Piacevole omaggio di Tim Burton a questo misconosciuto regista d'oltre-oceano, forse il più sfortunato di Hollywood, con tante idee, pochi mezzi (o nulli), perennemente in bolletta, ma grande appassionato di cinema e di tutto quello che ci gravita attorno... Da segnalare il Grande Martin Landau nella parte del grande Bela Lugosi, immortale primo Dracula del periodo horror della Universal. Come al solito Johnny Depp fa la sua bella parte nei panni di Ed Wood, appunto il regista senza fortuna e con strane manie feticistiche nei confronti degli abiti da donna... Bella l'idea di girare tutto in bianco e nero, omaggio al cinema che fu di Hollywood, dei suoi miti (Bela Lugosi) e delle sue leggende (si fece seppellire vestito da Dracula, con tanto di mantello), quando i divi e le dive "bucavano" letteralmente il grande schermo, finivano sui rotocalchi e facevano sognare...
aller Zeiten wird von Ausnahmeregisseur Tim Burton 1994 mi diesem Film verewigt.
Und, wo Tim Burton steht, ist auch Johnny Depp nicht weit. Wenn ich mich nicht irre, haben die beiden ACHT Filme zusammengemacht, von Edward mit den Scherenhänden aus dem Jahr 1990 bis Dark Shadows - im Jahr 2012. Ich würde mich sehr freuen (da bin ich nicht allein), wenn die ZWEI einen neuen Film drehen würden. Wie dem auch sei, alle Filme vom Duo Burton/Depp sind sehr gut.
ZU DER GESCHICHTE: Ed Wood (1924 - 1978) ist ein Regisseur, Produzent, Schauspieler, Drehbuchautor, also ein Allroundtalent. Leider sehen die anderen in der Filmbranche das nicht so. Er versucht jedoch immer wieder ans Geld zu kommen, er hat viele Ideen, die Skript's sprudeln nur...doch, er findet keinen Geldgeber.
Nebenbei liebt er, in die Frauenkleider zu schlüpfen. Er mag Frauen, aber, das hält nicht davon ab, dass er sich von seiner Freundin Dolores Fuller (Sarah Jessica Parker) Unterwäsche, Pullover und andere Kleidungsstücke borgt. Die wundert sich, weil sie einen flauschigen rosa Pullover nicht finden kann. Ihr Freund trägt ihn, versteckt jedoch diese Leidenschaft von ihr. Es sind die 50-Jahre, eine prüde Zeit, vielleicht ist Hollywood etwas da anders, aber nicht offiziell...
Ed trifft in der Stadt zufällig Bela Lugosi, nein, der ist noch nicht tot, obwohl viele denken, der "Dracula" (1931) lebt nicht mehr...Ed freut sich und möchte dem einstigen Filmstar eine Rolle geben. Lugosi (gespielt von Martin Landau) lebt verarmt und vergessen in einem Häuschen am Rande der Stadt. Er sagt zu, er will in Film "Glen or Glenda" mitwirken. Der Film wird ein Flop.
Doch, Ed macht weiter. Sein Idol ist Orson Welles und dessen Film "Citizen Kane" ist sein Lieblingsstreifen. Er bewundert Welles, weil er ALLES alleine machen kann und darf. So möchte er auch werden.
Irgendwie kommt er zu Geld, kann einige Szenen drehen (nur einmal, für Wiederholungen reicht das Geld nie...), dann werden die Dreharbeiten frühzeitig beendet. Ohne Geld, kein Film! Er will weitermachen, er hat einen perfekten "Monster" gefunden, Tor Johnson (George Steele), ein schwedischer Wrestler macht mit.
Die Frauenrollen kann er auch besetzen. Zufällig trifft er auf Loretta King (Juliet Landau), die ihm irgendwas über Film und Geld erzählt. Er glaubt, sie habe das nötige Kleingeld und gibt ihr kurzerhand die Hauptrolle in seinem neuen Film. Dolores ist damit fast raus. Bald verschwindet sie aus seinem Leben. Sie hat genug, schlechte Rollen, ein Mann, der ihre Kleider trägt, zuviel...
Sein nächster Film soll so ein Meisterwerk werden. Diesmal bekommt er das Geld von der baptisischen Kirche (es lohnt sich die Szenen sehr genau anzusehen...). Zwar muss er einige Male den Titel ändern, damit die Geldgeber zufrieden sind, doch "Plan 9 aus dem Weltall" wird fertig. Eine große Leistung, besonders, wenn man bedenkt, dass eine der Hauptrollen Bela Lugosi spielt, der diesmal wirklich tot ist. Ed hat nur eine Szene mit ihm, er findet ein Double, dass Tom Mason keine große Ähnlichkeit hat, macht nichts. Er wird sein Gesicht nur zur Hälfte zeigen. Der Film ist...ja, diesmal ist Publikum zufrieden.
Jetzt wird Ednoch lieber/schneller Filme machen...sein Team bleibt ihm treu. So spielt Maila Nurmi bzw. Vampira mit, Criswell auch... Sein Plan 9 ist natürlich schlecht, aber, was sagt man...es ist so schlecht, dass es dann schon gut oder sogar SEHR GUT sein kann.
So sieht das Publikum heute Wood' Filme. Leider hat er das nicht mehr erlebt, er ist 1978 gestorben, das Alkohol war sein Schicksal.
FAZIT: Tim Burton macht das, was er immer tut. Einen Film, bei dem die Darsteller*innen das Beste geben. Sarah Jessica Parker spielt Dolores Fuller, die bei den Dreharbeiten noch gelebt hat, perfekt. Sie ist platinblond, eine ganz passable Schauspielerin, Ms. Parker zeigt, was sie kann!
Martin Landau hat für die Rolle den Oscar bekommen. Verdient! Er ist Bela Lugosi. Eine Szene, Ed kommt ins Haus, findet Lugosi am Boden, hilft ihm und fragt; "Was möchten Sie, Wasser oder eine Decke?" "Gulasch", antwortet Lugosi. Ed weiß nicht, was Gulasch ist, er ist kein Ungar. Lisa Marie ist in der Rolle der Vampira, die beim TV mitmacht, einzigartig. Vergessen wir nicht Bill Murray, der für eine Operation in Mexico Geld braucht. Er möchte eine Frau werden... Ich habe einige nicht erwähnt, obwohl wirklich alle die Rollen so lebendig spielen, dass der Film an Qualität gewinnt, und zwar je länger er dauert... Natürlich ist das ein "Tim Burton - Werk", aber, man muss erstmal sein Team vorbereiten, um solche Resultate zu bekommen.
Es ist ein Film, der uns immer wieder zum Lachen bringt, der uns gewisse Melancholie und Trauer zurücklässt...die ganze Welt ist ein Film, könnte da stehen. Ein Film über einen Mann, der seinem Idol folgen möchte, am Ende nur noch C-Filme macht (B-sind nicht drin), der mit 54 Jahren an Herzinfarkt stirbt, ist eigentlich traurig. Wenn ihn Burton macht, wird der Film zu einem Erlebnis. Und zu einem Denkmal für den Regisseur Edward Davies „Ed“ Wood jr., der angeblich so schlechte Filme gemacht hat. Und, Johnny Depp ist perfekter Ed Wood, er kann wirklich spielen. Würde er das machen, auch seine Musik und...aber, hätte er andere Sachen nicht getan, wäre er kein J. Depp. Seine Welt ist eine einzige Filmrolle, manchmal ist es schwierig sich in der Realität zurechtzufinden.
ED WOOD [1994 / 2016] [Blu-ray] One Of The Year’s Funniest! Two Big Thumbs Up! Visions Are Worth Fighting For!
Experience Tim Burton’s acclaimed, true-life story of the wackiest filmmaker in Hollywood history, ‘ED WOOD’ for the first time on Blu-ray and complete with an all-new digital restoration, featuring enhanced picture and sound. Celebrated actor Johnny Depp stars as the high-spirited director who never let terrible reviews or hostile studio executives derailed his big-screen dreams. With an oddball collection of showbiz misfits, Edward D. Wood Jr. takes the art of bad moviemaking to an all-time low!
Bill Murray, Sarah Jessica Parker and Academy Award winner Martin Landau [Best Supporting Actor, 1994, ‘ED WOOD’] are hilarious in this warm and witty comedy. Relive every madcap moment like never before on Blu-ray!
FILM FACT: Awards and Nominations: Academy Awards®: Win: Best Supporting Actor for Martin Landau. Win: Best Make-up for Rick Baker (who designed Landau's prosthetic makeup), Ve Neill and Yolanda Toussieng. According to Bela G. (his son), Forrest Ackerman, Dolores Fuller and Richard Sheffield, the film's portrayal of Lugosi is inaccurate: In real life, he never used profanity, owned small dogs, or slept in coffins. And contrary to this film, Bela Lugosi did not struggle performing on ‘The Red Skelton Show.’ The scenes of Bela Lugosi used for ‘Plan 9 from Outer Space’ were not filmed outside Bela Lugosi own house, as the film depicts. They were, in fact, filmed outside Tor Johnson's house. Additionally, Bela Lugosi was not prone to fits of swearing, particularly in front of women and did not perform his own water stunt in ‘Bride of the Monster.’ Bela Lugosi is also depicted as dying alone and miserable. Bela Lugosi's wife of twenty years, Lillian, did leave him in 1953, but he remarried in 1955 to Hope Lininger.
Cast: Johnny Depp, Martin Landau, Sarah Jessica Parker, Patricia Arquette, Lisa Marie, Jeffrey Jones, G.D. Spradlin, Max Casella, Bill Murray, Mike Starr, Max Casella, George "The Animal" Steele, Juliet Landau, Ned Bellamy, Ross Manarchy, Bill Cusack, Biff Yeager, Joseph R. Gannascoli, Melora Walters, Tommy Bertelsen, Stanley DeSantis, Gretchen Becker, Mary Portser, Conrad Brooks, King Cotton, Matthew Barry, Anthony Russell, Vincent D'Onofrio, Gregory Walcott, Charles C. Stevenson Jr., Rance Howard, Patti Tippo, Ray Baker, Louis Lombardi, Ryan Holihan, Charlie Holliday, Daniel Riordan, Mickey Cottrell, Bill Anderson (uncredited), Lena Banks (uncredited), Mike Breyer (uncredited), Maurice LaMarche (uncredited), Johnny Meyer (uncredited), Jeff Shrewsbury (uncredited), Ada Tai (uncredited), Arlene Tai (uncredited) and Lars Woods (uncredited)
Director: Tim Burton
Producers: Denise Di Novi, Michael Flynn, Michael Lehmann and Tim Burton
Screenplay: Larry Karaszewski, Scott Alexander and Rudolph Grey (book)
Composer: Howard Shore
Cinematography: Stefan Czapsky
Video Resolution: 1080p [Black-and-White]
Aspect Ratio: 1.85:1
Audio: English: 5.1 DTS-HD Master Audio, English: 2.0 Dolby Digital, French: 5.1 Dolby Digital and Spanish: 2.0 Dolby Digital
Subtitles: English SDH, English, French, Spanish, Portuguese and Spanish [Latin America]
Running Time: 126 minutes
Region: Region B/2
Number of discs: 1
Studio: Touchstone Pictures
Andrew’s Blu-ray Review: The filmmaker Edward D. Wood Jr. [Johnny Depp] would like to make a Hollywood director that will go down in film history. Only there is one small problem: He is untalented and totally hopeless, but his passion for film is limitless. In primitive cardboard scenes and with a bizarre troupe he turns unswervingly horror and science fiction cheap productions, the encounter with critics and audiences with little understanding. With silent movie star and Dracula symbol Bela Lugosi [Martin Landau] Edward D. Wood Jr. wanted to turn his masterpiece, but seemingly insurmountable obstacles stand in his way. The film's black-and- white photography convincingly recaptures the look and feel of 1950s, including some of the least convincing special effects in film history. There are also running gags involving Edward D. Wood Jr. 's ability to write almost any piece of stock footage into almost any script.
At first glance one of the least likely people to have their life story filmed is Edward D. Wood Jr., the flamboyantly bad filmmaker sometimes called "the world's worst." But however awful his films might seem initially, they do hold up to repeated viewings almost as surely as ‘CITIZEN KANE’ [1941], but for completely different reasons and the sheer ineptness is fascinating, often reaching inspired peaks of lunacy. Wood's life was also quite unusual and at times deeply depressing as he scurried for decades around the fringe of Hollywood. So it was only a matter of time before Tim Burton added the director to his gallery of outsiders in a film simply entitled ‘ED WOOD’ [1994].
The cast features a bunch of wonderful character actors, including Martin Landau, Sarah Jessica Parker, Patricia Arquette, Bill Murray, and Lisa Marie. Scott Alexander adapted the screenplay from Rudolph Grey’s book. The story tells the true-life story of Edward D. Wood Jr., famed as the worst director in the history of Hollywood, but at heart an enthusiastic movie fan with a passion to create. The film follows Edward D. Wood Jr. during his early career.
At the heart of the fil is Edward D. Wood Jr.'s friendship with Bela Lugosi, a man he truly adores, and who comes to depend on him. We see Bela Lugosi alone and lonely in a flimsy little tract house, inhabiting the deepening gloom of his obscurity and addiction, his first scene in the film shows him trying on a coffin for size, and Wood is able to lift the gloom, if only briefly, in a final series of roles which gave him double immortality: As the star of some of the best horror films ever made, and then of some of the worst.
Do not let the fact that this film is shot in Black-and-White turn you away from watching this masterpiece. It is truly one of the best Tim Burton films. Just like Edward D. Wood Jr., Tim Burton shot the film with what seems to be a low budget. One interesting bit of info is that the film was actually shot on Black-and-White to give the film its authentic reality. At the time, there were enough professional processing places that were able to handle Black-and-White. When a director wants to do a Black-and-White film now, it has to be shot in colour and then removed in post-production.
Johnny Depp is absolutely brilliant in this role; I actually like him better in this film than I do in the film ‘Fear and Loathing in Las Vegas.’ If you really want to see how wonderful a character actor Johnny Depp is at such a young age, then ‘ED WOOD’ is the film to start appreciating this talented actor. Johnny Depp was able to hold his own with other fantastic character actors like Bill Murray and Martin Landau. Sarah Jessica Parker is the best she has been in this film, especially as I am not a huge fan of her at the best of times. Martin Landau is really wonderful in every role he plays, but he was meant to play Bela Lugosi and his performance is the best part of the entire film.
Howard Shore scored this film, is a total pleasure to listen to and gives the film great atmosphere. The sound quality of this Blu-ray disc is simply phenomenal, especially with the 5.1 soundtrack. The sound mix is completely front-cantered. Tim Burton’s choice to use Black-and-White film was the best ideal choice ever; because Tim Burton wanted to make sure that the look, feel and even the sound of the film was not too modern. Howard Shores’ film score is hauntingly beautiful, and is presented throughout the film through the rear channel. Also totally brilliant is Tom Duffield’s tongue-in-cheek design and Stefan Czapsky’s luxurious black-and-white cinematography also enhances this film, which is very much in the tradition of Tim Burton’s other films about outsiders.
‘ED WOOD’ ends right after the premiere of ‘Plan 9 from Outer Space’ in 1959 without chronicling Edward D. Wood Jr. and his real-life descent into alcoholism and pornography. The film got favourable reviews from the likes of Roger Ebert, Jonathan Rosenbaum, Leonard Maltin and others. Still, sadly this wasn't enough to pull viewers into the cinemas, so ‘ED WOOD’ became Tim Burton's first film that didn't make money even though it's considered one of his best and I totally agree 100%.
Finally, one nice extra bonus we get to read at the end of the film, is updated information about the real people that were portrayed in the film ‘ED WOOD’ and they are as follows:
Edward D. Wood Jr. kept struggling in Hollywood, but mainstream success eluded him. After a slow decent into alcoholism and monster nudie films, Edward D. Wood Jr. passed away in 1978, at the age of 54. Two years later, Edward D. Wood Jr. was voted “Worst Director Of All Time,” bringing him worldwide acclaim and a new generation of fans.
Kathy Wood was married to Edward D. Wood Jr. for over 20 years, and loyal throughout many ups and downs. After Edward D. Wood Jr. death, Kathy Wood never remarried.
Bela Lugosi never rose from the grave, but after appearing in 103 films, Bela Lugosi is more famous than ever. Today, his film memorabilia outsells Boris Karloff’s by substantial margin.
Bunny Breckinridge, despite much talk, never actually had his sex change. He is currently living in New Jersey.
Dolores Fuller, after leaving Edward D. Wood Jr., went on to a successful song writing career. Her compositions include the Elvis Presley hits “Rock-A-Hula Baby” and “Do The Clam.”
Tor Johnson, appeared in numerous “B” movies, before achieving his greatest fame as a best-selling Halloween mask. Tor Johnson passed away in 1971.
Vampira [Maila Nurmi] retired from show business to sell handcrafted jewelry. In the 1980s, Vampira unsuccessfully sued Elvira [Cassandra Peterson] for stealing her act.
Paul Marco and Conrad Brooks are still personalities on the Hollywood scene. Paul Marco is founder and president of the Paul Marco Fan Club. The New York Times recently named Conrad Brooks the “Gielgud of Bad Movies.”
Dr. Tom Mason, the chiropractor, appeared in one more Edward D. Wood Jr. film, ‘Night Of The Ghouls.’ This time Edward D. Wood Jr. let him show his face.
Criswell [aka The Amazing Criswell] continued making highly inaccurate and bizarre predictions, often as a guest on “The Tonight Show.” Jeron Criswell Konig departed our dimension in 1982.
Blu-ray Video Quality – Touchstone Pictures brings you an excellent and stunning 1080p encoded crisp black-and-white picture images. Also most of the time you get really good sharpness and equally convincing detail drawing on a good and balanced contrast. Most of the scenes you view throughout the film have good depth effects. Overall throughout the film the impression is really brilliant and the choice of using Black-and-White film was the best choice ever for Tim Burton the director. Playback Region B/2: This will not play on most Blu-ray players sold in North America, Central America, South America, Japan, North Korea, South Korea, Taiwan, Hong Kong and Southeast Asia. Learn more about Blu-ray region specifications.
Blu-ray Audio Quality – Touchstone Pictures brings you a truly excellent 5.1 DTS-HD Master Audio. Howard Shore scored this film, and it is a total exciting pleasure to listen to. The sound quality of this disc is simply phenomenal with the 5.1 soundtrack. The sound mix is completely front-centred. This goes back to Tim Burton’s choice to use Black-and-White film; he wanted to make sure that the look, feel and even the sound of the film was not too modern. Howard Shores score is truly hauntingly beautiful, and is present throughout the film and also through the rear channels.
Blu-ray Special Features and Extras:
Audio Commentary: Commentary with Director Tim Burton, Actor Martin Landau, Co-Writers Larry Karaszewski and Scott Alexander, Director of Photography Stefan Czapsky and Costume Designer Colleen Atwood: Tim Burton's comments focus on ‘ED WOOD,’ and how "there's a real razor's edge between good and bad filmmaking." Tim Burton discovered Edward D. Wood Jr. films on TV, and for him he has a distinct style, which lends a certain power to his films. Ironically, writers Larry Karaszewski and Scott Alexander were tempted to write the screenplay after musing on how hard it was to make good films, and how most people aren't trying to make rubbish. They'd written the screenplay for ‘Problem Child,’ which had then been taken off them and turned into a silly children’s film, instead of the adult comedy they wanted to make in the first place. That started them thinking about Edward D. Wood Jr. and the passion he had for making films.
Special Feature: Deleted Scenes [1994] [1080p] [1.85:1] [7:39] Here we have five separate deleted scenes to view, which includes “Breaking In;” “Dinner at the Johnsons’;” “Escape;” “Que Sera Sera” and “Sleep Over.” Which consists of Two extend scenes with the theft of the giant octopus. We get a glimpse of Tor Johnson's home life. The strangest is a scene involving Bunny Breckenridge [Bill Murray] and the mariachi band seen briefly at the wrap party for ‘Bride of the Monster.’ The best is an additional scene between Edward D. Wood Jr. and Bela Lugosi. You can either watch them separately or Play All.
Special Feature: Music Video Composed by Howard Shore [2009] [480i] [1.33:1] [3:27] This ‘ED WOOD’ music video is Howard Shore's title theme, and Toni Basil's campy choreography fits right in. With this Black-and-White music video features some clips from the film interspersed with shots of Vampira [Lisa Marie] writhing around in a misty spooky cemetery. Directors: Tim Burton and Toni Basil. Composer: Howard Shore. Choreography: Toni Basil.
Special Feature: Let's Shoot This F#*%@r! [1994] [1080i] [1.33:1] [13:55] Johnny Depp provides an introduction and conclusion to this special promotional feature, where they were doing a wrap party in a Meat Packing Plant. Most of this special consists of neatly edited footage from the set with Johnny Depp in both Black-and-White and Colour. By far the best section chronicles the shooting of Bela Lugosi's "octopus" encounter. Most the material is simply fly-on-the-wall clips of the director Tim Burton at work, providing a brief but worthwhile peek into his process and obsessive attention to detail of this brilliant director.
Special Feature: The Theremin [1994] [1080i] [1.33:1] [7:24] Howard Shore discusses the use of this unique electronic instrument in the music film score, which is apparently a fusion of Cuban, old Sci-Fi, Henry Mancini and jazz. Theremin expert Mark Segal describes how the instrument works. The strange, ghostly vibe that pervades it comes from a 1920s electronic instrument known as the Theremin, which is an early electronic musical instrument controlled without physical contact by the person who plays the instrument. It is named after the Westernized name of its Russian inventor, Léon Theremin, who patented the device in 1928. We get to see the extraordinary instrument in action, which is played by hand movement in the space between two metal rods.
Special Feature: Making Bela [1994] [1080i] [1.33:1] [8:14] Actor Martin Landau contributes his rally nice thoughts in this really nice special, especially on the profile on Bela Lugosi [1882 – 1956], and also on his portrayal of the man. Make-up artist Rick Baker also talks through his work on how they transformed Martin Landau into Bela Lugosi, and why he would of have happily have done it for free. Martin Landau goes into great detail on his performance, and also talks fondly on the actor Bela Lugosi and we also get to see a very sad black-and-white photo of an emaciated Bela Lugosi when he entered a rehab centre for abuse of alcohol and drugs.
Special Feature: Pie Plates over Hollywood [1994] [1080i] [1.33:1] [13:49] Tom Duffield [Production Designer] discusses the challenges of the film's production design and also provides lots of information on the film's visuals. Tom Duffield also shares sketches from his rare production design book, that has loads of photos and Xerox images, which Tom Duffield always produces with each film he works on and also discusses how together Tom Duffield and Tim Burton designed the look of the film. You also get to see clips from the film and you also get a combination of Black-and-White and Colour images throughout this special feature. This was quite a nice little feature.
Theatrical Trailer [1994] [480i] [1.33:1] [2:19] This is the Original Theatrical Trailer for the film ‘ED WOOD.’ Despite being brief, it is still very clever. It is also a fantastic presentation and this trailer certainly gives you a flavour of what to expect when you see this brilliant film.
Finally, 'ED WOOD' isn't your typical biopic. It is more of homage to the era and style of the filmmaker than a straight recitation of the facts. However, it works perfectly in this case. 'ED WOOD' is a loving celebration of outcasts, misfits, passion, and filmmaking. Tim Burton brings a heartfelt spirit of quirky nostalgia to the picture that somehow finds laughter and tears in one of the most unlikely biopics ever made. The video transfer is strong and while the audio is very front-heavy, it serves the film well. The commentary and featurettes offer some great insights into the production and real-life inspirations for the story. This is one of my many favourite films from Tim Burton, and thankfully Touchstone Pictures has done the film justice. This is easily his best picture, and perhaps his most personal one and Edward D. Wood Jr.’s friendship with Bela Lugosi reflects Tim Burton’s own relationship with veteran horror actor Vincent Price. There is no picture which captures better the importance of art, friendship, resilience, optimism, and respect for others and for history. Try and purchase it to see why I love this film. 'ED WOOD' is a triumph, and the Blu-ray is well worth the price. Very Highly Recommended!
Andrew C. Miller – Your Ultimate No.1 Film Aficionado Le Cinema Paradiso United Kingdom
Johnny Depp did a stellar job and captures the essence of Ed Wood as many of us know of his work. Martin Landau won best supporting for this one, too. Well deserved and who doesn't hate Boris Karloff??
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