story of the psychopathic Firefly and their flight from the law as the police net begins to close in on them. The Firefly family are a kind of twisted, tripping version of the Angel family in the old Judge Dredd comics. In 'House' they waylaid travellers into their home for an evening of wild entertainment, usually ending in the bizarre ritualistic mutilation and torture of their guests. In "Rejects" however, they aren't quite so perverse in their actions, being upstaged by the equally psychopathic cop who is tracking them down. It is possibly because of this that in "Rejects", despite the Firefly family being perverse necrophiliac homicidal maniacs, I actually found myself rooting for them. By the end of the film, in fact, I was somewhat horrified to find myself on their side. Credit has to go to Zombie & Co for being able to make an audience sympathise with such characters! One minor disappointment was the loss of the "surreal" edge that was found in "House", being replaced by a more straightforward sadism (if that's not too much of an oxymoron). This 'dumbed down' "Rejects" slightly for me. "House" and "Rejects" have never been your standard slasher fare, and whilst more disturbing they're also more intelligent and fascinating which is why I feel so justified in liking them so much :-) The characterisations of the dsyfunctional, immature and irrational psychopath family are as always excellent with Sheri Moon Zombie shining as the utterly irresistable but deeply disturbed sadistic seductress "Baby". In summary, "Rejects" is a fast-moving feast of sex, mayhem and violence with some blinding blues music as the score which builds up into a sweeping "high noon" style climax. I truly hope there will be more to follow.
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