Why A.I. Isn’t Going to Make Art | The New Yorker

Using ChatGPT to complete assignments is like bringing a forklift into the weight room; you will never improve your cognitive fitness that way.

Another great piece by Ted Chiang!

The companies promoting generative-A.I. programs claim that they will unleash creativity. In essence, they are saying that art can be all inspiration and no perspiration—but these things cannot be easily separated. I’m not saying that art has to involve tedium. What I’m saying is that art requires making choices at every scale; the countless small-scale choices made during implementation are just as important to the final product as the few large-scale choices made during the conception.

This bit reminded me of Simon’s rule:

Let me offer another generalization: any writing that deserves your attention as a reader is the result of effort expended by the person who wrote it. Effort during the writing process doesn’t guarantee the end product is worth reading, but worthwhile work cannot be made without it. The type of attention you pay when reading a personal e-mail is different from the type you pay when reading a business report, but in both cases it is only warranted when the writer put some thought into it.

Simon also makes an appearance here:

The programmer Simon Willison has described the training for large language models as “money laundering for copyrighted data,” which I find a useful way to think about the appeal of generative-A.I. programs: they let you engage in something like plagiarism, but there’s no guilt associated with it because it’s not clear even to you that you’re copying.

I could quote the whole thing, but I’ll stop with this one:

The task that generative A.I. has been most successful at is lowering our expectations, both of the things we read and of ourselves when we write anything for others to read. It is a fundamentally dehumanizing technology because it treats us as less than what we are: creators and apprehenders of meaning. It reduces the amount of intention in the world.

Why A.I. Isn’t Going to Make Art | The New Yorker

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AI and Asbestos: the offset and trade-off models for large-scale risks are inherently harmful – Baldur Bjarnason

Every time you had an industry campaign against an asbestos ban, they used the same rhetoric. They focused on the potential benefits – cheaper spare parts for cars, cheaper water purification – and doing so implicitly assumed that deaths and destroyed lives, were a low price to pay.

This is the same strategy that’s being used by those who today talk about finding productive uses for generative models without even so much as gesturing towards mitigating or preventing the societal or environmental harms.

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Declare your AIndependence: block AI bots, scrapers and crawlers with a single click

This is a great move from Cloudflare. I may start using their service.

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Should I remove this blog from Google Search?・The Jolly Teapot

There was life before Google search. There will be life after Google search.

Google is not a huge source of traffic and visibility. I get most of my visits from RSS readers, other people’s links including fellow bloggers, or websites like Hacker News. It’s hard to tell at this point since I don’t track anything, but that’s an educated guess.

Removing my website from Google would have very little impact, so I was wondering if I should just do it.

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AI Pollution – David Bushell – Freelance Web Design (UK)

AI is steeped in marketing drivel, built upon theft, and intent on replacing our creative output with a depressingly shallow imitation.

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