Making Large Language Models work for you
Another great talk from Simon that explains large language models in a hype-free way.
Another great talk from Simon that explains large language models in a hype-free way.
The latest episode of Ariel’s excellent Offworld video series (and podcast) is all about Close Encounters Of The Third Kind.
I have such fondness for this film. It’s one of those films that I love to watch on a Sunday afternoon (though that’s true of so many Spielberg films—Jaws, Raiders Of The Lost Ark, E.T.). I remember seeing it in the cinema—this would’ve been the special edition re-release—and feeling the seat under me quake with the rumbling of the musical exchange during the film’s climax.
Ariel invited Rose Eveleth and Laura Welcher on to discuss the film. They spent a lot of time discussing the depiction of first contact communication—Arrival being the other landmark film on this topic.
This is a timely discussion. There’s a new book by Daniel Oberhaus published by MIT Press called Extraterrestrial Languages:
If we send a message into space, will extraterrestrial beings receive it? Will they understand?
You can a read an article by the author on The Guardian, where he mentions some of the wilder ideas about transmitting signals to aliens:
Minsky, widely regarded as the father of AI, suggested it would be best to send a cat as our extraterrestrial delegate.
Don’t worry. Marvin Minsky wasn’t talking about sending a real live cat. Rather, we transmit instructions for building a computer and then we can transmit information as software. Software about, say, cats.
It’s not that far removed from what happened with the Voyager golden record, although that relied on analogue technology—the phonograph—and sent the message pre-compiled on hardware; a much slower transmission rate than radio.
But it’s interesting to me that Minsky specifically mentioned cats. There’s another long-term communication puzzle that has a cat connection.
The Yukka Mountain nuclear waste repository is supposed to store nuclear waste for 10,000 years. How do we warn our descendants to stay away? We can’t use language. We probably can’t even use symbols; they’re too culturally specific. A think tank called the Human Interference Task Force was convened to agree on the message to be conveyed:
This place is a message… and part of a system of messages… pay attention to it! Sending this message was important to us. We considered ourselves to be a powerful culture.
This place is not a place of honor…no highly esteemed deed is commemorated here… nothing valued is here.
What is here is dangerous and repulsive to us. This message is a warning about danger.
A series of thorn-like threatening earthworks was deemed the most feasible solution. But there was another proposal that took a two pronged approach with genetics and folklore:
This is the raycat solution.
Recipes inspired by The Left Hand Of Darkness.
I mostly stuck to Le Guin’s world-building rules for Winter, which were “no large meat-animals … and no mammalian products, milk, butter or cheese; the only high-protein, high-carbohydrate foods are the various kinds of eggs, fish, nuts and Hainish grains.” I did, however, add some hot-climate items found in Manhattan’s Chinatown for their space-age looks and good flavors (dragonfruit, pomelo, galangal, chilis, and kaffir limes).
Serve with hot beer.
Steven Johnson dives deep into the METI project, starting with the Arecibo message and covering Lincos, the Drake equation, and the Fermi paradox.
He also wrote about what he left out of the article and mentions that he’s writing a book on long-term decision making.
In a sense, the METI debate runs parallel to other existential decisions that we will be confronting in the coming decades, as our technological and scientific powers increase. Should we create superintelligent machines that exceed our own intellectual capabilities by such a wide margin that we cease to understand how their intelligence works? Should we ‘‘cure’’ death, as many technologists are proposing? Like METI, these are potentially among the most momentous decisions human beings will ever make, and yet the number of people actively participating in those decisions — or even aware such decisions are being made — is minuscule.
The first of Neil Bomkamp’s series of short films—testbeds for potential feature films.
Compare and contrast Alien, Starship Troopers, and The Thing with 2001 and Roadside Picnic (and I would throw Solaris into the mix).
Plugging in a monster moves a plot right along, of course, but if that’s all it’s doing, the plot is neglecting to examine how a real biosphere would work. That would be a sensationally complex task, but given the amount of research now going on in astrobiology and exoplanetary science, the suspicion here is that experts could be summoned who could produce such a film. Even so, there is something to be said for not seeing aliens.
Here’s a fun cosmic hypothesis on the scale of an Olaf Stapeldon story. There are even implications for data storage:
By storing its essential data in photons, life could give itself a distributed backup system. And it could go further, manipulating new photons emitted by stars to dictate how they interact with matter. Fronts of electromagnetic radiation could be reaching across the cosmos to set in motion chains of interstellar or planetary chemistry with exquisite timing, exploiting wave interference and excitation energies in atoms and molecules.
Tim Carmody on James Cameron’s meisterwerk (and technology in sci-fi films in general).
Typeset In The Future is back with another cracking analysis. This time—following on from 2001 and Moon—we’ve got Alien.
In her final recorded message before hypersleep, Ripley notes that she is the sole survivor of the Nostromo. What she forgets to mention is that she has not once in the past two hours encountered any Eurostile Bold Extended.
Queen of science fiction.
A fantastically detailed look by Michael at the evolution of the design of Chewbacca.
This is wonderful, just wonderful; an in-depth piece on corridors in science fiction movies. Swoon!
Giger's alien made of vegetables, Arcimboldo style.