Matt takes a look at the history of scheduled broadcast media—which all began in Hungary in 1887 via telephone—and compares it to the emerging media context of the 21st century; the stream.
If the organizing principle of the broadcast schedule was synchronization — millions seeing the same thing at the same time — then the organizing principle of the stream is de-contextualization — stories stripped of their original context, and organized into millions of individual, highly personalized streams.
On the internet, everything can appear equally legitimate. Breitbart resembles the BBC. The fictitious Protocols of the Elders of Zion look as valid as an ADL report. And the rantings of a lunatic seem as credible as the findings of a Nobel Prize winner. We have lost, it seems, a shared sense of the basic facts upon which democracy depends.
Another brilliant talk from Frank, this time on the (im)balance between the commercial and the cultural web.
Remember: the web is a marketplace and a commonwealth, so we have both commerce and culture; it’s just that the non-commercial bits of the web get more difficult to see in comparison to the outsized presence of the commercial web and all that caters to it.
This really resonates with me:
If commercial networks on the web measure success by reach and profit, cultural endeavors need to see their successes in terms of resonance and significance.
This thing that we’ve been doing collectively with our relentless blog posts and pokes and tweets and uploads and news story shares, all 30-odd years of fuck-all pointless human chatterboo, it’s their tuning fork. Like when a guitarist plays a chord on a guitar and compares the sound to a tuner, adjusts the pegs, plays the chord again; that’s what has happened here, that’s what all my words are, what all our words are, a thing to mimic, a mockingbird’s feast.
Every time you ask AI to create words, to generate an answer, it analyzes the words you input and compare those words to the trillions of relations and concepts it has already categorized and then respond with words that match the most likely response. The chatbot is not thinking, but that doesn’t matter: in the moment, it feels like it’s responding to you. It feels like you’re not alone. But you are.
Writing, both code and prose, for me, is both an end product and an end in itself. I don’t want to automate away the things that give me joy.
And that is something that I’m more and more aware of as I get older – sources of joy. It’s good to diversify them, to keep track of them, because it’s way too easy to run out. Or to end up with just one, and then lose it.
The thing about luddites is that they make good punchlines, but they were all people.
Paul Ford:
The web was born to distribute information on computers, but the technology industry can never leave well enough alone. It needs to make everything into software. To the point that your internet browser is basically no longer a magical book of links but a virtual machine that can simulate a full-fledged computer.
Broad Band, Uncanny Valley, Close to the Machine, Abolish Silicon Valley, and The Victorian Internet.
A presentation at An Event Apart Seattle 2019.
API shall not kill API.